In this play in eight scenes, a modern boy finds Judah Maccabee in an abandoned room that exists both in his own temple and the ancient Temple in Jerusalem. This story of the celebration of both Hanukkah and its ancient origins is told with gentle humor.

Time travel and Hanukkah, a great combo!

Edward Einhorn blends absurdist humor with philosophy in these critically acclaimed plays about legendary Jewish figures. Golem Stories retells an old Kabalistic legend. It's a ghost story and a love story, about a childlike clay man who may be a demon inside. In The Living Methuselah, the oldest living man survives every disaster is human history, with the help of his wife Serach, the oldest living woman. But when a doctor tells him he will only live until the end of the play, will this be his final curtain? To find the title character of A Shylock, Jacob Levy interrogates every character in The Merchant of Venice, but oddly Hamlet may know the most-although this Hamlet is a woman. And in One-Eyed Moses and the Churning Red Sea, Rabbi Tzipporah Finestein dreams Moses is a pirate captain, but what do the dreams mean? Two congregants hold the key.

Kar-Ben Read-Aloud eBooks with Audio combine professional narration and text highlighting to bring eBooks to life! At a Hanukkah party on Sesame Street, Grover and the Count welcome visiting Israeli Muppet friends Brosh and Avigail, tell the story of Hanukkah, feast on latkes, and learn that EIGHT is the perfect Hanukkah number.

Whether one approaches the Bible from a perspective of faith, culture or literature, the power of the writing, the human situations, language and genres that make up the Scriptures speak potently across the ages. From whatever angle, the texts have a revelatory power that shines a light on the human condition, our sense of purpose, place in the world, and even our destiny. Born out of the common reflection on the history of single nation with a sense of divine election, the Bible has spoken, and continues to speak to all people in various circumstances, in words of such power that seem divinely inspired. This second volume looks at a more narrative view of the history of Ancient Israel, in stories written in the late Old Testament to reflect on the tribulations of the people in captivity, either after the Assyrian Deportation of 722 BC, the Babylonian Captivity (597 BC), during Persian rule (538-323 BC), or under the grave existential threat posed by the Greek Seleucid Syrians (167–163 BC). God’s ways are sought amidst defeat and confusion, amidst fear and hope: his power to save out of suffering implored. The stories of Daniel, Jonah, Ruth, Esther, Tobit, Judith and the Maccabees remain parables of faith in God's providence, his redemptive love. This study encourages reading the texts themselves, developing a sharper perception of language, imagery, genre and style. The book, thus, provides an overall picture of the literary types employed, locates the sacred books in a chronological and thematic context, exploring the texts through the specific passages provided, always looking to find the theological keys critical to understanding these particular books and their enduring message across the ages. A particularly interesting aspect of this study is its collection of iconography, offering a cross-section of artistic responses to the power of the biblical discourse through the centuries. While Gustave Doré's famous etchings form the axis of the centrefolds, many other painters are included from different periods.

Chancellor Rieger is leaving office. But does leaving office necessarily mean that he, his mistress and his extended family have to leave the state villa, which has been their home for years? While his former secretary, and the former secretary to his former secretary, grapple with the mechanics of change and his family prepare to vace an uncertain future, the chancellor himself considers his legacy amid visits from journalists, an infatuated student and his arch-rival and possible successor, Patrick Klein. With echoes of both King Lear and The Cherry Orchard, Vaclav Havel's Leaving addresses the themes of change, dispossession and the transfer of power from one generation to the next. The play received its English-language world premiere at the Orange Tree Theatre, Richmond, in September 2008. Leaving is Vaclav Havel's first play since he was propelled to political office in 1989.

At last a great American Hanukkah story! This very funny, very touching novel of growing up Jewish has the makings of a holiday classic. One lousy miracle. Is that too much to ask? Evidently so for Joel, as he tries to survive Hannukah, 1971 in the suburbs of the suburbs of Los Angeles (or, as he calls it, “The Land of Shriveled Dreams”). That’s no small task when you’re a “seriously funny-looking” twelve-year-old magician who dreams of being his own superhero: Normalman. And Joel’s a long way from that as the only Jew at Bixby School, where his attempts to make himself disappear fail spectacularly. Home is no better, with a family that’s not just mortifyingly embarrassing but flat-out broke. That’s why Joel’s betting everything on these eight nights, to see whether it’s worth believing in God or miracles or anything at all. Armed with his favorite jokes, some choice Yiddish words, and a suitcase full of magic tricks, he’s scrambling to come to terms with the world he lives in—from hospitals to Houdini to the Holocaust—before the last of the candles burns out. No wonder his head is spinning: He’s got dreidels on the brain. And little does he know that what’s actually about to happen to him and his family this Hanukkah will be worse than he’d feared . . . And better than he could have imagined.

The Memorandum is a remarkably witty assault on the madness of "efficiency" peculiar to total bureaucracy. In a large office, and unknown to the Managing Director, a new language called Ptydepe is installed as the official means of inter-office communication

Pluralistic perspectives on the Festival of lights and profiles in modern Jewish courage.