Here's an easy-to-follow, illustrated guide that combines information about the basics of film and digital photography; details about different types of photography, such as landscape, architecture, and people and events; and specific information about photographing the defining locations in Arizona, including the Grand Canyon, Sedona, Monument Valley, and the Mogollon Rim.

Discover the most influential photographers of the last century and their finest monographs. Arranged alphabetically, this biographical encyclopedia covers the earliest representatives of classical Modernism right up to the present day, complete with book and magazines fascimiles.

Photographs made in Grand Canyon a century ago may provide us today with a sense of history; photographs made a century later from the same vantage points give us a more precise picture of change in this seemingly timeless place. Between 1889 and 1890, Robert Brewster Stanton made photographs every 1-2 miles through the river corridor for the purpose of planning a water-level railroad route and produced the largest collection of photographs of the Colorado River at one point in time. Robert Webb, a USGS hydrologist conducting research on debris flows in the Canyon, obtained the photographs and from 1989 to 1995 replicated all 445 of the views captured by Stanton, matching as closely as possible the original camera positions and lighting conditions. Grand Canyon, a Century of Change assembles the most dramatic of these paired photographs to demonstrate both the persistence of nature and the presence of humanity. Unexpected longevity of some plant species, effects of animal grazing, and expansion of cacti are all captured by the replicate photographs. More telling is evidence of the impact of Glen Canyon Dam: increased riparian vegetation, new marshes, aggraded debris fans, and eroded sand bars. In the accompanying text, Webb provides a thorough analysis of what each pair of photographs shows and places the project in its historical context. Complementing his narrative are six sidebar articles by authorities on Canyon natural history that further attest to a century of change. The level of detail obtained from the photographs represents one of the most extensive long-term monitoring efforts ever conducted in a national park; it is the most detailed documentation effort ever performed using repeat photography. Much more than simply a picture book, Grand Canyon, a Century of Change is an environmental history of the river corridor, a fascinating book that clearly shows the impact of human influence on Grand Canyon and warns us that its future is very much in our hands.

A guide to over fifty photography techniques, including cross-processing, panning, backlighting, close-ups, and framing a scene

“Olbinski chases storms . . . capturing lightning, tornadoes and dramatic cloud formations in images that convey the awesome power and beauty of nature.” —International Business Times The storms that cross the Great Plains of North America each spring are some of nature’s most spectacular. They can also be some of the most dangerous. Most people who live in areas susceptible to these storms keep a close eye on the weather reports and take cover or evacuate when one is on the way. Storm chasers keep an even closer eye on the weather data, but for a different reason: they don’t run away when they see a storm approaching, they follow it! Professional photographer and Emmy Award winner, Mike Olbinski has chased storms throughout his native Arizona, as well as even further afield, including Texas, Oklahoma, Kansas, and Colorado. Whether he’s photographing lightning, tornadoes or even cloud formations, his remarkable images are able to convey nature in its most dramatic and impressive forms. With over 100 stunning colour photographs, this book brings together some of Mike’s most breathtaking images from the past five years as he describes his love of the open road and the thrill of capturing the perfect storm on film. “These pictures are truly fascinating; they show just how small we are and how little control we have over the environment and that these storms can pack a wallop. For fans of weather and spectacular photos, this is the book for you.” —San Francisco Book Review (5-star review) “A striking series of breath-taking pictures of nature lashing out from apocalyptic skies.” —Daily Mail Online

Photographer and filmmaker Victor Masayesva, Jr., was raised in the Hopi village of Hotevilla and was educated at the Horace Mann School in New York, Princeton University, and the University of Arizona. His immersion in photographic experimentation embraces a projection of stories and symbols, natural objects, and locations both at Hopi and worldwide. His work has been exhibited internationally, and he is perhaps best known for his feature-length film Imagining Indians. For Masayesva, photography is a discipline that he approaches in a manner similar to the way that he was taught about himself and his clan identity. As he navigates his personal associations with Hopi subject matter in varied investigations of biology, ecology, humanity, history, planetary energy, places remembered, and musings on things broken and whole, he has created an extraordinary visual cosmography. In this compilation of his photographic journey, Masayesva presents some of the most important and vibrant images of that visual quest and reflects on them in provocative essays.

Each of the eight chapters takes a period of up to forty years and examines the medium through the lenses of art, science, social science, travel, war, fashion, the mass media and individual practitioners.-Back Cover.

Illustrated with stunning Arizona scenics. Expert advice on equipment and techniques.