In this book Miles Aldridge delves into his Polaroid archive -- venturing back through twenty years of enhancing, modifying, reassembling and discarding. Many of these Polaroids were intentionally annotated or accidentally damaged while working on different shoots. Liberated from their original context, the images take on a life of their own by evolving into surreal and cinematic narratives. By enlarging and manipulating the Polaroids in unpredictable ways, Aldridge devotes himself to each Polaroid as an independent image while simultaneously learning to appreciate the importance of flaws and imperfections. This book provides us with a rare insight into a photographer's odyssey; an unfolding journey of the imagination in parallel to his working process.

A new installment in Miles Aldridge's ongoing homage to, and plea for the revival of, Polaroid film The sequel to Miles Aldridge's (born 1964) Please Return Polaroid(2016), this book presents new and vintage Polaroids from the British photographer's more than 20-year archive, in a seemingly random sequence shaped by a dreamlike logic and surprising juxtapositions. Please Please Return Polaroidexplores Aldridge's dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape, intuition and not a little patience. Aldridge continues to use Polaroids as part of his work-in-progress "sketches," often scratching, tearing and taping them together, even drawing over them; each mark part of the creative act. Known for creating immaculate photos of a less than perfect world, Aldridge revels in these unpolished images, transforming some into extreme enlargements filling double pages with their reworked and damaged surfaces.

The first monograph from the brilliant fashion photographer Miles Aldridge. With a cinematic approach to fashion photography, Miles Aldridge creates singular scenes with psychologically complex characters in surreal and fantastic settings. His brilliant, candy-colored images engage viewers with an appealing mix of overt sexuality and sweetness. No detail is left uncovered in his eye-popping, erotically charged fashion photographs, which transform slightly sordid scenarios into acid-hued glamour. Each photograph is a complex world unto itself, and these lush images invite viewers to linger, for there is always something else to see, some deeper layer of meaning to uncover. Including hand-drawn storyboards that Aldridge uses to fix the idea of a shoot in his mind, as well as previously unpublished material, this monograph is filled with intimate insight into the photographer’s point of view and process. With deliciously naughty scenes and lushly evocative photography, this book lures readers into Aldridge’s irresistible world.

This guide explains how to transfer polaroid images onto artists' papers,ilk, wood, and tile. It also describes how to enhance these pictures withaint, markers and crayons.

Other Pictures is Miles Aldridge's surreal take on the traditional family album, and an autobiographical sequel to Pictures for Photographs (Edition 7L, 2009), in which Aldridge presented his fashion drawings and photographs. Other Pictures opens with seductive black and white images of Aldridge's then lover, now wife, model Kristen McMenamy. Taken in hotel rooms after fashion shows from London to New York between 1994 and 1997, the photos are spontaneous and narcissistic, and show the young Aldridge investigating the medium of 35 mm photography as much as his unfolding romance with McMenamy. The second part of Other Pictures is an introspective portrait in deep colour of Aldridge's married life with children. Cinematic and beautiful but filled with anxiety, these images show Aldridge's children as vacant and sometimes corpse-like actors in the photographer's imagined drama of family life.

In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. The Polaroid Book, a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favorite among artists for its quirky look and instantly gratifying, one-of-kind images. ? over 400 works from the Polaroid Collection ? essay by Polaroid's Barbara Hitchcock illuminating the beginnings and history of the collection ? technical reference section featuring the various types of Polaroid cameras

Gathers the best of the photographer's creative and often whimsical canine portraits as taken with a 20 x 24-inch Polaroid camera, in a treasury accompanied by an essay on his experiences with the camera and with his models.

Photographs.

For Miles Aldridge Acid Candy' refers to the hard boiled sweets he had as a kid. But  this spirit is also found in the photographic dreams he constructs using a bright, almost plastic, coloured palette in order to illustrate fashions for potential buyers. In admiration, David Lynch describes his work as a colour coordinated, graphically pure, hard-edged reality'. Here some 70 full page, colour photographs created for leading fashion magazines such as Vogue, Numero and Paradis are presented.