This pioneering book offers the first account of the work of the photographers, both official and freelance, who contributed to the forging of Mussolini's image. It departs from the practice of using photographs purely for illustration and places them instead at the centre of the analysis. Throughout the 1930s photographs of the Italian dictator Benito Mussolini were chosen with much care by the regime. They were deployed to highlight those physical traits - the piercing eyes, protruding jaw, shaved head - that were meant to evoke the Duce's strength, determination and innate sense of leadership in the mind of his contemporaries. The chapters in this volume explore the photographic image in the socio-political context of the time and shows how it was a significant contributor to the development of Italian mass culture between the two world wars.

The compelling story of Pope Pius XI's secret relations with Benito Mussolini. A ground-breaking work, based on seven years of research in the Vatican and Fascist archives by US National Book Award-finalist David Kertzer, it will forever change our understanding of the Vatican's role in the rise of Fascism in Europe.

Eighty years after the fall of Benito Mussolini, controversy remains about what his dictatorship represented. This reflects the different sides to the Duce's leadership: while adept at nurturing and enforcing his personal political power, Mussolini's lack of insight into the requirements of governance prevented him from converting this power into influence to achieve his goals. His efforts to maintain the support of Italy's conservative elites--economic, social and political--also created tensions with his radical Fascist ambitions, diminishing the momentum behind his regime. Mussolini is frequently portrayed as a charismatic leader, but his rule was secured principally by coercion, violence and a 'spoils system'. Nonetheless, his personality cult had significant popular appeal, even if based upon a political myth. This enabled him to consolidate his position and to dominate his Fascist colleagues--but at a price of over-centralized, dysfunctional decision-making. In this book, the first comprehensive English-language study of Mussolini in nearly two decades, Peter J. Williamson brings to life the contradictions within the Duce's leadership. Using a wide range of sources, Williamson reveals how these conflicts impeded the dictator's ambitions, leaving him increasingly frustrated, all while most Italians endured the severe privations of both failure and Fascism.

Peer-reviewed journal of theater history and scholarship published annually by the Southeastern Theatre Conference (SETC)

The cult of the Duce is the first book to explore systematically the personality cult of the Fascist dictator Benito Mussolini. It examines the factors which informed the cult and looks in detail at its many manifestations in the visual arts, architecture, political spectacle and the media. The conviction that Mussolini was an exceptional individual first became dogma among Fascists and then was communicated to the people at large. Intellectuals and artists helped fashion the idea of him as a new Caesar while the modern media of press, photography, cinema and radio aggrandised his every public act. The book considers the way in which Italians experienced the personality cult and analyses its controversial resonances in the postwar period. Academics and students with interests in Italian and European history and politics will find the volume indispensable to an understanding of Fascism, Italian society and culture, and modern political leadership. Among the contributions is an Afterword by Mussolini’s leading biographer, R.J.B. Bosworth.

The leader's portrait, produced in a variety of media (statues, coins, billboards, posters, stamps), is a key instrument of propaganda in totalitarian regimes, but increasingly also dominates political communication in democratic countries as a result of the personalization and spectacularization of campaigning. Written by an international group of contributors, this volume focuses on the last one hundred years, covering a wide range of countries around the globe, and dealing with dictatorial regimes and democratic systems alike. As well as discussing the effigies that are produced by the powers that be for propaganda purposes, it looks at the uses of portraiture by antagonistic groups or movements as forms of resistance, derision, denunciation and demonization. This volume will be of interest to researchers in visual studies, art history, media studies, cultural studies, politics and contemporary history.

Building on extensive archival research and important scholarly analysis, Galeazzo Ciano: The Fascist Pretender examines the life of Galeazzo Ciano, foreign minister of fascist Italy from 1936 to 1943 and Benito Mussolini’s son-in-law. Ciano’s life serves as a lens through which to gain a better understanding of crucial issues of Italian and European fascism, including the fascistization of society and politics, foreign relations, and the problem of succession. The biography follows an innovative thematic structure that focuses on major aspects of Ciano’s life, including his family, his political career, his diplomacy, and his desire to succeed Mussolini. Filling a substantial gap in the existing literature on the history of fascism, this book is the first comprehensive analysis of a key player of Italian fascism other than Mussolini; it also offers a long overdue critical assessment of Ciano’s famous diary, one of the most important texts from the period. Using visual materials such as photographs and films as sources and not just as illustrative material, Tobias Hof allows us to rethink our understanding of fascism and offers a new perspective on the history of fascist Italy.

This special issue of the journal “zeitgeschichte” presents the results of the doctoral theses written within the framework of the “Doctoral College European Historical Dictatorship and Transformation Research” (2009–2012) as selected scholarly essays. The contributions are devoted to authoritarian regimes of the 20th century in Austria, Belarus, Greece, Hungary, Italy, Latvia, Lithuania, Poland, Portugal, Romania, Spain, and the Soviet Union. Using various methods from the humanities and social sciences, diff erent aspects of mainly “small” dictatorships are examined: conditions of emergence, structures, continuities, as well as preceding and subsequent processes of political and social transformation.

Butler (1894-1979) directed over a hundred theatrical and television films, and such popular TV shows as Wagon Train and Leave it to Beaver. In this oral history, he reflects on his life and work.

Bringing together leading scholars from across the UK, North America and mainland Europe, this book provides a uniquely comparative exploration of daily life under dictatorship in 20th-century Europe. With coverage of well-known regimes and some that are relatively underrepresented in the literature from right across the continent, it examines the impact felt on people's lives amidst political administrations characterised by some or all of the following: a one-party state, in which opposition or multiple parties were banned; a cult surrounding the leader; the censorship of the press and other publications; the widespread use of propaganda and political persuasion; and the threat or use of force by the regime and its agents. The chapters investigate crucial questions in relation to life under dictatorships as follows: · What was the impact of censorship on access to news or entertainment? · How was leisure time conducted? · What was the impact of the regime on working life? · What was the scope for dissent and resistance? To what extent were these possible? · How much did the regime coerce the population and how much did it try to indoctrinate? · What was the difference for Party leaders, comrades and members in terms of the possibilities and opportunities that opened up, compared to everyone else in society? · With the shutting down – to a large extent – of civil society and state intrusion into private life, what restrictions were placed on ordinary and day-to-day activities? · What happened to religious life and to cultural life and the arts? · How were personal choices in aspects of life such as reproduction, education and even eating affected by these regimes? · What was the impact of different political ideologies on people's way of life – whether Fascist, Nazi or Communist? Dictatorship and Daily Life in 20th-Century Europe addresses these issues and more, striking to the heart of European life in the darkest episodes of its recent history.