“A nuanced, engrossing novel about conviction and terrorism in a cosmopolitan, complicated world.”—National Book Review From the American invasion of Iraq in 2003 to the terrorist attacks in Paris in 2015, Paris Metro is a story of East meets West. Kit, a reporter, has spent several years after 9/11 living in the Middle East, working as a correspondent for an American newspaper. Along the way she falls in love and marries a charismatic Iraqi diplomat named Ahmed, before their separation leaves Kit raising their teenage son alone in Paris. But after the Charlie Hebdo attack occurs and, a few months later, terrorists storm the Bataclan, Kit’s core beliefs are shattered. The violence she had spent years covering abroad is now on her doorstep. As Kit struggles with her grief and confusion, she begins to mistrust those closest to her: her friends, her husband, even her own son.

“A nuanced, engrossing novel about conviction and terrorism in a cosmopolitan, complicated world.”—National Book Review From the American invasion of Iraq in 2003 to the terrorist attacks in Paris in 2015, Paris Metro is a story of East meets West. Kit, a reporter, has spent several years after 9/11 living in the Middle East, working as a correspondent for an American newspaper. Along the way she falls in love and marries a charismatic Iraqi diplomat named Ahmed, before their separation leaves Kit raising their teenage son alone in Paris. But after the Charlie Hebdo attack occurs and, a few months later, terrorists storm the Bataclan, Kit’s core beliefs are shattered. The violence she had spent years covering abroad is now on her doorstep. As Kit struggles with her grief and confusion, she begins to mistrust those closest to her: her friends, her husband, even her own son.

“With a cast of characters reminiscent of the French film Amélie, Féret-Fleury creates a world that is delightful and enchanting...Light and sweet as a bonbon, this little confection of a book is delicious.” —Kirkus Reviews For fans of Amélie and The Little Paris Bookshop, a modern fairytale about a French woman whose life is turned upside down when she meets a reclusive bookseller and his young daughter. Juliette leads a perfectly ordinary life in Paris, working a slow office job, dating a string of not-quite-right men, and fighting off melancholy. The only bright spots in her day are her métro rides across the city and the stories she dreams up about the strangers reading books across from her: the old lady, the math student, the amateur ornithologist, the woman in love, the girl who always tears up at page 247. One morning, avoiding the office for as long as she can, Juliette finds herself on a new block, in front of a rusty gate wedged open with a book. Unable to resist, Juliette walks through, into the bizarre and enchanting lives of Soliman and his young daughter, Zaide. Before she realizes entirely what is happening, Juliette agrees to become a passeur, Soliman’s name for the booksellers he hires to take stacks of used books out of his store and into the world, using their imagination and intuition to match books with readers. Suddenly, Juliette’s daydreaming becomes her reality, and when Soliman asks her to move in to their store to take care of Zaide while he goes away, she has to decide if she is ready to throw herself headfirst into this new life. Big-hearted, funny, and gloriously zany, The Girl Who Reads on the Métro is a delayed coming-of-age story about a young woman who dares to change her life, and a celebration of the power of books to unite us all.

A history of Paris in twelve métro stops. Métro Stop Paris recounts the extraordinary and colorful history of the City of Light, by way of twelve Métro stops-a voyage across both space and time. At each stop a Parisian building, or street, or tomb or landmark sparks a story that holds particular significance for that area of the city. Dallas takes us to the jazz cellars and literary cafés of Montparnasse and Saint-Germain-des-Prés; the catacombs at Hell's Gate; and the Opéra during the days of Claude Debussy. A darker side of Paris emerges at the Trocadéro stop and a charitable side at the Gare du Nord, which highlights the work of Saint Vincent de Paul. Finally, our journey ends at Père-Lachaise cemetery with the little-known story of Oscar Wilde's curious involvement in the Dreyfus affair, one of France's greatest legal scandals. From Hell (the Denfert-Rochereau stop on the south side of the city) to Heaven (the Gare du Nord at the north end of Paris), Métro Stop Paris carries readers on a journey of the heart and mind. Métro Stop Paris is a thinker's guide to Paris made up of "slices of life," little vignettes drawn from Paris's two thousand years of history. Taken separately, these are charming historic tales about a city known and loved by many, but read as a whole Métro Stop Paris goes straight to the heart of what is quintessentially Parisian.

