Max Stirner’s The Unique and Its Property (1844) is the first ruthless critique of modern society. In All Things are Nothing to Me, Jacob Blumenfeld reconstructs the unique philosophy of Max Stirner (1806–1856), a figure that strongly influenced—for better or worse—Karl Marx, Friedrich Nietzsche, Emma Goldman as well as numerous anarchists, feminists, surrealists, illegalists, existentialists, fascists, libertarians, dadaists, situationists, insurrectionists and nihilists of the last two centuries. Misunderstood, dismissed, and defamed, Stirner’s work is considered by some to be the worst book ever written. It combines the worst elements of philosophy, politics, history, psychology, and morality, and ties it all together with simple tautologies, fancy rhetoric, and militant declarations. That is the glory of Max Stirner’s unique footprint in the history of philosophy. Jacob Blumenfeld wanted to exhume this dead tome along with its dead philosopher, but discovered instead that, rather than deceased, their spirits are alive and quite well, floating in our presence. All Things are Nothing to Me is a forensic investigation into how Stirner has stayed alive throughout time.

The question of nihilism is always a question of truth. It is a crisis of truth that causes the experience of the nothingness of existence. What elevated truth to this existential position? The answer is: philosophy. The philosophical will to truth opens the door to nihilism, since it both makes identifying truth the utmost aim and yet continually calls it into question. Baker develops the central insight that the crises of truth and of existence, or 'loss of world', that occur within nihilistic thought are inseparable, in a wide-ranging study from antiquity to the present, from ancient Cynics, St Paul, Nietzsche, Heidegger, Foucault, Agamben, and Badiou. Baker contends that since nihilism is always a question of the relation to the world occasioned by the philosophical will to truth, an answer to nihilism must be able to propose a new understanding of truth.

Nihilism is a highly negative system of thought with roots in early Greek philosophy. It came into prominence as a major movement with Friedrich Nietzsche's unparalleled assault on Christianity and Christian morality. It became a dominant theme in the dark philosophical system known as existentialism, and thus became an important force in nineteenth century literature and in twentieth century ideologies. It seeks destruction of one or more aspects of society without offering a viable alternative, frequently assuming that the better world will automatically appear after the old world is obliterated. Loathing the building blocks of the present system, nihilism asserts that the better world will be composed of new, but unspecified, components.French philosophy during and after the French Revolution, and virtually all nineteenth century Russian literature, was dominated by nihilism. German Nazism had a nihilistic base which was carefully concealed by racist rantings. Marxism, with so many of its ideas stolen from Russian and French nihilists, proclaimed that faulty economics brought about misery and poverty which would be eradicated by the new but unspecified and undescribed socialist ethic.Revolutionary systems in the twentieth century have delved heavily into the rich trove of nihilist literature to promote, describe, and espouse revolutions which have marked much of that century. Few contemporary nihilists have offered any new insights into reality, choosing only to manipulate the basic concepts heretofore advanced. But the earlier nihilistic ideas have become an all-inspiring training primer for nihilists of future polities. To understand the philosophy of nihilism is to understand the revolutions that have continued to challenge modern societies.

In this astonishing and profound work, an irreverent sleuth traces the riddleof existence from the ancient world to modern times.

Since its publication in 2005, The Gift of Nothing has become an instant classic--the perfect gift for "the person who has everything." In this appealing picture book, Mooch the cat--star of the nationally-syndicated comic strip Mutts--searches for a present for his friend, Earl the dog. Earl already has everything he needs: a bowl, a bed, a chewy toy...What else could Mooch get him? Then it dawns on him: NOTHING! This timeless tale has a heart-warming message about the most valuable gift of all--friendship--that appeals to readers of all ages. Great for a last minute gift, this special edition includes an elegant paper slipcase designed to look like gift wrap with foil accents and an embossed bow and faux hang tag.

This is a provocative account of the astounding new answers to the most basic philosophical question: Where did the universe come from and how will it end?

How is Jerry like Socrates? Is it rational for George to ''do the opposite? '' Would Simone de Beauvoir say that Elaine is a feminist? Is Kramer stuck in Kierkegaard's aesthetic stage? Seinfeld and Philosophy is both an enlightening look at the most popular sitcom of the decade and an entertaining introduction to philosophy via Seinfeld's plots and characters. These fourteen essays, which explore the ideas of Plato, Aristotle, Lao-Tzu, Heidegger, Kant, Marx, Kierkegaard, Nietzsche, Sartre, and Wittgenstein, will show readers how to be masters of their philosophical domain.

A thousand-page resurrection of Hegel, from the bestselling philosopher and critic who has been hailed as “one of the world’s best-known public intellectuals” (New York Review of Books) For the last two centuries, Western philosophy has developed in the shadow of Hegel, an influence each new thinker struggles to escape. As a consequence, Hegel’s absolute idealism has become the bogeyman of philosophy, obscuring the fact that he is the defining philosopher of the historical transition to modernity, a period with which our own times share startling similarities. Today, as global capitalism comes apart at the seams, we are entering a new period of transition. In Less Than Nothing—the product of a career-long focus on the part of its author—Slavoj Žižek argues it is imperative we not simply return to Hegel but that we repeat and exceed his triumphs, overcoming his limitations by being even more Hegelian than the master himself. Such an approach not only enables Žižek to diagnose our present condition, but also to engage in a critical dialogue with key strands of contemporary thought—Heidegger, Badiou, speculative realism, quantum physics, and cognitive sciences. Modernity will begin and end with Hegel.

A variety of crucial and still most relevant ideas about nothingness or emptiness have gained profound philosophical prominence in the history and development of a number of South and East Asian traditions—including in Buddhism, Daoism, Neo-Confucianism, Hinduism, Korean philosophy, and the Japanese Kyoto School. These traditions share the insight that in order to explain both the great mysteries and mundane facts about our experience, ideas of "nothingness" must play a primary role. This collection of essays brings together the work of twenty of the world’s prominent scholars of Hindu, Buddhist, Daoist, Neo-Confucian, Japanese and Korean thought to illuminate fascinating philosophical conceptualizations of "nothingness" in both classical and modern Asian traditions. The unique collection offers new work from accomplished scholars and provides a coherent, panoramic view of the most significant ways that "nothingness" plays crucial roles in Asian philosophy. It includes both traditional and contemporary formulations, sometimes putting Asian traditions into dialogue with one another and sometimes with classical and modern Western thought. The result is a book of immense value for students and researchers in Asian and comparative philosophy. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

A compelling read, Very Little ... Almost Nothing opens up new ways of understanding finitude, modernity and the nature of imagination. Revised edition with a new preface by the author.