A must have for all you butterfly lovers out there! The cover is professionally designed and the interior is high-quality. This journal is conveniently sized at 6 x 9 and contains over 100 pages to journal and take notes in. Grab one for yourself or give as gifts. The cover is professionally designed and the interior is high-quality

An all-new iteration of the adult coloring book—a gorgeously hand-illustrated storybook for readers to color and cherish, both an enchanting tale and a one-of-a-kind keepsake From coloring book queen Johanna Basford comes a new spin on the world of adult coloring: a lavishly illustrated fable about a little girl named Ivy who stumbles upon a secret door leading to the magical world of Enchantia. Ivy embarks on a quest through its many realms in pursuit of her inky butterfly, meeting whimsical characters and discovering many wondrous things along the way. A charming story that interacts playfully with beautiful, colorable artwork in Johanna's signature style, Ivy and the Inky Butterfly is a one-of-a-kind adventure for readers of all ages to customize, color, and cherish. Printed on specially selected ivory paper. This paper has been specifically created for Johanna Basford’s coloring books. It has a medium tooth which is perfect for creating beautiful colored pencil effects or chalk pastel backgrounds but also wonderful for pens, which will glide effortlessly over its surface.

Butterfly notebook range continues with the Pink Butterfly edition. The beautiful natural butterflies are all lined up dressed in a lovely shade of pastel pink. Our Pink Butterfly notebook has near A5 sized (approximately 5x8 inches/ 12.7x20.32cm) pages with lines inside tailored to be approximately 8mm apart.Our bright and airy creative notebook welcomes you to the world of chubbypineapple. Come and say hello and explore more of our creations at www.chubbypineapple.co.uk

Dive into monstrously fun number learning with The MONSTERS Counting Book. 77 full colour pages of counting packed with some of the silliest and monstrous MONSTERS out there! From one goofy monster to friendly critters, toddlers will delight in mastering numbers. Engaging, funny and silly monster illustrations make counting a breeze for toddlers and early learners while providing a delightful and educational journey. Perfect for curious minds aged 2-5. 👺 Monstrously Engaging Illustrations: Vibrant and whimsical artwork brings each monster to life, captivating your child's imagination. 😈 Interactive Learning: The book encourages hands-on counting, making it an interactive and effective way for toddlers to grasp numbers. 😊 Progressive Counting Adventure: Follow the monsters from one to twenty providing a gradual and comprehensive introduction to counting. 👹 Educational Yet Fun: Strikes the perfect balance between learning and enjoyment, ensuring your child looks forward to each counting session. Get ready for a monster-sized dose of fun and early numeracy skills. Let's get monster counting!

Pierre Loti’s novel Madame Chrysanthème (1888) enjoyed great popularity during the author’s lifetime, served as a source of Puccini’s opera Madama Butterfly, and remains in print to this day as a classic in Western literature. Loti’s story, cast in the form of his fictionalized diary, describes the affair between a French naval officer and Chrysanthème, a temporary "bride" purchased in Nagasaki. More broadly, Loti’s novel helped define the terms in which Occidentals perceived Japan as delicate, feminine, and, to use one of Loti’s favorite words, "preposterous"—in short, ripe for exploitation. The Pink Notebook of Madame Chrysanthème (1893) sought, according to a newspaper reviewer at the time, "to avenge Japan for the adjectives that Pierre Loti has inflicted on it." Written by Félix Régamey, a talented illustrator with firsthand knowledge of Japan, The Pink Notebook retells Loti’s story but this time as the diary of Chrysanthème. The book, presented here in English for the first time and together with the original French text and illustrations by Régamey and others, is certainly surprising in its late nineteenth-century context. Its retelling of a classic tale from the position of a character marginalized by her sex and race provocatively anticipates certain aspects of postmodern literature. Translator Christopher Reed’s rich and satisfying introduction compares Loti and Régamey in relation to attitudes toward Japan held by notable Japonistes Vincent van Gogh, Lafcadio Hearn, Edmond de Goncourt, and Philippe Burty. Reed provides further intellectual context by including new translations of excerpts from Loti’s novel as well as a portion of the travel journal of Régamey’s travel companion, the renowned collector Emile Guimet. Reed’s emphasis on competing Western ideas about Japan challenges conventional scholarly generalizations concerning Japanism in this era. This elegant translation of The Pink Notebook and Japoniste documents will delight both general and specialized readers, particularly those interested in the ambiguities in the dynamics of nationalism, gender, identification, and exploitation that, since the nineteenth century, have characterized the West’s relationship to Japan.

