LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

A collection of caricatures of people famous in the 1930's with a commentary by the artist on her subjects. Franklin D. Roosevelt: Large, massive, oblong skull, flesh pretty well messed up with scars, fold and wrinkles ...Cosmopolitan, intact but hard-used. ...Dingy hair, thick and ill-groomed at rear. ...Eyes slanting with complicated puckers beneath, giving air of speculation rather than dissipation ...Clever as hell but so innocent...Urbane grin, fine stage presence. A grand old actor.

An engaging look at early twentieth-century American printmaking, which frequently focused on the crowded, chaotic, and gritty modern city. In the first half of the twentieth century, a group of American artists influenced by the painter and teacher Robert Henri aimed to reject the pretenses of academic fine art and polite society. Embracing the democratic inclusiveness of the Progressive movement, these artists turned to making prints, which were relatively inexpensive to produce and easy to distribute. For their subject matter, the artists mined the bustling activity and stark realities of the urban centers in which they lived and worked. Their prints feature sublime towering skyscrapers and stifling city streets, jazzy dance halls and bleak tenement interiors—intimate and anonymous everyday scenes that addressed modern life in America. True Grit examines a rich selection of prints by well-known figures like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan as well as lesser-known artists such as Ida Abelman, Peggy Bacon, Miguel Covarrubias, and Mabel Dwight. Written by three scholars of printmaking and American art, the essays present nuanced discussions of gender, class, literature, and politics, contextualizing the prints in the rapidly changing milieu of the first decades of twentieth-century America.

Teachers and writers describe the approaches and techniques they have incorporated into their own teaching. The paperback edition is designed to help classroom teachers make language classes more participatory and communication oriented. A distinguished group of innovative teachers and writers describe, in a collection of essays, the approaches and techniques they have incorporated into their own teaching.

A ghost cat tells three children, the latest inhabitants of an old house, all about the people who passed through and the events which took place in the house during her previous eight lives.

The seven essays included in this volume move beyond the famed Ashcan School to recover the lesser known work of Robert Henri's women students. The contributors, who include well-known scholars of art history, American studies, and cultural studies demonstrate how these women participated in the "modernizing" of women's roles during this era.

Scat, a stray cat, has a difficult life. It is hard for Scat to find food, shelter and love. Scat's hardships are compared to a variety of other cats, all who have homes.

Mount Allegro is an extraordinary memoir, a celebration of Sicilian life, an engaging sociological portrait, a moving reminiscence of a fledgling writer’s escape from the restrictive culture in which he grew up. Jerre Mangione’s autobiographical chronicle of his youth in a Sicilian community in Rochester is one of the truly enduring books about the immigrant experience in this country. Family squabbles, soul-nourishing food, and the casting of evil eyes are only some of the ingredients of this richly textured book, although they must all take second place to its unforgettable characters. As Eugene Paul Nassar writes in the book’s Foreword, “Mount Allegro . . . gave a literary visibility and identity, amiable and appealing, to a poorly understood ethnic group in America, and did so at a very high level of artistry.”