For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.

Former Archbishop of Canterbury Rowan Williams offers fascinating insight into The Chronicles of Narnia, the popular series of novels by one of the most influential Christian authors of the modern era, C. S. Lewis. Lewis once referred to certain kinds of book as a "mouthwash for the imagination." This is what he attempted to provide in the Narnia stories, argues Williams: an unfamiliar world in which we could rinse out what is stale in our thinking about Christianity--"which is almost everything," says Williams--and rediscover what it might mean to meet the holy. Indeed, Lewis's great achievement in the Narnia books is just that-he enables readers to encounter the Christian story "as if for the first time." How does Lewis makes fresh and strange the familiar themes of Christian doctrine? Williams points out that, for one, Narnia itself is a strange place: a parallel universe, if you like. There is no "church" in Narnia, no religion even. The interaction between Aslan as a "divine" figure and the inhabitants of this world is something that is worked out in the routines of life itself. Moreover, we are made to see humanity in a fresh perspective, the pride or arrogance of the human spirit is chastened by the revelation that, in Narnia, you may be on precisely the same spiritual level as a badger or a mouse. It is through these imaginative dislocations that Lewis is able to communicate--to a world that thinks it knows what faith is--the character, the feel, of a real experience of surrender in the face of absolute incarnate love. This lucid, learned, humane, and beautifully written book opens a new window onto Lewis's beloved stories, revealing the moral wisdom and passionate faith beneath their perennial appeal.

A distinguished academic, influential Christian apologist, and best-selling author of children's literature, C. S. Lewis is a controversial and enigmatic figure who continues to fascinate, fifty years after his death. This Companion is a comprehensive single-volume study written by an international team of scholars to survey Lewis's career as a literary historian, popular theologian, and creative writer. Twenty-one expert voices from the University of Oxford, the University of Cambridge, Princeton University, and Wheaton College, among many other places of learning, analyze Lewis's work from theological, philosophical, and literary perspectives. Some chapters consider his professional contribution to fields such as critical theory and intellectual history, while others assess his views on issues including moral knowledge, gender, prayer, war, love, suffering, and Scripture. The final chapters investigate his work as a writer of fiction and poetry. Original in its approach and unique in its scope, this Companion shows that C. S. Lewis was much more than merely the man behind Narnia.

All seven Chronicles are bound together in this one magnificent volume with a personal introduction by Douglas Gresham, stepson of C. S. Lewis.

Published in the early 1950s, C. S. Lewis's seven Chronicles of Narnia were proclaimed instant children's classics and have been hailed in The Oxford Companion to Children's Literature as "the most sustained achievement in fantasy for children by a 20th-century author." But how could Lewis (a formidable critic, scholar, and Christian apologist)conjure up the kind of adventures in which generations of children (and adults) take such delight? In this engaging and insightful book, C. S. Lewis expert David C. Downing invites readers to join his vivid exploration of the Chronicles of Narnia, offering a detailed look at the enchanting stories themselves and also focusing on the extraordinary intellect and imagination of the man behind the Wardrobe. Downing presents each Narnia book as its own little wardrobe - each tale an opportunity to discover a visionary world of bustling vitality, sparkling beauty, and spiritual clarity. And Downing's examination of C. S. Lewis's personal life shows how the content of these classic children's books reflects Lewis's love of wonder and story, his affection for animals and homespun things, his shrewd observations about human nature, along with his vast reading, robust humor, theological speculations, medieval scholarship, and arcane linguistic jokes. A fun glossary of odd and invented words will allow readers to speak with Narnian flair, regaling friends and family with unusual words like cantrips, poltoonery, hastilude, and skirling. A masterful work that will appeal to both new and seasoned fans of Narnia, Into the Wardrobe offers a journey beyond Narnia's deceptively simple surface and into its richly textured and unexpected depths.

The Space Trilogy is a fantastic work of fantasy that demonstrates C.S.Lewis's incredible imagination. This new one-volume version commemorates the 75th anniversary of Out of the Silent Planet's first publication with an exclusive Foreword by J.R.R. Tolkien, who inspired the main character of Ransom.

Careful readers of the Chronicles of Narnia know that there is more to the stories than meets the eye. There are layers of meaning in these fairy tales, spiritual gold beneath these Narnian hills. Those who delight in Lewis's magical world love to journey further up and further in, returning to Narnia again and again so that the same old stories can awaken our minds afresh to the wonder and glory all around us. But just how are these stories meant to change us? When we tumble back out of the wardrobe, in what ways should we be different? Drawing upon Lewis's other writings and the Chronicles themselves, Joe Rigney shows the intricate and sometimes subtle ways that Lewis intended his beloved fairy stories to shape our hearts and minds. In doing so, he commends Lewis's Chronicles as a fruitful part of Christian discipleship, so that in reading the Narnian stories, breathing Narnian air, and seeking to live like Narnians, we are wonderfully transformed into the image of Jesus Christ-the Great Lion and High King Above All Kings.

