Playing Through the Blues: Flute Edition is an intermediate-level reading book with accompanying CD (12 listening tracks; 12 play-along tracks) that contains very melodic, fun-to-play blues lines and riffs in various styles and feels. The keys and tempos are comfortable. It's an excellent tool for learning what jazz soloing is all about. You can also improvise over the play-along tracks using the chords for the tracks shown in the book. Titles: Blues for Michael Brecker * On the Spot * Sus Sounds * Goin' Home * Funky Blue * Blues Ascension * Four in Three * Diggin' In * Nightfall * Medieval Blues * Tradin' Ones & Twos * Shuffle Them Blues.

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds.The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;BluesCountryAmerican folkLatin-AmericanWorld music including South American, Eastern European and AsianOdd meters (playing in a variety of time signatures)New AgeClassicalFolk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz.

10 Improvisational Flute Etudes written by Jeff Coffin over the changes to 10 jazz standards. Ideal for all flute players.

Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, andmajor chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along audio. Chapters on Guide Tones,Bebop Scales, Targeting, and Playing the Upper-Structure will help studentsanalyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as wellas other musical devices he used to get his sound. A must have for aspiringstudents wanting the master the jazz language. Includes access to online audio

(Fake Book). This fourth edition features even more Disney favorites, including hits from their most recent movie and television releases. 240 songs in all, including: The Bare Necessities * Be Our Guest * Beauty and the Beast * Can You Feel the Love Tonight * Circle of Life * The Climb * Colors of the Wind * Do You Want to Build a Snowman? * A Dream Is a Wish Your Heart Makes * For the First Time in Forever * Go the Distance * Happy Working Song * He's a Pirate * How Do You Know? * I See the Light * Immortals * King of New York * Lava * Let It Go * The Parent Trap * Part of Your World * A Pirate's Life * Reflection * Seize the Day * Some Day My Prince Will Come * True Love's Kiss * Under the Sea * When I See an Elephant Fly * When She Loved Me * When Will My Life Begin? * When You Wish Upon a Star * A Whole New World * Winnie the Pooh * Written in the Stars * You Are the Music in Me * You'll Be in My Heart * Zip-a-Dee-Doo-Dah * and many more.

The book begins with flexibility exercises and begins with having the ability to easily bend pitches. Planning to Play in Tune offers a variety of exercises that will not only develop this flexibility, but also greatly improve core tone quality. The "Full Spectrum Tone" exercises use the concepts of polyphonic singing and apply them to flute.The Just Tuning System is explained in the second section of the book. Learning to hear difference tones is a key element of playing with excellent intonation in an ensemble. It begins with exercises that help to zero in on these quiet tones and progress to using the difference tone as a reference for being in tune. A variety of methods of training ensembles is given in the third section. I use these faithfully for warming up flute ensembles and find them to be highly effective.Of course, one the most difficult aspects of playing in tune involves the use of dynamics. An entire section of the book is dedicated to progressively mastering the art of playing in tune when tackling extreme dynamics changes.The final section applies all the concepts to the famous flute solo in Ravel's Daphnis et Chloé. The harmony is discussed so that flutists are well-informed of how to listen and adjust pitch while playing with the orchestra.

Written for a wide variety of musicians, 15 Easy Jazz, Blues & Funk Etudes will appeal to both aspiring players and to more experienced musicians. For the younger player, particular care is given to range, rhythmic figures and overall playability. The more accomplished musician will appreciate the high level of musicality, the lyrical compositions and the opportunities to improvise. Either way, the format is simple: Bob Mintzer plays and demonstrates each etude with a stellar rhythm section on the included recording. You learn each etude slowly. When ready, you play the etude with the audio accompaniment.

Presents exercises to learn etudes for the saxophone.

Beginner Jazz Soloing For Flute teaches a creative method for improvisation that's been road-tested at hundreds of workshops.