The Seven Years' War (1756-1763) was a global conflict that spanned five continents, setting off what Winston Churchill later called "the first world war".

The Seven Years' War (1756-1763) was a global conflict that spanned five continents, setting off what Winston Churchill later called "the first world war".

The Seven Years' War (1756-1763), known as the French and Indian War in North America, was perhaps the first war that might be called a world war. It involved the major European countries, North and Central America, the coast of West Africa, the Philippines, and India. A major player in the war was Frederick the Great (1712-1786), the king of Prussia and a great military leader. The first major work on the monarch and his role in the war for more than a century, this book sheds light on many aspects of military and European history.

The closest thing to total war before the First World War, the Seven Years' War was fought in North America, Europe, the Caribbean and India with major consequences for all parties involved. This fascinating book is the first to truly review the grand strategies of the combatants and examine the differing styles of warfare used in the many campaigns. These methods ranged from the large-scale battles and sieges of the European front to the ambush and skirmish tactics used in the forests of North America. Daniel Marston's engaging narrative is supported by personal diaries, memoirs, and official reports.

World History, Volume 2: from 1400 is designed to meet the scope and sequence of a world history course from 1400 offered at both two-year and four-year institutions. Suitable for both majors and non majors World History, Volume 2: from 1400 introduces students to a global perspective of history couched in an engaging narrative. Concepts and assessments help students think critically about the issues they encounter so they can broaden their perspective of global history. A special effort has been made to introduce and juxtapose people’s experiences of history for a rich and nuanced discussion. Primary source material represents the cultures being discussed from a firsthand perspective whenever possible. World History, Volume 2: from 1400 also includes the work of diverse and underrepresented scholars to ensure a full range of perspectives. This is an adaptation of World History, Volume 2: from 1400 by OpenStax. You can access the textbook as pdf for free at openstax.org. Minor editorial changes were made to ensure a better ebook reading experience. This is an open educational resources (OER) textbook for university and college students. Textbook content produced by OpenStax is licensed under a Creative Commons Attribution 4.0 International License.

"For most Americans, the Revolution's main achievement is summed up by the phrase 'life, liberty, and the pursuit of happiness.' Yet far from a straightforward attempt to be free of Old World laws and customs, the American founding was also a bid for inclusion in the community of nations as it existed in 1776. America aspired to diplomatic recognition under international law and the authority to become a colonizing power itself. The Revolution was an international transformation of the first importance. To conform to the public law of Europe's imperial powers, Americans crafted a union nearly as centralized as the one they had overthrown, endured taxes heavier than any they had faced as British colonists, and remained entangled with European Atlantic empires long after the Revolution ended. No factor weighed more heavily on Americans than the legally plural Atlantic where they hoped to build their empire. Gould follows the region's transfiguration from a fluid periphery with its own rules and norms to a place where people of all descriptions were expected to abide by the laws of Western Europe -- 'civilized' laws that precluded neither slavery nor the dispossession of Native Americans."--Jacket

This compact anthology—the second volume in Margaret L. King's masterful introduction to the Western literary tradition—offers, in whole or in part, eighty key literary works of the eighteenth, nineteenth, and twentieth centuries. The texts provided here represent an unusually broad array of languages and traditions, ranging across a variety of genres such as verse, drama, philosophy, short- and long-form fiction, and non-fiction (including autobiography, speech, journalism, and essay). This second volume shares with the first a focus on works by women; numerous texts by Latin American writers are included here as well. King's clear, engaging introductions and notes support an informed reading of the texts while extending students’ knowledge of particular authors and problems of interest. The Western Literary Tradition's modest length and cost allow for the use of full-length works—many of which are available in Hackett Publishing’s own well-regarded and inexpensive translations and editions—alongside the anthology without adding undue cost to a student’s total textbook fees.

In this engrossing narrative of the great military conflagration of the mid-eighteenth century, Fred Anderson transports us into the maelstrom of international rivalries. With the Seven Years' War, Great Britain decisively eliminated French power north of the Caribbean — and in the process destroyed an American diplomatic system in which Native Americans had long played a central, balancing role — permanently changing the political and cultural landscape of North America. Anderson skillfully reveals the clash of inherited perceptions the war created when it gave thousands of American colonists their first experience of real Englishmen and introduced them to the British cultural and class system. We see colonists who assumed that they were partners in the empire encountering British officers who regarded them as subordinates and who treated them accordingly. This laid the groundwork in shared experience for a common view of the world, of the empire, and of the men who had once been their masters. Thus, Anderson shows, the war taught George Washington and other provincials profound emotional lessons, as well as giving them practical instruction in how to be soldiers. Depicting the subsequent British efforts to reform the empire and American resistance — the riots of the Stamp Act crisis and the nearly simultaneous pan-Indian insurrection called Pontiac's Rebellion — as postwar developments rather than as an anticipation of the national independence that no one knew lay ahead (or even desired), Anderson re-creates the perspectives through which contemporaries saw events unfold while they tried to preserve imperial relationships. Interweaving stories of kings and imperial officers with those of Indians, traders, and the diverse colonial peoples, Anderson brings alive a chapter of our history that was shaped as much by individual choices and actions as by social, economic, and political forces.

Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume II The First Golden Age of the Viennese Symphony Haydn, Mozart, Beethoven, and Schubert Volume II considers some of the best-known and most universally admired symphonies by Haydn, Mozart, Beethoven, and Schubert, who created what A. Peter Brown designates as the first golden age of the Viennese symphony during the late 18th and first three decades of the 19th century. The last two dozen symphonies by Haydn, half dozen by Mozart, and three by Schubert, together with Beethoven's nine symphonies became established in the repertoire and provided a standard against which every other symphony would be measured. Most significantly, they imparted a prestige to the genre that was only occasionally rivaled by other cyclic compositions. More than 170 symphonies from this repertoire are described and analyzed in The First Golden Age of the Viennese Symphony, the first volume of the series to appear.

In this pioneering new work, based on a thorough re-reading of primary sources and new research in the Austrian State Archives, Franz Szabo presents a fascinating reassessment of the continental war. Professor Szabo challenges the well-established myth that the Seven Years War was won through the military skill and tenacity of the King of Prussia, often styled Frederick “the Great”. Instead he argues that Prussia did not win, but merely survived the Seven Years War and did so despite and not because of the actions and decisions of its king. With balanced attention to all the major participants and to all conflict zones on the European continent, the book describes the strategies and tactics of the military leaders on all sides, analyzes the major battles of the war and illuminates the diplomatic, political and financial aspects of the conflict.