This book offers a new interpretation of the place of periodicals in nineteenth-century Ireland. Case studies of representative titles as well as maps and visual material (lithographs, wood engravings, title-pages) illustrate a thriving industry, encouraged, rather than defeated by the political and social upheaval of the century. Titles examined include: The Irish Magazine, and Monthly Asylum for Neglected Biography and The Irish Farmers’ Journal, and Weekly Intelligencer; The Dublin University Magazine; Royal Irish Academy Transactions and Proceedings and The Dublin Penny Journal; The Irish Builder (1859-1979); domestic titles from the publishing firm of James Duffy; Pat and To-Day’s Woman. The Appendix consists of excerpts from a series entitled ‘The Rise and Progress of Printing and Publishing in Ireland’ that appeared in The Irish Builder from July of 1877 to June of 1878. Written in a highly entertaining, anecdotal style, the series provides contemporary information about the Irish publishing industry.

A thorough account of newspaper and periodical press history in Britain and Ireland from 1800-1900Provides a comprehensive history of the British and Irish Press from 1800-1900, reflected upon in 60 substantive chapters and focused case studiesSets out to capture the cross-regional and transnational dimension of press history in nineteenth-century Britain and IrelandOffers unique and important reassessments of nineteenth-century British and Irish press and periodical media within social, cultural, technological, economic and historical contextsThis is a unique collection of essays examining nineteenth-century British and Irish newspaper and periodical history during a key period of change and development. It covers an important point of expansion in periodical and press history across the four nations of Great Britain (England, Ireland, Scotland and Wales), concentrating on cross-border and transnational comparisons and contrasts in nineteenth-century print communication. Designed to provide readers with a clear understanding of the current state of research in the field, in addition to an extensive introduction, it includes forty newly commissioned chapters and case studies exploring a full range of press activity and press genres during this intense period of change. Along with keystone chapters on the economics of the press and periodicals, production processes, readership and distribution networks, and legal frameworks under which the press operated, the book examines a wide range of areas from religious, literary, political and medical press genres to analyses of overseas and migr press and emerging developments in children's and women's press.

Previous edition published under the title Irish media: a critical history since 1922.

This wide-ranging collection of critical essays on literary journalism addresses the shifting border between fiction and non-fiction, literature and journalism. Literary Journalism in the Twentieth Century addresses general and historical issues, explores questions of authorial intent and the status of the territory between literature and journalism, and offers a case study of Mary McCarthy’s 1953 piece, "Artists in Uniform," a classic of literary journalism. Sims offers a thought-provoking study of the nature of perception and the truth, as well as issues facing journalism today.

They reported wars, outraged monarchs and promoted the case for their country’s freedom. The pages of Irish Journalism Before Independence: More a Disease than a Profession are filled with the remarkable stories of reporters, proprietors and propagandists. Sixteen leading writers celebrate the emergence of Irish Journalism in this original and engaging volume. These leading media academics, historians and scholars join in what is a festschrift travelling the long Irish nineteenth century to 1922. Their stories, narratives and histories illustrate the emergence of Irish journalism chronicling the evolution and development of the profession, and the various challenges confronted by the first generation of modern journalists. The profession’s past is framed by reference to its practitioners and their practice. Readers are treated to studies of foreign correspondents, editorial writers, provincial newspaper owners, sports journalists and the challenges of minority language journalism. The volume goes beyond Ireland to explore the work of Irish journalists abroad and shows how the great political debates about Ireland’s place in the United Kingdom served as a backdrop to newspaper publication in the nineteenth and early twentieth centuries. In his preface Professor James Curran concludes that the volume “advances by leaps and bounds the history of the Irish press”. The collection makes valuable and important contribution to our knowledge of Irish journalism - and like all good reportage it offers its readers a very good read.