'The Paris Métro is one of the most iconic transit systems in the world. Its classic art nouveau entrances, art deco candelabra, white-tiled stations and idiosyncratic maps are almost as recognizable city landmarks as the Tour Eiffel, Arc de Triomphe or the Louvre.' - MARK OVENDEN, from the Introduction Illustrated with more than 1,000 full-color maps, diagrams and photographs of the iconic Paris subway system PARIS UNDERGROUND is the essential graphic history of the magnificent Métro. PRAISE FOR Transit Maps of the World 'More than impressive. Ovenden does what no other design history book has ever done.' - The New York Times 'The perfect book . . . for urban transit freaks and fans.' - USA Today

A love letter to Paris and a meditation on how it has changed in two decades, evolving from the twentieth century into the twenty-first, from analog to digital. Your telephone is precious. It may be envied. We recommend vigilance when using it in public. --Paris bus public notice In fall 2014 Lauren Elkin began keeping a diary of her bus commutes in the Notes app on her iPhone 5c, writing down the interesting things and people she saw in a Perecquian homage to Bus Lines 91 and 92, which she took from her apartment in the 5th Arrondissement to her teaching job in the 7th. Reading the notice, she decided to be vigilant when using her phone: she would carry out a public transport vigil, using it to take in the world around her and notice all the things she would miss if she continued using it the way she had been, the way everyone does--to surf the web, check social media, maintain her daily sense of self through digital interaction. Her goal became to observe the world through the screen of her phone, rather than using her phone to distract from the world. During the course of that academic year, the Charlie Hebdo attacks occurred and Elkin had an ectopic pregnancy, requiring emergency surgery. At that point, her diary of dailiness became a study of the counterpoint between the everyday and the Event, mediated through early twenty-first century technology, and observed from the height of a bus seat. No. 91/92 is a love letter to Paris, and a meditation on how it has changed in the two decades the author has lived there, evolving from the twentieth century into the twenty-first, from analog to digital.

A unique guide to the legendary Paris Métro that reveals, line by line, station by station, what to see and do to discover Paris like a Parisian.

The Paris Metro was a fortnightly, English-language magazine in France that published sixty-four issues between June 1976 and December 1978.Although time can diminish or exaggerate the past, there seems to be agreement that there was something special and unique about The Paris Metro - and the creative people associated with it.Published roughly in chronological order, these fifty anecdotes, memoirs, reflections and vignettes written in 2016 by former staff members, freelancers and readers of The Paris Metro provide a glimpse of the magazine's then-magical presence and now-mythical stature.The compilation provides some insight into the magazine's allure and includes scores of illustrations and extracts plucked from past issues. And photo spreads by two of the best photographers in Paris during the 1970s.

A 78-year-old man is attacked in the basement of an apartment building in the south of Paris, brutally beaten and left for dead. Reading the story in the newspaper the next morning, Gabriel Lecouvreur - AKA Private Detective Le Poulpe - recognises the victim's name as that of a once-gifted and controversial author, Andre Sloga, who had slipped into obscurity. Lecouvreur discovers that Sloga had in fact been hard at work on an explosive book exposing the scandals of a prominent industrialist and his family.

Tourists climb the Eiffel Tower to see Paris. Parisians know that to really see the city you must descend into the metro. In this revelatory book, Marc Auge takes readers below Paris in a work that is both an ethnography of the city and a personal narrative. Guiding us through history, memory, and physical space, Auge juxtaposes the romance of the metro with the reality of multiethnic urban France. His work is part autobiography, with impressions from a lifetime riding the trains; part meditation on self and memory reflected in the people and places underneath Paris; part analysis of a place where the third world and the first world meet, where remnants of cultures move and press together; and part a reflection on anthropology in an era of globalization and urban development. Although he is a pillar of French thought, In the Metro is Auge's first major critical and creative work translated into English. It shows him to be firmly rooted in a tradition of literary ethnography that reaches back to Claude Levi-Strauss and Michel de Certeau, but also engaged in current theoretical debates in literary and cultural studies. In Auge's idiosyncratic and innovative approach, the act of observing the quotidian is elevated to an art. The writer and his history become part of the field he observes, and anthropology interacts with a site -- urban life -- usually reserved for sociology and cultural studies. Throughout, Auge reveals a passion for his milieu, seeing the metro as a place rich with history and literature -- an eclectic egalitarian society.