Beginning in the 1950s, Pablo Picasso concerned himself intensely with the linocut, creating a veritable cosmos of bullfighting scenes, mythological images, and abstract portraits. Neglected for many years, this traditional printmaking technique--which effectively combined his talent as a draftsman with his expressive use of color--was consequently to experience a renaissance. On par with his paintings in their coloristic effects, Picasso's linocuts convey both the mature tone of the late Picasso and the almost youthful buoyancy of an artist of over seventy years who once more found himself the eager apprentice of a new technique. And with his experimental approach to the new medium--as shown by countless artist's and trial proofs, many of which are included here--Picasso helped to establish the linocut in the modern-day art world as a professional printmaking technique. In addition to exploring Picasso's unconventional handling of the linocut, this volume--created to accompany an exhibition this year at the Kunstmuseum Pablo Picasso in Munster--also recounts the history of the linocut and the biographical circumstances under which Picasso created his works. Included in this lavish volume are more than one hundred illustrations of the vibrant prints Picasso created between 1954 and 1968. Many are among the artist's most defining work and demonstrate his lifelong ability to engage with virtually any medium and to make it his own.

Like no other medium in which he worked, Picasso's lithography only began to realize its full potential in the decades after 1945. This new volume presents Picasso's entire lithographic oeuvre, consisting of 855 pieces -- for the first time in full color throughout the book. Assembled over the course of three decades, this collection is unmatched, impossible to be repeated or recreated in the same way. Its uniqueness lies in the rarity of its test and state printings, and its numerous single printings and unpublished sheets. Pablo Picasso: The Lithographs is the first collection of such work to list every printed sheet as an individual work and thus constitutes the most reliable reference work for the artist's lithographic oeuvre. An interview with printer Henri Deschamps offers an immediate, contemporary account of the process of creating the sheets, and Erich Franz's illuminating introduction to Picasso's lithography sharpens the viewer's eyes to the innovative diversity of this master artist whose importance has still yet to be completely accounted for.

Learning Linocutis an exciting and detailed guide to the art of relief printing by exploring linocut. The book takes the reader on a comprehensive tour of the whole creative process, from generating ideas and setting up a studio space to cutting techniques, mark-making and printing a lino block. The book also covers more complex techniques for multiple-coloured linocuts including the reduction technique, the key-block system and experimental linocutting. Learning Linocutcontains plenty of easy to follow step-by-step guides (illustrated by colour photos), interesting and innovative suggestions of ways to work with lino and even useful 'tips' from the author providing extra pointers for things to try next. The linocut techniques discussed in this book can either be carried out at home or in a professional printmaking studio. Packed full of colour images Step-by-step guides to each technique Provides lists of materials and equipment needed Investigates how to generate ideas and gain inspiration for prints Information on cutting techniques, mark-making and image interpretation Explains printing and registration methods Explores multiple-coloured prints - reduction and key-block systems How to store, finish and sell linocut prints Includes a selection of interesting linocut projects Useful 'tips' from the author throughout the book Whether you are a complete beginner to art, just new to printmaking or you are an accomplished printmaker looking for some new ideas and tips, there will be something in here for you to take away. This is a must read for anyone interested in linocut printing!

How a German art dealer ensured the museum acquisition and dissemination of Picasso's prints in the postwar years How does any given body of work wind up in major collections, museums and exhibitions? Very often, it is because of the unsung efforts of individuals who advocate for the work in the face of conservatism and criticism. In Picasso's case, this role in Germany fell to the Bremen art dealer Michael Hertz. It was Hertz's commitment in the postwar period that resulted in the widespread acquisition of the artist by museums after World War II. In particular, Hertz's work on behalf of Picasso greatly benefited Kunsthalle Bremen, which has one of the most extensive collections of the artist's prints. The Picasso Connectionbrings together outstanding printworks by Picasso, ranging from lithographs and linocuts to book illustrations. Picasso's print oeuvre, as represented here, exemplifies the triumph of the affordable medium in postwar Germany, as well as Hertz's strong commitment.

Published on the occasion of the exhibition "Picasso: Themes and Variations" held at the Museum of Modern Art, New York, N.Y., Mar. 24-Sept. 6, 2010.