As a result, the reader will find that Buck's female characters, with their different degrees of individuality and typicality, form a realistic picture of Chinese women."--BOOK JACKET.

A young Chinese woman falls in love with a Jewish man in nineteenth-century China in this evocative novel by the Nobel Prize–winning author of The Good Earth. In 1850s China, a young girl, Peony, is sold to work as a bondmaid for a rich Jewish family in Kaifeng. Jews have lived for centuries in this region of the country, but by the mid-nineteenth century, assimilation has begun taking its toll on their small enclave. When Peony and the family’s son, David, grow up and fall in love with one another, they face strong opposition from every side. Tradition forbids the marriage, and the family already has a rabbi’s daughter in mind for David. Long celebrated for its subtle and even-handed treatment of colliding traditions, Peony is an engaging coming-of-age story about love, identity, and the tragedy and beauty found at the intersection of two disparate cultures. This ebook features an illustrated biography of Pearl S. Buck including rare images from the author’s estate.

A “vivid and extremely interesting” novel of an upper-class Chinese wife’s quest for freedom, from the Nobel Prize–winning author of The Good Earth (The New Yorker). At forty, Madame Wu is beautiful and much respected as the wife of one of China’s oldest upper-class houses. Her birthday wish is to find a young concubine for her husband and to move to separate quarters, starting a new chapter of her life. When her wish is granted, she finds herself at leisure, no longer consumed by running a sixty-person household. Now she’s free to read books previously forbidden her, to learn English, and to discover her own mind. The family in the compound are shocked at the results, especially when she begins learning from a progressive, excommunicated Catholic priest. In its depiction of life in the compound, Pavilion of Women includes some of Buck’s most enchanting writing about the seasons, daily rhythms, and customs of women in China. It is a delightful parable about the sexes, and of the profound and transformative effects of free thought. This ebook features an illustrated biography of Pearl S. Buck including rare images from the author’s estate.

It is the end of the nineteenth century and China is riding on the crest of great change, but for nine-year-old Willow, the only child of a destitute family in the small southern town of Chin-kiang, nothing ever seems to change. Until the day she meets Pearl, the eldest daughter of a zealous American missionary. Pearl is head-strong, independent and fiercely intelligent, and will grow up to be Pearl S Buck, the Pulitzer- and Nobel Prize-winning writer and humanitarian activist, but for now all Willow knows is that she has never met anyone like her in all her life. From the start the two are thick as thieves, but when the Boxer Rebellion rocks the nation, Pearl's family is forced to leave China to flee religious persecution. As the twentieth century unfolds in all its turmoil, through right-wing military coups and Mao's Red Revolution, through bad marriages and broken dreams, the two girls cling to their lifelong friendship across the sea. In this ambitious and moving new novel, Anchee Min, acclaimed author of Empress Orchid and Red Azalea, brings to life a courageous and passionate woman who loved the country of her childhood and who has been hailed in China as a modern heroine.

Pearl Buck tells the heart-seaching and tender story of a young Chinese girl's troubled acceptance of an alien way of life, with all its sorrows and rewards.

One of the twentieth century’s most extraordinary Americans, Pearl Buck was the first person to make China accessible to the West. She recreated the lives of ordinary Chinese people in The Good Earth, an overnight worldwide bestseller in 1932, later a blockbuster movie. Buck went on to become the first American woman to win the Nobel Prize for Literature. Long before anyone else, she foresaw China’s future as a superpower, and she recognized the crucial importance for both countries of China’s building a relationship with the United States. As a teenager she had witnessed the first stirrings of Chinese revolution, and as a young woman she narrowly escaped being killed in the deadly struggle between Chinese Nationalists and the newly formed Communist Party. Pearl grew up in an imperial China unchanged for thousands of years. She was the child of American missionaries, but she spoke Chinese before she learned English, and her friends were the children of Chinese farmers. She took it for granted that she was Chinese herself until she was eight years old, when the terrorist uprising known as the Boxer Rebellion forced her family to flee for their lives. It was the first of many desperate flights. Flood, famine, drought, bandits, and war formed the background of Pearl’s life in China. "Asia was the real, the actual world," she said, "and my own country became the dreamworld." Pearl wrote about the realities of the only world she knew in The Good Earth. It was one of the last things she did before being finally forced out of China to settle for the first time in the United States. She was unknown and penniless with a failed marriage behind her, a disabled child to support, no prospects, and no way of telling that The Good Earth would sell tens of millions of copies. It transfixed a whole generation of readers just as Jung Chang’s Wild Swans would do more than half a century later. No Westerner had ever written anything like this before, and no Chinese had either. Buck was the forerunner of a wave of Chinese Americans from Maxine Hong Kingston to Amy Tan. Until their books began coming out in the last few decades, her novels were unique in that they spoke for ordinary Asian people— "translating my parents to me," said Hong Kingston, "and giving me our ancestry and our habitation." As a phenomenally successful writer and civil-rights campaigner, Buck did more than anyone else in her lifetime to change Western perceptions of China. In a world with its eyes trained on China today, she has much to tell us about what lies behind its astonishing reawakening.

Fictionized biography of Tzu-hsi, the last empress of China, who was known as "Old Buddha."

China Sky, first published in 1941, is a romance by Pearl S. Buck set in war-time China. Dr. Gray Thompson, an American missionary doctor, works alongside Dr. Sara Durand in a hospital he has built in a small Chinese village, as Japanese forces approach. When Gray returns from a visit to America a trip, he shocks Sara (who is in love with him) by introducing his new socialite wife, Louise. In the midst of bombing attacks on the village, Dr. Thompson continues to help the local residents, and especially the insurgent leader Chen-Ta. To protect the hospital, a high-ranking Japanese prisoner gets a message to the Japanese commander which stops the bombing but, eventually, Japanese paratroopers land in the village, and fierce fighting ensues. China Sky was also the subject of a 1945 movie of the same name. Pearl S. Buck (1892-1973) received the Nobel Prize in Literature in 1938 and was the author of numerous novels, short-stories and works of non-fiction.

Nobel Prize winner Pearl S. Buck's engagement with (neo-)missionary cultures in the United States and China was unique. Against the backdrop of her missionary upbringing, Buck developed a fictional project which both revised and reaffirmed American foreign missionary activity in the Pacific Rim during the 20th century. Vanessa Künnemann accurately traces this project from America's number one expert on China - as Buck came to be known - from a variety of disciplinary angles, placing her work squarely in Middlebrow Studies and New American Studies.

This book, the first single-authored book-length study of Buck’s fiction for over twenty years, shows how Buck’s thought developed through the medium of her fiction - from her early turbulent years in China to her last lonely days in the United States, with chapters examining her loss of faith in Christianity, her reflections on Chinese life during and after the breakdown of Old China, her voluminous reading, her confrontation with the horrors of American racism and sexism after her return to the United States, and her final metaphorical search for home as she approached death. The book argues that Buck, the first American woman to win both the Pulitzer and Nobel prizes for literature, was a heroic forerunner of those who, while occupying a place in the world, never feel fully at home there; in Buck’s case because her Chinese identity throughout her life struggled with her American. For this reason Pearl S. Buck’s fiction deserves to be considered alongside that of writers such as Anchee Min, Maxine Hong Kingston and Amy Tan. The book’s central claim is that Buck is a major novelist, capable of speaking to the distress of our times, richly deserving the honor she has received in China, and deserving greater recognition in the United States.