Play with the ever-present energy of life in Mother Earth--play with Gaia! This is not yoga, dance or tai chi; it is an awakening and discovery of playfulness and inner freedom. Open a new doorway with yourself or the children in your life. Together you can heal wounds, dissolve boundaries, create deep inner bonds and bring new creativity and awareness into your world. Be independently joyful. Expand your awareness of beauty, support and love found in nature. Connect with Mother Earth--play with Gaia!

• Examines how integrating important alchemical images with Gaian science can offer insights into our interconnectedness with Gaia • Looks at how the four components of the living earth--biosphere, atmosphere, hydrosphere, and lithosphere--mesh with the four elements of alchemical theory and the four functions of consciousness as understood by depth psychology • Offers guided meditations and contemplative exercises to open your receptivity to messages from the biosphere and help you connect more deeply with Gaia During the scientific revolution, science and soul were drastically separated, propelling humanity into four centuries of scientific exploration based solely on empiricism and rationality. But, as scientist and ecologist Stephan Harding, Ph.D., demonstrates in detail, by reintegrating science with profound personal experiences of psyche and soul, we can reclaim our lost sacred wholeness and help heal ourselves and our planet. The book begins with compelling introductions to depth psychology, alchemy, and Gaia theory--the science of seeing the Earth as an intelligent, self-regulating system, a theory pioneered by the author’s mentor James Lovelock. Harding then explores how alchemy, as understood through the depth psychology of C. G. Jung, offers us powerful methods of reuniting rationality and intuition, science and soul. He examines the integration of important alchemical engravings, including those from L’Azoth des Philosophes and the Rosarium Philosophorum, with Gaian science. He shows how the seven key alchemical operations in the Azoth image can help us develop deeply transformative experiences and insights into our interconnectedness with Gaia. He then looks at how the four components of the living Earth--biosphere, atmosphere, hydrosphere, and lithosphere--mesh not only with the four elements of alchemical theory but also with the four functions of consciousness from depth psychology. Woven throughout with the author’s own experiences of Gaia alchemy, the book also offers guided meditations and contemplative exercises to open your receptivity to messages from the biosphere and help you develop your own Gaian alchemical way of life, full of wonder and healing.

Gaia, in which James Lovelock puts forward his inspirational and controversial idea that the Earth functions as a single organism, with life influencing planetary processes to form a self-regulating system aiding its own survival, is now a classic work that continues to provoke heated scientific debate.

This classic work is reissued with a new preface by the author. Written for non-scientists the idea is put forward that life on Earth functions as a single organism.

Examines the causes and effects of global warming and offers opinions from leading scientists about what can be done to help the Earth.

This extensively revised and expanded edition broadens the reach and depth of the permaculture approach for urban and suburban gardeners. The text's message is that working with nature, not against it, results in more beautiful, abundant, and forgiving gardens.

“The book is full of empathetic, insightful, and often very funny portraits of Margulis, Lovelock, and a community of other figures associated with Gaia.” —Carla Nappi, New Books in Science, Technology, and Society In 1965 English scientist James Lovelock had a flash of insight: the Earth is not just teeming with life; the Earth, in some sense, is life. He mulled this revolutionary idea over for several years, first with his close friend the novelist William Golding, and then in an extensive collaboration with the American scientist Lynn Margulis. In the early 1970s, he finally went public with the Gaia hypothesis, the idea that everything happens for an end: the good of planet Earth. Lovelock and Margulis were scorned by professional scientists, but the general public enthusiastically embraced Lovelock and his hypothesis. In The Gaia Hypothesis, philosopher Michael Ruse, with his characteristic clarity and wit, uses Gaia and its history, its supporters and detractors, to illuminate the nature of science itself. Gaia emerged in the 1960s, a decade when authority was questioned and status and dignity stood for nothing, but its story is much older. Ruse traces Gaia’s connection to Plato and a long history of goal-directed and holistic—or organicist—thinking and explains why Lovelock and Margulis’s peers rejected it as pseudoscience. But Ruse also shows why the project was a success. He argues that Lovelock and Margulis should be commended for giving philosophy firm scientific basis and for provoking important scientific discussion about the world as a whole, its homeostasis or—in this age of global environmental uncertainty—its lack thereof. “[Ruse’s] treatment is thought-provoking and original, as you would expect from this perceptive, irrepressible philosopher of biology.” —New Scientist

"It is a time of great turbulence on the planet the elves call Gaia. Disturbing signs are abroad in the forests. The web of life that gives Gaia its pearly shine are being torn apart and destroyed. Species upon species are disappearing and the elves fear for the survival of their own people they ere created to care for. Payun charges the young elf Khoros to send a song to the farthest parts of Gaia. Far in the south of the world its tantalising strains are heard. Steve and Sarah are grappling with adolescence, with their exceptional ability to see the life behind the trees they love, and with local environmental problems against which they feel helpless. Khoros must contact these two and enlist their aid, despite the barriers of distance and dimension. Their quest takes the three friends on an adventure of body and mind, and through personal struggles as they try to fulfill their mission against seemingly insurmountable odds." (publisher).

Jabari is inventing a machine that will fly all the way across the yard! But making it go from CRASH to WHOOSH will take grit, patience, and maybe even a little help from his sister. Jabari is making a flying machine in his backyard! “It’ll be easy. I don’t need any help,” he declares. But it doesn’t work! Jabari is frustrated. Good thing Dad is there for a pep talk and his little sister, Nika, is there to assist, fairy wings and all. With the endearing father-child dynamic of Jabari Jumps and engaging mixed-media illustrations, Gaia Cornwall’s tale shows that through perseverance and flexibility, an inventive thought can become a brilliant reality.

Elizabeth Angier was happy to be at the end of the school year. She thought her summer on the family farm would be full of work and play with her best friend, Rachel, and her other best friend, her dog, Maizey. However, Elizabeth didn't anticipate the Harmony Farms Corporation moving to her town. Her world starts to crumble as her best friend moves away and her parents whisper of farmers selling their land and the effects this factory farm operation could have on them. When she thinks things can't get much worse, she meets the most unusual creature, Gaia, the living entity of the Earth. Strange things begin to happen to her, around her, and through her! Elizabeth discovers that with these new powers comes responsibility. A dire mistake makes Elizabeth wonder if meeting Gaia has been a blessing or a curse. Will Elizabeth have the strength to fight a large corporation? Or will her upstate New York home be spoiled by profit driven pork production that fouls the air, land, and water?