Whether pasted into an album, framed or shared on social media, the family photograph simultaneously offers a private and public insight into the identity and past of its subject. Long considered a model for understanding individual identity, the idea of the family has increasingly formed the basis for exploring collective pasts and cultural memory. Picturing the Family investigates how visual representations of the family reveal both personal and shared histories, evaluating the testimonial and social value of photography and film.Combining academic and creative, practice-based approaches, this collection of essays introduces a dialogue between scholars and artists working at the intersection between family, memory and visual media. Many of the authors are both researchers and practitioners, whose chapters engage with their own work and that of others, informed by critical frameworks. From the act of revisiting old, personal photographs to the sale of family albums through internet auction, the twelve chapters each present a different collection of photographs or artwork as case studies for understanding how these visual representations of the family perform memory and identity. Building on extensive research into family photographs and memory, the book considers the implications of new cultural forms for how the family is perceived and how we relate to the past. While focusing on the forms of visual representation, above all photographs, the authors also reflect on the contextualization and ‘remediation’ of photography in albums, films, museums and online.

New York Public Library Best Books for Kids 2017 A family has fallen on hard times and are living in different homeless shelters. But even though they are separate, they are still a family. A little girl and her parents have lost their home and must live in a homeless shelter. Even worse, due to a common shelter policy, her dad must live in a men's shelter, separated from her and her mom. Despite these circumstances, the family still finds time to be together. They meet at the park to play hide-and-seek, slide on slides, and pet puppies. While the young girl wishes for better days when her family is together again under a roof of their very own, she continues to remind herself that they're still a family even in times of separation.

Three children, an African American, a Hispanic American, and a Chinese American, shares, in words, photographs, and even recipes, the everyday positive experiences they have living with at least one parent who did not grow up in the United States. Reprint.

This 12-hour free course explored how photographs can reveal important information about the past, and require careful analysis and interpretation.

We all want to teach our kids about the Bible and God's love for the world. But sometimes it's hard to know where to start . . . If you want to make regular devotions part of your family life but don't know where to start, pick up this easy-to-use resource and start teaching your kids about the big picture of the Bible today! Designed as a complementary resource to the best-selling The Big Picture Story Bible, this family devotional offers parents a year's worth of material for teaching children ages six to ten about God's plan of salvation for the world through Christ. Intended for families to use three times per week, each 5–10 minute lesson includes: a basic Bible question with an accompanying answer in the form of a memory verse an carefully-chosen Scripture passage to read aloud a devotional paragraph designed to help kids connect the Scripture passage to the Bible's overarching message reflection questions for the whole family to ponder and discuss together Learn more about the Big Picture Story Bible series at BigPictureStoryBible.com.

If it be the good fortune of this work to possess any interest for the Novel reader, that interest, perhaps, will be but little derived from the customary elements of fiction. The plot is extremely slight, the incidents are few, and with the exception of those which involve the fate of Vivian, such as may be found in the records of ordinary life. Regarded as a Novel, this attempt is an experiment somewhat apart from the previous works of the author. It is the first of his writings in which Humor has been employed, less for the purpose of satire than in illustration of amiable characters; it is the first, too, in which man has been viewed, less in his active relations with the world, than in his repose at his own hearth,—in a word, the greater part of the canvas has been devoted to the completion of a simple Family Picture. And thus, in any appeal to the sympathies of the human heart, the common household affections occupy the place of those livelier or larger passions which usually (and not unjustly) arrogate the foreground in Romantic composition. In the Hero whose autobiography connects the different characters and events of the work, it has been the Author's intention to imply the influences of Home upon the conduct and career of youth; and in the ambition which estranges Pisistratus for a time from the sedentary occupations in which the man of civilized life must usually serve his apprenticeship to Fortune or to Fame, it is not designed to describe the fever of Genius conscious of superior powers and aspiring to high destinies, but the natural tendencies of a fresh and buoyant mind, rather vigorous than contemplative, and in which the desire of action is but the symptom of health...

Edward Bulwer-Lytton (1803 – 1873) was an English novelist, poet, playwright and politician. A lot of his works contributed to the early growth of the science fiction genre. “The Caxtons: A Family Picture” is a Victorian novel about a life of an aristocratic family. The novel is mainly concerned with domestic life, but it also includes a lengthy disquisition on colonisation and emigration, its value to British society and its role in extending civilization.