A History of Contemporary Jewellery in Australia and New Zealand: Place and Adornment tells the remarkable story of how two countries, far from the jewellery centres of Europe and North America, have managed to contribute to an international art form, transforming jewellery from an imitation of European taste into an original expression of place.

A History of Contemporary Jewellery in Australia and New Zealand: Place and Adornment tells the remarkable story of how two countries, far from the jewellery centres of Europe and NorthAmerica, have managed to contribute to an international art form, transforming jewellery from an imitation of European taste into an original expression of place. In this richly illustrated book, the first comprehensive history of contemporary jewellery in Australasia, authors Damian Skinner and Kevin Murray bring together detailed analysis of objects and historical sources to show how contemporary jewellery offered a way to negotiate relationships between settler and indigenous cultures, to find beauty in humble materials, to appreciate the natural environment, and to test conventions of art, gender and identity.

Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, this book takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures. From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species – religion, morality, and art. Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.

If heaven is truly a paradise where God dwells, we should desire it more than anything on this frail, fleeting earth. The trials and difficulties of life should each be seen in light of the coming glory of heaven. Unfortunately, we rarely view things from this perspective. Our schedules are filled with the present, allowing no time for contemplating or desiring eternity. Our incorrect perspective makes us spend our time on the least important things while ignoring those things that are most crucial. Take a break from the present and let E. M. Bounds help you discover A Place Called Heaven. Examining virtually all the Scriptures that pertain to heaven, Bounds masterfully explains the nature of heaven and our purpose in it. Get a taste of heaven here on earth, learn a true Christian attitude toward eternity, and discover a purer, truer life.

Objects of adornment have been a subject of archaeological, historical, and ethnographic study for well over a century. Within archaeology, personal ornaments have traditionally been viewed as decorative embellishments associated with status and wealth, materializations of power relations and social strategies, or markers of underlying social categories such as those related to gender, class, and ethnic affiliation. Personal Adornment and the Construction of Identity seeks to understand these artefacts not as signals of steady, pre-existing cultural units and relations, but as important components in the active and contingent constitution of identities. Drawing on contemporary scholarship on materiality and relationality in archaeological and social theory, this book uses one genre of material culture - items of bodily adornment - to illustrate how humans and objects construct one another. Providing case studies spanning 10 countries, three continents, and more than 9,000 years of human history, the authors demonstrate the myriad and dynamic ways personal ornaments were intertwined with embodied practice and identity performativity, the creation and remaking of social memories, and relational collections of persons, materials, and practices in the past. The authors’ careful analyses of production methods and composition, curation/heirlooming and reworking, decorative attributes and iconography, position within assemblages, and depositional context illuminate the varied material and relational axes along which objects of adornment contained social value and meaning. When paired with the broad temporal and geographic scope collectively represented by these studies, we gain a deeper appreciation for the subtle but vital roles these items played in human lives.

Heraclitus is the first English translation of Volume 55 of Martin Heidegger's Gesamtausgabe. This important volume consists of two lecture courses given by Heidegger at the University of Freiburg over the Summers of 1943 and 1944 on the thought of Heraclitus. These lectures shed important light on Heidegger's understanding of Greek thinking, as well as his understanding of Germany, the history of philosophy, the Western world, and their shared destinies.

The first comprehensive guide to identifying and interpreting items such as buttons, clasps, buckles, combs, and other items of personal adornment in early American museum collections and archaeological sites.