Peer Gynt is classical drama written by Henrik Ibsen. This modern version is rewritten by Sadr al-Din Arabi. His aim is to criticize the decadent lifestyle in the West from an Islamic point of view. Peer Gynt is obsessed about being himself, but the way he sees himself is not reflective of who he truly is. The well-known scene with the onion depicts this quite clearly. There is no core inside an onion, just as there is no core in a false self. Peer Gynt’s journey is a psychological struggle to discover his true self, his core. A core based on empathy, morality and religious meaning. In this rewritten version is Solveig, a symbol of spiritually, the pure and innocent. She is helping Peer Gynt to be reborn into a spiritual life. - There will be a new enlightenment!

This Is A New Release Of The Original 1914 Edition.

Reproduction of the original: Iconoclasts by James Huneker

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.

In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.