E 55 unpublished Author songs of the singer based on authentic folk songs from Pazardzhik, with music and lyrics classified by type and explanations of foreign words, unfamiliar words and dialect Lyrics are in Bulgarian original written in Latin letters, and translated into English. -------------------------------------------------------------------------------------------------------------------------- D 55 nicht veröffentlichte Autorenlieder der Sängerin, geschaffen auf Grundlage authentischer Volkslieder aus der Region Pazardshik incl. Noten und Texte, klassifiziert nach ihrer Art und mit Erklärungen der Fremdwörter, unbekannte Wörter und Dialekte Songtexte sind in bulgarischer Sprache Original in lateinischen Buchstaben geschrieben, und in English übersetzt. ------------------------------------------------------------------------------------------------------------------------------BBG 55 непубликувани авторски песни на певицата, създадени по образци на автентични народни песни от Пазарджишко, с ноти и текст, класифицирани по вид и с обяснения на чуждиците, непознатите и диалектните думи. Текстовете са на български оригинален написани с латински и преведени на английски език.

E 55 unpublished Author songs of the singer based on authentic folk songs from Pazardzhik, with music and lyrics classified by type and explanations of foreign words, unfamiliar words and dialect Lyrics are in Bulgarian original written in Latin letters, and translated into English. ======================================================================================================================= D 55 nicht veröffentlichte Autorenlieder der Sängerin, geschaffen auf Grundlage authentischer Volkslieder aus der Region Pazardshik incl. Noten und Texte, klassifiziert nach ihrer Art und mit Erklärungen der Fremdwörter, unbekannte Wörter und Dialekte Songtexte sind in bulgarischer Sprache Original in lateinischen Buchstaben geschrieben, und in English übersetzt. ====================================================================================================================== BG 55 непубликувани авторски песни на певицата, създадени по образци на автентични народни песни от Пазарджишко, с ноти и текст, класифицирани по вид и с обяснения на чуждиците, непознатите и диалектните думи. Текстовете са на български оригинален написани с латински и преведени на английски.

E 55 unpublished Author songs of the singer based on authentic folk songs from Pazardzhik, with music and lyrics classified by type and explanations of foreign words, unfamiliar words and dialect Lyrics are in Bulgarian original written in Latin letters, and translated into English. ======================================================================================================================= D 55 nicht veröffentlichte Autorenlieder der Sängerin, geschaffen auf Grundlage authentischer Volkslieder aus der Region Pazardshik incl. Noten und Texte, klassifiziert nach ihrer Art und mit Erklärungen der Fremdwörter, unbekannte Wörter und Dialekte Songtexte sind in bulgarischer Sprache Original in lateinischen Buchstaben geschrieben, und in English übersetzt. ======================================================================================================================= BG 55 непубликувани авторски песни на певицата, създадени по образци на автентични народни песни от Пазарджишко, с ноти и текст, класифицирани по вид и с обяснения на чуждиците, непознатите и диалектните думи. Текстовете са на български оригинален написани с латински и преведени на английски

Christian Pahlke shows you the easiest way to play fantastic strumming patterns on guitar. He knows how it feels, when you have a song which you would like to sing but you have no rhythm for. With his guitar impact patterns he opens a new world for you. The world of fantastic guitar rhythm for almost any song. He has collected them over almost 40 years. Try it, otherwise you would not believe it. Impress the world with your own incredible sound. Do you wanna sing and play "perfect" by Ed Sheeran? Sign of the times by Harry Styles ? No problem. Take my patterns and use them. No secrets nor magic tricks, only knowledge for low money. Play it and you will feel it what I mean. There is also a book inside the cloud with lyrics, chords and patterns with Amazing Grace, Aura Lee, Banks of the Ohio, House of the rising sun, Oh my darling, Streets of Laredo, Greensleeves, Oh Danny boy, Loreena, Whiskey in the jar, Wild Rover and others. NEW NEW NEW Right now, you can get the sounds as files out of my cloud. After buying send me the screenshot of the deal and you will get the link. [email protected].

E A song with notes and text and a folk ballade about patriarchal relationship in the family A folk ballad about the relationship between daughter and mother in law .. Ednatema valid for all times D Ein Lied mit Noten und Text und eine Volksballade für lebens patriarchalischen Familien Bezihungenn. . BG Една песен с ноти и текст и една фолклорна балада за битово патриархалнo семейни отношения

Did U.S. intelligence know of Japan's coming attack on Pearl Harbor? Did President Roosevelt know? If so, why did he withhold warnings from the commanders in Hawaii? The answers are embedded in the cogent analysis of The Pearl Harbor Myth. Based on voluminous data that does not appear in other books on the topic, it discusses in detail Roosevelt's developing strategy-both military and diplomatic-and his secret alliances to save the world from Hitler. It contains a wealth of fresh material on secret diplomacy; on secret military strategy, planning, and intelligence; and on disguised combat operations that began six months before the Pearl Harbor attack.

In Khazaria in the Ninth and the Tenth Centuries Boris Zhivkov offers a new view on Khazaria by scrutinizing the different visions offered by recent scholarship. The paucity of written sources has made it necessary to turn to additional information about the steppe states in this period, and to analyze exceptional cases not directly related to the Khazars. In re-examining the Khazars, he thus uses not only the known documentary sources and archaeological finds but also what we know from history of religions (comparative mythology), history of art, structural anthropology and folklore studies. In this way the book draws together a synthesis of conclusions, information and theory.

Continuing the work undertaken in Vol. 1 of the History of the Literary Cultures of East-Central Europe, Vol. 2 considers various topographic sites—multicultural cities, border areas, cross-cultural corridors, multiethnic regions—that cut across national boundaries, rendering them permeable to the flow of hybrid cultural messages. By focusing on the literary cultures of specific geographical locations, this volume intends to put into practice a new type of comparative study. Traditional comparative literary studies establish transnational comparisons and contrasts, but thereby reconfirm, however inadvertently, the very national borders they play down. This volume inverts the expansive momentum of comparative studies towards ever-broader regional, European, and world literary histories. While the theater of this volume is still the literary culture of East-Central Europe, the contributors focus on pinpointed local traditions and geographic nodal points. Their histories of Riga, Plovdiv, Timişoara or Budapest, of Transylvania or the Danube corridor – to take a few examples – reveal how each of these sites was during the last two-hundred years a home for a variety of foreign or ethnic literary traditions next to the one now dominant within the national borders. By foregrounding such non-national or hybrid traditions, this volume pleads for a diversification and pluralization of local and national histories. A genuine comparatist revival of literary history should involve the recognition that “treading on native grounds” means actually treading on grounds cultivated by diverse people.