Young women’s bodies are relentlessly scrutinised and judged, so for most, the appearance of facial hair is a traumatic experience – unnatural, unfeminine, unwanted. But what happens when a female-assigned person decides to embrace their facial hair? In How to Be Between, Bastian Fox Phelan explores how something as seemingly trivial as facial hair can act as a catalyst for a never-ending series of questions about the self. What happens when we accept our bodies as they are? What freedoms are gained by deciding to pursue an authentic sense of self, and what are the costs? As Bastian navigates adolescence and young adulthood, they meet many people who ask, ‘Who, or what, are you?’ 'How to Be Between is a memoir that takes the reader on a tour of Australian counterculture at the beginning of the 21st century, through queer spaces, art festivals, DIY punk shows, protests, zine distros and the edges of academia...Phelan’s memoir is a celebration of these things and the people who make them, and a celebration of being between in general. It’s a smart and moving book that I wished wouldn’t end, for readers who enjoy emotional stories from the edges of Australia, such as Omar Sakr’s poetry collection The Lost Arabs, Ellen van Neerven’s Heat and Light or Alice Chipkin and Jessica Tavassoli’s Eyes Too Dry.' — David Little, Books+Publishing

The author met General Tealeaf Howard Patrick on Skype on May 4th, 2011, two days after Osama bin Laden was killed by the SEAL in Pakistan. General Tealeaf Patrick was the commander of the International Security Assistance Force in Afghanistan back then, and nominated as the next Director of the CIA (Central Intelligence Agency) by the US president Omama. Tealeaf proposed to the author in order to fulfill the requirements for the attendance of the US Senate confirmation hearings with his wife to be. However, this mission impossible is even more difficult and tougher than anyone could have ever imagined. The first part, "Confession of the Twenty-First Century Female Scientist", all-inclusively confesses the author's past extraordinary life experiences. The second part is focused on the true love story between the author and Tealeaf Howard Patrick encountering on the internet, the virtual world. South China Sea controversy, military maneuvers, Diao-Yu-Tai/Senkaku Islands controversy, exhibitions of advanced weapons and arms in the news, intelligence wars and cyber wars, etc., all occurred during this time. When a man from a secret world encounters a woman from another world without any secrets, what kind of sparkling love will be kindled?

The trials of growing up a homosexual in a straight society. The protagonist is Ben Smith, 14, who falls in love with another boy with whom he publishes a school paper. Trouble starts when someone photographs them kissing. A first novel.

In this fascinating and wide-ranging book, Yoko Kawaguchi explores the Western portrayal of Japanese women—and geishas in particular—from the mid-nineteenth century to the present day. She argues that in the West, Japanese women have come to embody certain ideas about feminine sexuality, and she analyzes how these ideas have been expressed in diverse art forms, ranging from fiction and opera to the visual arts and music videos. Among the many works Kawaguchi discusses are the art criticism of Baudelaire and Huysmans, the opera Madama Butterfly, the sculptures of Rodin, the Broadway play Teahouse of the August Moon, and the international best seller Memoirs of a Geisha. Butterfly’s Sisters also examines the impact on early twentieth-century theatre, drama, and dance theory of the performance styles of the actresses Madame Hanako and Sadayakko, both formerly geishas.

Through mapping the entwinement between the turn-of-the-century nativist discourse, "race suicide," and the frequent representation of suicide in Progressive-Era literature, The Suicidal State asks what kind of agency, subjectivity, and intimacies suicide could forge in its undoing of the selfhood. Prefiguring the twenty-first-century white nationalist discourse "replacement theory," race suicide imagined the white race's declining birthrate as a sign of its imminent extinction, sparking anti-immigrant sentiment and legislation. Suicidal figures in period literature, this book argues, symptomatically enact race suicide to short-circuit the imperatives of racial reproduction and self-preservation, instead gesturing toward new erotic relationalities and pleasures.