The chapters in this volume examine a few facets in the drama of how the beleaguered Jewish people, as a phoenix ascending of ancient legend, achieved national self-determination in the reborn State of Israel within three years of the end of World War II and of the Holocaust. They include the pivotal 1946 World Zionist Congress, the contributions of Jacob Robinson and Clark M. Eichelberger to Israel’s sovereign renewal, American Jewry’s crusade to save a Jewish state, the effort to create a truce and trusteeship for Palestine, and Judah Magnes’s final attempt to create a federated state there. Joining extensive archival research and a lucid prose, Professor Monty Noam Penkower again displays a definitive mastery of his craft.

"PHOENIX ASCENDING; Rise From Your Ashes" is a motivational memoir written by Movita Johnson-Harrell, the first Muslim woman elected to the Pennsylvania legislature. This memoir is a raw and brutally honest depiction of survival against all odds. Movita tells her story of sexual abuse, drug addiction and trauma which lends inspiration and hope to others that have faced challenges in their own lives.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, and looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting, and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the contributors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.

Our federal and state tax dollars are going to fund higher education. If corporations kick in a little more, should they be able to dictate the research or own the discoveries? During the past two decades, commercial forces have quietly transformed virtually every aspect of academic life. Corporate funding of universities is growing and the money comes with strings attached. In return for this funding, universities and professors are acting more and more like for-profit patent factories: university funds are shifting from the humanities and the less profitable science departments into research labs, and the skill of teaching is valued less and less. Slowly but surely, universities are abandoning their traditional role as disinterested sources of education, alternative perspectives, and wisdom. This growing influence of corporations over universities affects more than just today's college students (and their parents); it compromises the future of all those whose careers depend on a university education, and all those who will be employed, governed, or taught by the products of American universities.

These poems were written and inspired by someone who developed the will to keep fighting. These will help inspire people from a young age and above. The poems you will encounter on this book were based on the actual experiences of the author, and he would like to share this with you. Enjoy!

you put the weight of your world on my shoulders now i am too heavy to carry my own In loving and caring for others, sometimes we forget to love and care for ourselves too. As we navigate through life’s challenges and focus on others, we get further away from ourselves. The weight we bear threatens to crush us, to drive us further into the ground. And after heartbreak and loss, what’s left? Who is left? It’s in the grief that we feel isolated, disconnected from our true selves and powerless. But we’re not alone. to whom it may concern, sincerely, me is a poetry collection divided into three parts: depression, heartbreak, and self-love. These free verse poems illuminate the darkness of depression, expressing what is so often felt but left wordless, trapped inside of us. Poet Kyla Hawthorn explores the complexities of love by diving into her past relationships and heartbreaks with vulnerability and honesty. She unravels the inner turmoil between self-love and toxic love, between advocacy and complacency. These poems remind us that advocating for ourselves, living a life of authenticity, are important acts of self-love. More than poetry, to whom it may concern, sincerely, me is a collection of self-help affirmations that encourage us to take back our power. When we take back our power, we can shed the weight of toxic relationships and situationships in our lives. We can be our true selves.

Beneath the dusky glow of a millennium moon, an ancient mystery is unfolding. Two very different vampires have each consumed a vial of blood containing the life force of two primordial princes, both presumed to be dead: “Drink this blood and welcome life; drink this blood and welcome death.” And the contents are stirring, quickening…awakening. Braden Bratianu was only five years old when he was sired into the Vampyr race. The only fledgling to be made—not born—he struggled with his new identity, his past human frailties, and how to forge a new place in an ancient, lethal society. Yet over time, he also displayed several uncanny abilities: divine intuition, precognition, and an inherent understanding of cryptic texts and archaic spells. His very soul seems to be linked to the heartbeat of the house of Jadon. Kristina Riley Silivasi came from a troubled home and a tragic past. Rescued from a Dark One by an Ancient Master Healer, then mistaken for an ancient vampire’s destiny, she was swiftly ushered into a terrifying universe, enduring everything from conversion to betrayal. Though she survived—even thrived—her wounds, her insecurities…and her deep-seated fears have never left her. When a beloved son of Jadon and a beleaguered daughter of chance are caught in a web of illusion, they must each summon bravery, learn to discern truth from a lie, and dare to risk love…or forfeit the future. The celestial gods cannot save them. They will live or die by the strength of their choices and reap what they sow…reward or ruin.