For a pianist or organist new to playing the organ.This book has been written for the pianist who has never played an organ or an organist unfamiliar with the Roland, Rodgers or Infinity organs, but may be used by an experienced organist as well. Designed to be used for self-teaching but also useful when studying with a teacher.The Playing the Church Organ series is also useful for the experienced organist as it quickly introduces you to using all the stops on the organ, ones named on the stop tablets or drawknobs, and all that are waiting inside for you to call on them to more perfectly match the stops you choose to the music you are playing.This innovative teaching system works backwards - the goal is not to teach you all about playing the organ, it's to get you playing the organ with confidence and sounding professional from the first day you play, even if you have never had an organ lesson and just know how to play piano or a keyboard.Technique:We achieve this by starting you off with preset sounds, just as a teacher does, but here you control them yourself, right from the beginning. All that you need to learn to get started are three things:• Pressing Piston Buttons.When you press a piston button, the organ is ready for you to play. We have picked music for you that only uses the keyboards. This isn't simplified music - there has been a lot of organ music written for organs without pedals - in fact, even during the time of Handel, many organs only had keyboards. You will find the number of the piston to push at the top of the music - then you just begin to play. • Which Keyboard to Play?We mark every piece for you so you know which keyboard you [play.• The Expression Pedal Sets the Volume.You'll be surprised when you find out that the organ is not as difficult as you are able to focus more on playing the notes instead of also making them loud or soft or somewhere in between. • What happens then?“But...do I have to play the pedals?” You will find organ music written without pedals in books 1-4 that is easy to medium difficulty. As you play through the music you will be using 10 preset sound combinations that are enough to play services, including weddings and memorial services. This book also hows you how to use the Bass Coupler to play the pedals for you automatically on some of the music - we do this to get you excited and interested in playing them yourself.• This first book contains 33 pieces of useful music for you to enjoy playing the voices you are learning about. • The first four books in this series are a complete course in music for the organ, as well as exploring the stops of the organ.• Careful attention to encouraging you through lots of interesting music that is playable and that your congregation will appreciate. • These books may be used with or without a teacher.• Book 13 - A Playing Guide to the Roland, Rodgers and Infinity Organs is a good companion guide to this series qof instruments.

This classic method for beginners provides a brief history of the instrument, an explanation of organ construction, a discussion of the various stops and their management, a section devoted to practical study, and several pieces.

The renowned Flor Peeters is known as an organist and composer from his native Belgium to all of Europe and both Americas. Little Organ Book, consisting of hymn tunes and original compositions, has won special favor among teachers and students because of the clear presentation of elementary rules for organ playing.

Fans of Joyce Jones, other organists and students will thrill to know Warner Bros. Publications has re-released this long popular collection of organ pedal exercises and tips by the queen of pedaling. This book contains every conceivable type of pedaling found from the most basic to actual musical examples from standard repertoire. Helpful notes by Joyce Jones are included throughout, explaining patterns, techniques, etc. to improve pedaling by all organists. A must!

The authors' new approach to learning two playing techniques offers a systematic method for mastering the modern, legato technique needed for organ music composed after 1750, as well as an articulated technique for earlier works. The authors also present useful information on accompanying anthems and solos and on adapting piano and orchestral accompaniments to the organ.

The purpose of this book is to provide, within a single volume, technical studies, diverse compositions, and technical information for beginning organists. The book is also intended for those experienced organists who want to review organ technique and at the same time have a convenient collection of useful compositions.

"Out of a lifetime's experience of playing church organs, Dr. Conway speaks in this book to all, from the youngest novice to the experienced expert - about his job. It is the perfect handbook for the organist at whatever level of achievement - authoritative, comprehensive and simple. Everything is here, from the story of the origin of the organ to the best of the latest voluntaries. Not least of the merits of this work is that it will save the aspiring organist much unnecessary expenditure on music that is less than the best. For in the appendices will found suggested anthems and voluntaries for every Sunday of the church year, with helpful remarks and all the necessary information, such as compose, publisher, grade, etc. It is the book that the novice can read and appreciate and the expert will read with profit." Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include: Origin of the Organ The "Inside" of an Organ The Console Organ Registration The Church Organist Degrees and Diplomas The Position and Importance of the Organist in a Simple Service The Organist in Relation to the Choir The Choice of Music On Acquiring an Organ Organ Recitals Electronics Organs

A companion to the author's Toward and Authentic Interpretation of the Organ Works of César Franck, this title applies the sources discussed in that volume in its practical approach to performance. Each of Franck's twelve major organ works is discussed in detail: the manuscript, the work's history and association with Franck and his circle, published editions, corrections to the 1959 Durand edition, and recorded performances. Technical problems are discussed and solutions provided. A glossary of terms found in Franck's organ works is provided with English translation; Franck's often confusing registration indications are translated and explained; performance of each work is discussed in light of the information provided by Franck's own pupils, their students and contemporaries. A bibliography of Franck literature published from 1983 to 1996 is also included.