"[Her] dialogue bristles with smart, eloquent talk...Ms. Ziegler's quietly lyrical language has a luminous beauty, and her talent for creating characters whose complicated depths are just visible on their surfaces is still more remarkable." (The New York Times) This second play collection from one of America's most successful theatre writers brings together four plays that offer differing perspectives on family and the human condition. Each play has enjoyed successful productions in cities across America, cementing Ziegler's position as one of the world's most exciting contemporary dramatists. The Wanderers: A funny, insightful, and mysterious new drama explores the hidden connections between seemingly disparate people, drawing audiences into an intriguing puzzle and a deeply sympathetic look at modern love. "As perfect a piece of theater as I've seen in many years. The script by Anna Ziegler is a revelation, touching on family truths, marriage, and personal histories...Go see this show. It's magnificent." (DC Theatre Scene) The Great Moment: A personal and poignant meditation on beginnings and endings, birth and age, and the moments of transition that mark our passage from life to death. "A reflection on family, love, life, expected loss, and the peculiarity of our relationship with time, The Great Moment blends moments of sweetness, sadness, nostalgia, delight, and humor to create a delightful evening of theater." (Seattle Pockets) Another Way Home: A funny, moving, and uplifting examination of what it means to be a family. "a laugh-packed serio-comedy that shoves family life under a microscope. The dialogue is ironic, sardonic, poignant, insightful and funny - with each sensation rapidly piling atop the next." (Marinscope) Actually: Investigates gender and race politics, our crippling desire to fit in, and the three sides to every story. “Gripping. Beautifully rendered and complex. Destined to trigger discussion.” (LA Times)

'Hanoch Levin is the modern world on the stage... we badly need to hear what he has to say.' David Lan Hanoch Levin was one of Israel's leading dramatists. Born in Tel Aviv in 1943, his work includes comedies, tragedies, and satirical cabarets, most of which he directed himself. He received numerous theatre awards both in Israel and abroad and his plays have been staged around the world. Levin was awarded the Bialik Prize in 1994. Published in brand-new English translations, these selected volumes of Hanoch Levin, one of Israel's leading dramatists, aim to bring one of the most important playwrights of the Middle East to English speaking audiences. Plays Two contains the plays Suitcase Packers (1983), The Lost Women of Troy (1984), The Labour of Life (1989), Walkers in the Dark (1998) and Requiem (1999).

"In the first play, a sensitive, highly principled young man gets "retrenched" by a transnational company he has served for years. Unable to take care of his family, and his sense of self-worth seriously hurt, he resorts to a drastic action. In the second play, a corrupt, decadent politician/businessman nurses a passionate ambition to have his daughter "answer the wedding bell" in the largest and most expensive car in town. Something dramatic happens that thwarts that ambition in the very last moment. These two plays provide a telling commentary on the Nigerian condition."--BOOK JACKET.

Dennis Kelly is one of the UK's finest contemporary dramatists. This second volume of his work collects together: Our Teacher's a Troll, Orphans, Taking Care of Baby, DNA and The Gods Weep. Also features a foreword by journalist, author and critic, Aleks Sierz. "Without doubt, Kelly is one of the most multi-talented British playwrights to emerge in the last decade" - Aleks Sierz (from the foreword)

Includes the plays The White Witch of Rose Hall, The Last Admittance of Man, 48-49, Making Waves, Walk Against Fear and Two Tracks and Text Me The White Witch of Rose Hall explores the horrors of voodoo and slavery. In The Last Admittance of Man Jesus has sought permission from God to see the future. 48-49 looks to the future of black people in Britain. In Making Waves, a West Indian Pentecostal Minister takes on a dispirited circuit of churches within the Welsh community. Walk Against Fear tells the story of James Meredith in 1962, the first African American to attend the University of Mississippi.

Includes the plays Smithereens, Strange Orchestra, Before The Party and The Old Ladies With an Introduction by Michael Hastings. No other major British playwright of the last 50 years has undergone such a radical reappraisal as Rodney Ackland. Interest in his work renewed in the 1990s, starting at the Orange Tree Theatre, Richmond, with further revivals at many theatres, including the Chichester Festival Theatre and the Royal National Theatre. In Plays Two, we are reminded once again of Ackland's unique and dangerous gift.

Includes the plays Worlds Apart, This Other Eden and International Café All the plays in this second volume of Paul Sirett's collected plays focus on dislocation and the clash of civilisations. Set in an airport immigration office, Worlds Apart interweaves the fates of five detainees and the officers handling them, with the Tibetan folk tale of Sukyi Nyima. In Crusade a group of Western tourists break down in the West Bank, reacting in different ways to their situation. This Other Eden portrays the disastrous personal and political divisions within a classical string quartet. The collection ends with the short play International Café which brings together the stories of a restaurant's staff and customers, and was specifically written to be performed in restaurants.

David Almond turns his talents to drama in these two plays. Skellig is the dramatization of his highly acclaimed novel. What has Michael found in the derelict garage? What is this creature that lies in the darkness? Is it human, or a strange beast never seen before? And what will happen in the world when he carries it out into the light? Wild Girl, Wild Boy is an original play produced in London by the Pop-Up Theatre company. Young Elaine has recently lost her father, and now she spends her days dreaming in the family’s garden, skipping school, unable to read or write. One day, Elaine conjures up a Wild Boy from spells and fairy seed. No one else can see him, and Elaine disappears into a world of fantasy where she and Wild Boy remember the teachings of her father. Will her mother ever come to understand? These two plays introduce a new talent from the remarkable David Almond.

Each of the plays is a complete dramatic work varying in length from 10--30 minutes. Scripts are excellent for secondary and university level. Comprises 9 plays for 1 man and 1 woman; 3 plays for 2 men; and 3 plays for 2 women.