Material Transgressions examines how Romantic-era authors explored morecapacious ideas of materiality that challenged ideologies of discrete bodies,sexed affects, and nonhuman things. Thenew materialist processes traced in these essays craft alternative modes ofbeing-in-the-world that create new ways of understanding materiality both inthe Romantic period and now.

Phantasmion is the king of a fantastical realm who is forced into a series of trials that require him to seek help from unexpected allies. It’s a captivating adventure full of vibrant characters and internal and external conflicts. King Phantasmion is desperate to protect Palmland from agressive invaders. His people are being targeted by multiple groups including humans and evil spirits. When Phantasmion embarks on a journey, he is taunted and manipulated by mischievous figures. He goes through multiple trials that require help from outside forces. He develops friendships with different people along the way. These surprising connections lead to a rousing finale that separates the real heroes and villains. Inspired by her own children, Coleridge produced a novel that’s lively and entertaining. Phantasmion: A Fairy Tale is an unforgettable story about the resilience of an imaginary prince. It’s a positive narrative that promotes perseverance and the power of peace. With an eye-catching new cover, and professionally typeset manuscript, this edition of Phantasmion: A Fairy Tale is both modern and readable.

Dennis Low's re-evaluation of the Lake Poets as mentors begins with the controversial premise that Robert Southey was one of the nineteenth-century's greatest champions of women's writing. Together with Wordsworth and Coleridge, Low argues, Southey tried to end what he perceived to be the cultural decline of literature by nurturing the creative talents of many exceptional women writers. Drawing on 3,000 unpublished manuscripts in England, Scotland and the United States, Low examines the lives and works of four of the Lake Poets' literary protégées: Caroline Bowles, Maria Gowen Brooks, Sara Coleridge and Maria Jane Jewsbury. Though diverse in terms of their literary production, these women were united in their defiant efforts to write against an increasingly stagnant cultural milieu and their negotiation, wholeheartedly encouraged by their mentors, of contemporary publishing mores. This scrupulously researched book is a valuable contribution to the study of little-known women writers and to our understanding of the literary and publishing environment of Britain in the 1820s and 1830s.

Reprint of the original, first published in 1874.

Known as the daughter of Samuel Taylor Coleridge, Sara Coleridge's manuscripts, letters, and other writings reveal an original thinker in dialogue with major literary and cultural figures of nineteenth-century England. Here, her writings on beauty, education, and faith uncover aspects of Romantic and Victorian literature, philosophy, and theology.