From the beginning of French rule of Missouri in 1720 through this state's abolition of slavery in 1865, liberty was always the goal of the vast majority of its enslaved people. The presence in eastern Kansas of a host of abolitionists from New England made slaveholding risky business. Many religiously devout persons were imprisoned in Missouri for "slave stealing." Based largely on old newspapers, prison records, pardon papers, and other archival materials, this book is an account of the legal and physical obstacles that slaves faced in their quest for freedom and of the consequences suffered by persons who tried to help them. Attitudes of both slave holders and abolitionists are examined, as is the institution's protection in both the Articles of Confederation and the U.S. Constitution. The book discusses the experiences of particular individuals and examines the Underground Railroad on Missouri's borders. Appendices provide details from two Spanish colonial census reports, a list of abolitionist prison inmates with details about their time served, and the percentages of African Americans still in bondage in 16 jurisdictions from 1820 to 1860.

A small French settlement thrived for half a century on the west bank of the Mississippi River before the Louisiana Purchase made it part of the United States in 1803. But for the citizens of Ste. Genevieve, becoming Americans involved more than simply acknowledging a transfer of power. Bonnie Stepenoff has written an engaging history of Missouri’s oldest permanent settlement to explore what it meant to be Americanized in our country’s early years. Picking up where other studies of Ste. Genevieve leave off, she traces the dramatic changes wrought by the transfer of sovereignty to show the process of social and economic transformation on a young nation’s new frontier. Stepenoff tells how French and Spanish residents—later joined by German immigrants and American settlers—made necessary compromises to achieve order and community, forging a democracy that represented different approaches to such matters as education, religion, property laws, and women’s rights. By examining the town’s historical circumstances, its legal institutions, and especially its popular customs, she shows how Ste. Genevieve differed from other towns along the Mississippi. Stepenoff has plumbed the town’s voluminous archives to share previously untold stories of Ste. Genevieve citizens that reflect how Americanization affected their lives. In these pages we meet a free woman of color who sued a prominent white family for support of her children; a slave who obtained her own freedom and then purchased her daughters’ freedom; a local sheriff who joined Aaron Burr’s conspiracy; and a doctor who treated cholera victims and later became a U.S. senator. More than colorful characters, these are real people shown pursuing justice and liberty under a new flag. The story of Ste. Genevieve serves as a testament to Tocqueville’s observations on American democracy while also challenging some of the commonly held beliefs about that institution. From French Community to Missouri Town provides a better understanding not only of how democracy works but also of what it meant to become American when America was still young.

The phenomenal development of writing and literary creation among the francophone communities of eastern Canada has gone largely unnoticed and unprobed outside the fragmented land of Acadia. Writing Acadia attempts for the first time to observe from a distance the invention of literature in oral Acadia, and to interpret, assess and order the manifold manifestations of the transition from epic story-telling to writing as a means of nation-building. Having begun to write, modern Acadia has truly (re)written herself into existence, an existence now threatened by postmodern unwriting of literature. Destined not only for specialists but also and especially for readers with a general interest in literature, including students of all levels, Writing Acadia presents generous samples of Acadian poetry, drama and prose, with accompanying English translations.

In 1979, the legendary Acadian novelist Antonine Maillet won France's most coveted literary award, the Prix Goncourt, for the original version of this novel, Pélagie-la-Charette. In her acceptance speech, she said, "I have avenged my ancestors." Goose Lane Editions is proud to re-issue this classic of Acadian literature to mark the 400th anniversary of the founding of Acadie and the début of the novel's musical adaptation, Pélagie: An Acadian Odyssey. Directed by Michael Shamata, the musical brings together the words and lyrics of Vincent de Tourdonnet and music by Allen Cole. It will be presented at the Atlantic Theatre Festival in Wolfville, Nova Scotia, from July 27 to August 22, following successful runs at CanStage's Bluma Appel Theatre in Toronto and The National Arts Centre in Ottawa. This funny, lyrical account of a daring Acadian widow's journey home from exile is the Mother Courage of Acadian literature. At thirty-five, Pélagie is a survivor of the Great Disruption of 1755, when British soldiers deported Acadians who had farmed along the Bay of Fundy for generations. Splitting up families, the soldiers tossed men, women, and children pell-mell into ships and dispatched them to ports all along the eastern seaboard of the US and to Louisiana. When it was heard years later that the British would tolerate their return to Acadie, thousands loaded possessions and children onto handcarts and set out on foot. After fifteen years of working as a slave in the cotton fields of Georgia, Pélagie, too, has had enough. Drawn home as if by a magnet, inspired by her love of her family and of Beausoleil, a heroic sea captain, and determined to outrace the "Wagon of Death," Pélagie sets off to take her people on a 3,000-mile trek back to their homeland. Her single cart, pulled by six oxen, soon attracts scattered Cormiers and LeBlancs, Landrys and Poiriers, Maillets and Légers. Together, this caravan of colourful Acadians undertakes a ten-year journey up the Atlantic coast to their childhood homes.

