This delightful follow-up to the first volume of Peoria: A Postcard History guides the reader through the development of Peoria to the twenty-first century. From the Illinois Riverfront to the streets of downtown, these postcards demonstrate the many changes that have taken place in this city throughout the years. The growth and expansion in Peoria have been phenomenal, and this volume allows us to follow the timeline of the city.

Galesburg, Illinois, is a town proud of its history and heritage. From its founding by courageous and determined pioneers in 1837 to the present day, it has been referred to in many ways--including "The Ideal City" and "The Buckle on the Corn Belt." Galesberg, Illinois in Vintage Postcards uses postcards as the lens to focus on the fascinating history of this Midwestern town. Throughout its history, the postcard has always been a popular means of communication. Looking back at them now, we are offered a unique insight into the places and times illustrated on the cards, and an intimate look at the people sending these cards to loved ones in faraway locations.

Peoria harkens back to the 1670s glory days of the French voyageurs and became the now-familiar face of Americana--its townsfolk have touched every aspect of national and international life, often significantly. In comedy, Fibber McGee and Molly, Charles Correll, Richard Pryor, Sam Kinison, and even Bishop Sheen with his witty homilies have made Peoria the "Habitat of Humor." Betty Friedan's The Feminine Mystique jump-started the 1960s feminist movement, while Philip José Farmer's The Lovers rocked the 1950s sci-fi universe. Dr. C.T. Vivian, Dr. Romeo Garrett, and John Gwynn Jr. held the frontline against racism. Representing the best of society's core values, Barb and Dick Hammond founded Friends of the Children of Haiti, a medical organization tending to the year-round needs of the earth's poorest. And unheralded Bill Noel has shouldered the sorrows and burdens of others who have leaned on him for decades. When it comes to all the legendary locals, they play in Peoria . . . and the world.

Marion Mahony Griffin (1871–1961) was an American architect and artist, one of the first licensed female architects in the world, designer for Frank Lloyd Wright’s Chicago studio, and an original member of the Prairie School of architecture. Largely heralded for her exquisite presentation drawings for both Wright and her husband, Walter Burley Griffin, Mahony was an adventurous designer in her own right, whose independent and highly original work attracted attention at a moment when architectural drawing and graphic illustration were becoming integral to the design process. This book examines new research into Mahony’s life and paints a vivid portrait of a woman’s place among the lives and productions of some of our most noted American architects. The essays included take us on an ambitious journey from Mahony’s origins in the Chicago suburbs, through her years as Wright’s right-hand woman and her bohemian life with her husband in Australia—whose new capital city, Canberra, she helped to plan—up until her golden years in the middle of the twentieth century. Filled with richly detailed analyses of Mahony’s works and including and populated by an international cast of characters, Marion Mahony Reconsidered greatly expands our knowledge of this talented, complex, and enigmatic modern architect.

Case studies: California, Kentucky, Massachusetts, Minnesota, Missouri, New Mexico, North Carolina, North Dakota, Ohio, Pennsylvania.

At the very end of the Civil War, a military court convicted Lambdin P. Milligan and his coconspirators in Indiana of fomenting a general insurrection and sentenced them to hang. On appeal, in Ex parte Milligan the US Supreme Court sided with the conspirators, ruling that it was unconstitutional to try American citizens in military tribunals when civilian courts were open and functioning—as they were in Indiana. Far from being a relic of the Civil War, the landmark 1866 decision has surprising relevance in our day, as this volume makes clear. Cited in four Supreme Court decisions arising from the wars in Afghanistan and Iraq, Ex parte Milligan speaks to constitutional questions raised by the war on terror; but more than that, the authors of Ex parte Milligan Reconsidered contend, the case affords an opportunity to reevaluate the history of wartime civil liberties from the Civil War era to our own. After the Civil War, critics of Reconstruction pointed to Milligan as an example of the Republican Party’s abuse of federal power; even historians sympathetic to Lincoln have found it necessary to apologize for his administration’s record on civil liberties during the Civil War. However, the authors of this volume argue that this distorts the nineteenth-century understanding of the Bill of Rights, neglects international law entirely, and, equally striking, ignores the experience of African Americans. In reviving Milligan, the Supreme Court has implicitly cast Reconstruction as a “war on terror” in which terrorist insurgencies threatened and eventually halted the assertion of black freedom by the Republican Party, the Union Army, and African Americans themselves. Returning African Americans to the center of the story, and recognizing that Lincoln and Republicans were often forced to restrict white civil liberties in order to establish black civil rights and liberties, Ex parte Milligan Reconsidered suggests an entirely different account of wartime civil liberties, one with profound implications for US racial history and constitutional law in today’s war on terror.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

Includes history of bills and resolutions.