In the Paris of the early 1960s, a host of French glamour magazines sprang up, featuring voluptuous nude pin-up girls plucked from the streets and thrust in front of hungry cameras in sleazy backstreet studios, apartments or remote country locations. Magazines like "Paradise”, "Sensation” and "Pink And Black” were at the forefront, featuring scores of these amateur but sexy young women in a multitude of alluring poses and settings. Jean le Baptiste has assembled from his own collection a stunning array of vintage photographs from these magazines, a visual feast which at once takes us back to the fashions and styles of more innocent decades, yet delivers a strong erotic thrill at the rediscovery of these wanton Parisian women in their sexual prime. PARIS PUSSY 4 contains 39 timeless and shamelessly provocative images from this bygone age.

A picture book version of the classic English rhyme, expanded and further enhanced with delightful artwork depicting familiar scenes of London today. With brilliant illustrations by Daniel Taylor, and quality production this is a souvenir gift item. Perfect for sharing with toddlers and very young children.

In 1950s and 1960s Paris, a host of glamour magazines sprang up featuring voluptuous nude pin-up girls thrust in front of hungry cameras in sleazy backstreet studios. Magazines like Paradise, Sensation and Pink and Black were at the forefront, featuring scores of sexy young amateurs. Paris Pussy presents a stunning array of these vintage photographs, simultaneously taking readers back to the style of more innocent decades and delivering a strong erotic thrill at the rediscovery of these wanton Parisian girls in their sexual prime.

Anna had everything figured out – she was about to start senior year with her best friend, she had a great weekend job and her huge work crush looked as if it might finally be going somewhere... Until her dad decides to send her 4383 miles away to Paris. On her own. But despite not speaking a word of French, Anna finds herself making new friends, including Étienne St. Clair, the smart, beautiful boy from the floor above. But he's taken – and Anna might be too. Will a year of romantic near-misses end with the French kiss she's been waiting for?

First published in 2006. Feudalism is normally associated with eighteenth-century France only in its more bizarre survivals, as in The Marriage of Figaro, when his seigneur claims the rights to spend the first night with the bride. If feudalism menat no more in the eighteenth century than a few quaint customs that could tickle an audence at the Comedie Francaise, why did French writers attack it so furiously? The author suggests that contemporary writers saw remnants of the feudal regime as important less in themselves, than as symbols of an attitude of mind which the 'enlightened' among them would no longer tolerate. Instead of representing the ideas of the eighteenth century through the eyes of a few outstanding writers, Dr Mackrell has tried to reconstitute the intellectual climate of the ancien regime from the works of largely unknown historians, jurists, economists and others. In this way he illuminates the rich texture of eighteenth-century French thought, without which the ideas of Voltaire, Montesquieu and even Rousseau lose much of their meaning. This study breathes life into the fierce controversies that shook the Age of Reason long before the outbreak of Revolution.