Phenomenology of Intuition and Expression is a crucial text for understanding the early development of Heidegger's thought. This lecture course was presented in the summer semester of 1920 at the University of Freiburg. At the center of this course is Heidegger's elaboration of the meaning and function of the phenomenological destruction. In no other work by Heidegger do we find as comprehensive a treatment of the theme of destruction as in this lecture course. Culminating in a destruction of contemporaneous philosophy in terms of its understanding of 'life' as a primal phenomenon, this lecture course can be seen to open the way towards a renewal of the meaning of philosophy as such. This hugely important philosophical work is now available in English for the first time.

The first English translation of one of Heidegger's most important early lecture courses, including his most extensive treatment of the topic of destruction.

Phenomenology is one of the most pervasive and influential schools of thought in twentieth-century European philosophy. This book provides a systematic and comprehensive analysis of the idea of the imagination in Husserl and Heidegger. The author also locates phenomenology within the broader context of a philosophical world dominated by Kantian thought, arguing that the location of Husserl within the Kantian landscape is essential to an adequate understanding of phenomenology both as an historical event and as a legacy for present and future philosophy.

Intuitions may seem to play a fundamental role in philosophy: but their role and their value have been challenged recently. What are intuitions? Should we ever trust them? And if so, when? Do they have an indispensable role in science--in thought experiments, for instance--as well as in philosophy? Or should appeal to intuitions be abandoned altogether? This collection brings together leading philosophers, from early to late career, to tackle such questions. It presents the state of the art thinking on the topic.

In this landmark study, Emmanuel Levinas discusses the aspects and function of intuition in Husserl's thought and its meaning for philosophical self-reflection. An essential and illuminating explication of central issues in Husserl's phenomenology, it is also important as a formative work of one of this century's most distinguished philosophers. Levinas focuses on the role of intuition, which he explains as "the theoretical act of consciousness that makes objects present to us". He demonstrates how Husserl's theory of intuition follows directly from his new conception of being. He then identifies intuition as the original phenomenon that leads to the concept of truth itself. In this analysis, he shows that Husserl's theory of being opens up an entirely new philosophical dimension.

Elijah Chudnoff elaborates and defends a view of intuition according to which intuition purports to, and reveals, how matters stand in abstract reality by making us aware of that reality through the intellect. He explores the experience of having an intuition; justification for beliefs that derives from intuition; and contact with abstract reality.

Presenting the first step-by-step commentary on Husserl's Ideas I, Marcus Brainard's Belief and Its Neutralization provides an introduction not only to this central work, but also to the whole of transcendental phenomenology. Brainard offers a clear and lively account of each key element in Ideas I, along with a novel reading of Husserl, one which may well cause scholars to reconsider many long-standing views on his thought, especially on the role of belief, the effect and scope of the epoché, and the significance of the universal neutrality modification.

Bringing to light new facets in the philosophy of Emmanuel Levinas and William James, Megan Craig explores intersections between French phenomenology and American pragmatism. Craig demonstrates the radical empiricism of Levinas's philosophy and the ethical implications of James's pluralism while illuminating their relevance for two philosophical disciplines that have often held each other at arm's length. Revealing the pragmatic minimalism in Levinas's work and the centrality of imagery in James's prose, she suggests that aesthetic links are crucial to understanding what they share. Craig's suggestive readings change current perceptions and clear a path for a more open, pluralistic, and creative pragmatic phenomenology that takes cues from both philosophers.

Includes a full introduction to one of the most influential movements in 20th century philosophy, this is a comprehensive anthology of classic writings from phenomenology's major seminal thinkers.

The standard view of philosophical methodology is that philosophers rely on intuitions as evidence. Herman Cappelen argues that this claim is false, and reveals how it has encouraged pseudo-problems, presented misguided ideas of what philosophy is, and misled exponents of metaphilosophy and experimental philosophy.