After Humanity is a guide to one of C.S. Lewis's most widely admired but least accessible works, The Abolition of Man, which originated as a series of lectures on ethics that he delivered during the Second World War. These lectures tackle the thorny question of whether moral value is objective or not. When we say something is right or wrong, are we recognizing a reality outside ourselves, or merely reporting a subjective sentiment? Lewis addresses the matter from a purely philosophical standpoint, leaving theological matters to one side. He makes a powerful case against subjectivism, issuing an intellectual warning that, in our "post-truth" twenty-first century, has even more relevance than when he originally presented it. Lewis characterized The Abolition of Man as "almost my favourite among my books," and his biographer Walter Hooper has called it "an all but indispensable introduction to the entire corpus of Lewisiana." In After Humanity, Michael Ward sheds much-needed light on this important but difficult work, explaining both its general academic context and the particular circumstances in Lewis's life that helped give rise to it, including his front-line service in the trenches of the First World War. After Humanity contains a detailed commentary clarifying the many allusions and quotations scattered throughout Lewis's argument. It shows how this resolutely philosophical thesis fits in with his other, more explicitly Christian works. It also includes a full-color photo gallery, displaying images of people, places, and documents that relate to The Abolition of Man, among them Lewis's original "blurb" for the book, which has never before been published.

C. S. Lewis' Ransom Trilogy, better known as "the Space Trilogy", is a much-neglected and yet critically important part of Lewis' works. It has captivated and bewildered readers since its publication, and though hundreds of books about Lewis have been written, few seek to navigate the maze that is Lewis's "space-travel story." These books are a distillation in novel form of one of Lewis' favorite subjects, a subject whose melody is woven into almost everything that Lewis ever wrote: the medieval model of the cosmos.Deeper Heaven is a guide and companion through the magical web of medieval cosmology, ancient myth, and critique of modern philosophies that makes up the oft-maligned "Space Trilogy." A student and teacher of literature and history herself, Christiana Hale will walk you through the Trilogy one step at a time, with eyes fixed where Lewis himself fixed his: on Deep Heaven and beyond. In the process, many questions will be answered: What does Christ have to do with Jupiter? Why does Lewis care so much about the medieval conception of the heavens? Why should we? And, perhaps the most puzzling question of all: why is Merlin in That Hideous Strength?

When Michael Ward's Planet Narnia emerged a decade ago, myriad things were pulled into its orbit: The immense gravitational force altered the field of C.S. Lewis studies, to be sure, but the discovery's scope stretched far into the worlds of literary criticism, Christian apologetics, and the arts. Only now, after ten years under its influence, have we begun to consider the magnitude of Planet Narnia's effects, and perhaps it is best to begin such an index by cultivating a jovial atmosphere of appreciation. Thus we curated this issue to celebrate both Dr. Ward and his stellar work. Photography: Lancia E. Smith Illustrations: Virginia de la Lastra Artwork: Ryan Grube. Contributors: Adam L. Brackin: "Quarantine," a short story. Annie Crawford: "The Cure Has Begun." Brenton Dickieson: "(Re)Considering the Planet Narnia Thesis," a challenging essay to the thesis. Ryan Grube: "For Your Contemplation" Malcolm Guite: "Planet Narnia as Creative Inspiration," an essay; "The Daily Planet," a poem; "The Circle Dance", a poem. Marshall Liszt: "Gravitational Pull," a reflection. Louis Markos: "Why We Love to Visit Narnia." Jason Monroe: "The Voyage of the Dawn Treader and the Rehabilitation of Practical Reason." Holly Ordway: "A Seven-Day's Journey through the Heavens," a poem Jahdiel Perez: "Where Paradoxes Play," Michael Ward on Christian Orthodoxy. Josiah Peterson: "A Defense of Planet Narnia." John Mark Reynolds: "An Unexpected Journey: Imaginative Apologetics and the Ward Moment," A personal reflection from Dr. John Mark Reynolds on the origins of the apologetics program at Houston Baptist University. Michael Ward: "Seven Questions," an interview with Dr. Michael Ward and An Unexpected Journal, and "Return to Planet Narnia" with additional support for the planetary thesis. Donald T. Williams: "C.S. Lewis, A Life," a poem. Kyoko Yuasa: "Table Narnia: Fugue to Evangelical Adventure," an essay on the symbolism of the table throughout the Chronicles.