Sean O’Faolain (1900-1991) was Ireland’s leading social and political critic in the period following the country’s independence from the United Kingdom. Since his death, scholarly opinion has alternately cast him as an arch-revisionist, a liberal nationalist, and a frustrated republican. The Selected Essays of Sean O’Faolain reassesses his reputation by showing that he wrote in the tradition of post-Enlightenment European intellectuals, and that while he was a significant figure in Ireland, his work extends beyond immediate national concerns. This volume includes over fifty unabridged essays by O’Faolain on a wide range of subjects – from canonical writers to architecture, from religious scandals to economics, from nationalism to internationalism, from long-dead historical figures to recent controversies. O’Faolain’s fearlessness in taking on the major political, cultural, and religious figures of his day, his masterly use of rhetoric, and his intellectual acuity have contributed to his works being quoted often by scholars working across several disciplines. Many of these essays appear here in print for the first time since they were published in the foremost periodicals of their day. An extensive introduction and helpful annotations contextualise and explain them for a new audience. In his re-readings of history and challenges to dominant historiographical trends, O’Faolain has become a pariah to some and a hero to others. The Selected Essays of Sean O’Faolain bridges some of these competing visions, presenting a more complex figure through his varied corpus of writing.

This book examines the history of journalists and journalism in twentieth-century Ireland. While many media institutions have been subjected to historical scrutiny, the professional and organisational development of journalists, the changing practices of journalism, and the contribution of journalists and journalism to the evolution of modern Ireland have not. This book rectifies the deficit by mapping the development of journalism in Ireland from the late 1880s to today. Placing the experiences of journalists and the practice of journalism at the heart of its analysis, it examines, for the first time, the work of journalists within the ever-changing context of Irish society. Based on strong primary research - including the previously un-consulted journals and records produced by the many journalistic representative organisations that came and went over the decades - and written in an accessible and engaging style, The Fourth Estate will appeal to anyone interested in journalism, history, the media and the development of Ireland as a modern nation.

This book offers fresh research and insights into the complex relationship between the press, war, and society in the 20th century, by examining the role of the newspaper press in the period c.1900– 1960, with a particular focus on the Second World War. During the warfare of the 20th century, the mass media were used to sustain domestic morale and promote combatants’ views to an international audience. Topics covered in this book include British newspaper cartoonists’ coverage of the Russo- Japanese War, the role of the French press in Anglo- French diplomacy in the 1930s, Irish press coverage of Dunkirk and D- Day, government censorship of the press in wartime Portugal, the reporting of American troops in North Africa, and how the Greek press became the focus of British government propaganda in the 1940s. Particular attention is given to the role of the British press in the Second World War: its coverage of evacuation, popular politics, and D- Day; the war as seen through commercial press advertising; the wartime Daily Mirror; and Fleet Street’s role as a ‘national’ press in wartime. This book explores how— and why— newspapers have presented wars to their readers, and the importance of the press as an agent of social and political power in an age of conflict. This book was originally published as a special issue of Media History.

The 2017 winner of the Robert and Vineta Colby Scholarly Book Prize Providing a comprehensive, interdisciplinary examination of scholarship on nineteenth-century British periodicals, this volume surveys the current state of research and offers researchers an in-depth examination of contemporary methodologies. The impact of digital media and archives on the field informs all discussions of the print archive. Contributors illustrate their arguments with examples and contextualize their topics within broader areas of study, while also reflecting on how the study of periodicals may evolve in the future. The Handbook will serve as a valuable resource for scholars and students of nineteenth-century culture who are interested in issues of cultural formation, transformation, and transmission in a developing industrial and globalizing age, as well as those whose research focuses on the bibliographical and the micro case study. In addition to rendering a comprehensive review and critique of current research on nineteenth-century British periodicals, the Handbook suggests new avenues for research in the twenty-first century. "This volume's 30 chapters deal with practically every aspect of periodical research and with the specific topics and audiences the 19th-century periodical press addressed. It also covers matters such as digitization that did not exist or were in early development a generation ago. In addition to the essays, readers will find 50 illustrations, 54 pages of bibliography, and a chronology of the periodical press. This book gives seemingly endless insights into the ways periodicals and newspapers influenced and reflected 19th-century culture. It not only makes readers aware of problems involved in interpreting the history of the press but also offers suggestions for ways of untangling them and points the direction for future research. It will be a valuable resource for readers with interests in almost any aspect of 19th-century Britain. Summing Up: Highly recommended" - J. D. Vann, University of North Texas in CHOICE