Over the century between the first Oblate mission to the Canadian central Arctic in 1867 and the radical shifts brought about by Vatican II, the region was the site of complex interactions between Inuit, Oblate missionaries, and Grey Nuns – interactions that have not yet received the attention they deserve. Enriching archival sources with oral testimony, Frédéric Laugrand and Jarich Oosten provide an in-depth analysis of conversion, medical care, education, and vocation in the Keewatin region of the Northwest Territories. They show that while Christianity was adopted by the Inuit and major transformations occurred, the Oblates and the Grey Nuns did not eradicate the old traditions or assimilate the Inuit, who were caught up in a process they could not yet fully understand. The study begins with the first contact Inuit had with Christianity in the Keewatin region and ends in the mid-1960s, when an Inuk woman joined the Grey Nuns and two Inuit brothers became Oblate missionaries. Bringing together many different voices, perspectives, and experiences, and emphasizing the value of multivocality in understanding this complex period of Inuit history, Inuit, Oblate Missionaries, and Grey Nuns in the Keewatin, 1865–1965 highlights the subtle nuances of a long and complex interaction, showing how salvation and suffering were intertwined.

These essays (in English except for four items in German and French) provide an intercultural perspective. They deal with such diverse aspects of North American (including Quebecois) literature. The continental context also pervades treatments of novels (featuring Indian wars, sentimentalism, the West, and modern pícaros), story cycles (e.g., Atwood's), and the long poem (Kroetsch).

In 1858, Cyprian Clamorgan wrote a brief but immensely readable book entitled The Colored Aristocracy of St. Louis. The grandson of a white voyageur and a mulatto woman, he was himself a member of the "colored aristocracy." In a setting where the vast majority of African Americans were slaves, and where those who were free generally lived in abject poverty, Clamorgan's "aristocrats" were exceptional people. Wealthy, educated, and articulate, these men and women occupied a "middle ground." Their material advantages removed them from the mass of African Americans, but their race barred them from membership in white society. The Colored Aristocracy of St. Louis is both a serious analysis of the social and legal disabilities under which African Americans of all classes labored and a settling of old scores. Somewhat malicious, Clamorgan enjoyed pointing out the foibles of his friends and enemies, but his book had a serious message as well. "He endeavored to convince white Americans that race was not an absolute, that the black community was not a monolith, that class, education, and especially wealth, should count for something." Despite its fascinating insights into antebellum St. Louis, Clamorgan's book has been virtually ignored since its initial publication. Using deeds, church records, court cases, and other primary sources, Winch reacquaints readers with this important book and establishes its place in the context of African American history. This annotated edition of The Colored Aristocracy of St. Louis includes an introductory essay on African Americans in St. Louis before the Civil War, as well as an account of the lives of the author and the members of his remarkable family—a family that was truly at the heart of the city's "colored aristocracy" for four generations. A witty and perceptive commentary on race and class, The Colored Aristocracy of St. Louis is a remarkable story about a largely forgotten segment of nineteenth-century society. Scholars and general readers alike will appreciate Clamorgan's insights into one of antebellum America's most important communities.

Studies of literary reflections on ethnicity are essential to the ever-renewed definition of Canadian literature. The essays in this collection explore the diverse ways of negotiating identity and the articulation of space in Canada, taking ethnicity as a driving force with ideological and cultural implications that lend public and literary discourse an urgent dynamism. While theorizing ethnicity is a valuable critical enterprise, these essays centre on the concrete realization of the problematics of ethnicity in creative writing, covering a wide range of Canada's mosaic. The creative inscription of ethnicity stimulates the evolution and expansion of Canada's literary heritage, the complexity of this cultural experience being the focus of the present collection. Fourteen essays, including a personal account by the Ukrainian-Canadian Janice Kulyk Keefer on the merging of private and public history, and two interviews - with the Chinese-Canadian writer Wayson Choy and the critic Linda Hutcheon - analyze the manifestations of the pluralism that has always characterized Canadian writers' consciousness of themselves, their engagement with the notion of the ‘multicultural' and its significance in contemporary society and, in particular, its effect on creativity.