Reprint of the original, first published in 1876.

Ranging from the laudatory to the openly hostile, 15 essays by prominent African American scholars and critics examine the novel's racist elements and assess the degree to which Twain's ironies succeed or fail to turn those elements into a satirical attack on racism. Annotation copyrighted by Book News, Inc., Portland, OR

Papers presented at a conference organized by the Dept. of History of the University of Mississippi and held Oct. 1975.

The #1 New York Times bestselling author of The Book of Lost Friends and Before We Were Yours explores the connection between our hearts and our pasts in this emotional novel in the Tending Roses series.... Once trapped in a world of poverty and neglect, Dell Jordan knows she was one of the lucky ones. Adopted at thirteen, she was loved, mentored, and encouraged to pursue her passion for music. By twenty, her future has expanded in exciting new directions—a year abroad with a traveling symphony, teaching music to orphans in Ukraine, and applying for a scholarship to Julliard. But underneath Dell’s smoothly polished surface lurk mysteries from the past. Why did her mother abandon her? Who was her father? Are there faces somewhere that look like hers—blood relatives she’s never met? Determined to find answers, and unable to share her emotional uncertainty with her adoptive family, Dell sets off on a secret journey into Oklahoma’s Kiamichi Mountains. Drawn by the only remaining link to her origins—a father’s Native American name on her birth certificate—she travels into quiet wooded valleys, into the heart of the modern Choctaw Nation. There she will find connections to a long and proud heritage and begin to answer the questions of her heart. In the voices of her ancestors, she’ll discover the keys to a future unlike anything she could have imagined.

This study of slavery focuses initially on the drastic revisions in the historical debate on slavery and the present understanding of ?the peculiar institution.? It gives a concise explanation of the nature of American slavery and its impact on the slaves themselves and on Southern society and culture. And it broadens our understanding of the debates among historians about slavery; compares Southern slavery with slavery elsewhere in the New World; and shows how slavery evolved and changed over time?and how it ended. Peter Parish examines some of the important recent works on slavery to identify crucial questions and basic themes and define the main areas of controversy.

This collection of essays examines the development of the American South from the end of the Civil War to the end of World War II. Written by both well-known and emerging scholars, the essays are divided into sections that address some of the major issues of that era, such as race relations, economic development, political reform, the roles of southern women, the messages of folk music, and the problems of the region's historians. Each article offers fresh insights or new information on its subject, and collectively the articles help to illuminate how the most traditional of American regions tried to cope with the forces of modernization.

The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.

Across lines of race, gender, religion, and class, abolitionists understood their reform effort in the same basic terms -- as part of a continuous struggle between the forces of power and the forces of liberty in which vigilant citizens battled tyranny and corruption, defending the independence and virtue upon which their fragile experiment in republican government depended. Focusing on that republican frame of reference, this book sheds new light on the historical imagination of the abolitionists, their views of politics and the marketplace, the relation between religion and reform, and the cultural critique embedded in abolitionism. The author convincingly argues that the reformers conceived of their work in more precise terms than historians have generally recognized; their concern lay specifically with the problem of slavery in a republic: "Abolitionists did not see themselves as antebellum reformers; theirs was a post-Revolutionary movement." - Back cover.

In this new interpretation of antebellum slavery, Anthony Kaye offers a vivid portrait of slaves transforming adjoining plantations into slave neighborhoods. He describes men and women opening paths from their owners' plantations to adjacent farms to go courting and take spouses, to work, to run away, and to otherwise contend with owners and their agents. In the course of cultivating family ties, forging alliances, working, socializing, and storytelling, slaves fashioned their neighborhoods into the locus of slave society. Joining Places is the first book about slavery to use the pension files of former soldiers in the Union army, a vast source of rich testimony by ex-slaves. From these detailed accounts, Kaye tells the stories of men and women in love, "sweethearting," "taking up," "living together," and marrying across plantation lines; striving to get right with God; carving out neighborhoods as a terrain of struggle; and working to overthrow the slaveholders' regime. Kaye's depiction of slaves' sense of place in the Natchez District of Mississippi reveals a slave society that comprised not a single, monolithic community but an archipelago of many neighborhoods. Demonstrating that such neighborhoods prevailed across the South, he reformulates ideas about slave marriage, resistance, independent production, paternalism, autonomy, and the slave community that have defined decades of scholarship.