With my seer powers finally under my control, I'm ready to plunge into the unknown to find my father. He may have abandoned me, but I’ll go to the ends of the Otherlands to save him from his torment. Only problem? With unexpected allies and even more surprising enemies, this rescue mission might be more than I bargained for.

I'm an illusionist, not a psychic. Going on TV is supposed to advance my career, but things go wrong. Like vampires and zombies kind of wrong. My name is Sasha Urban, and this is how I learned what I am.

My deal with Nero and my growing powers are supposed to keep me and my loved ones safe—yet the unthinkable happens. When lines are crossed and blood is spilled, nothing will ever be the same again.

It's not easy, being King. Especially since he has an allergy to sunrise and sunset, a fire-goddess for a mother-in-law, demonic adversaries, random assassins, and a basement full of insecurities to cope with. Add to that his daughter, the priestess/princess, a couple of lightly-deranged professional magicians, a whole city full of wizards, and enough squabbling princes to resemble a kindergarten argument. It's enough to make a man want to just go home. Luckily for Eric, he has the world's largest pet rock, a smart-mouthed sword, and a horse that not only understands him, but likes him anyway.

Not only is Phobetor real, he’s about to destroy life on every world with sentient beings. You could say he’s becoming a bit of a problem. Unless I’m somehow the hero of an ancient prophecy—and let’s face it, I’m not—everyone I care about is in major trouble. My name is Bailey Spade, and this is how my story ends.

Life as a seer is not all it’s cracked up to be. Especially when you’re unemployed, and your former boss blacklists you everywhere. Or when a legendary Russian witch calls in a favor owed, demanding the unthinkable. When danger threatens everyone around me, there’s only one man I can turn to—and he may not be what he seems.

The internet is the most effective weapon the government has ever built. In this fascinating book, investigative reporter Yasha Levine uncovers the secret origins of the internet, tracing it back to a Pentagon counterinsurgency surveillance project. A visionary intelligence officer, William Godel, realized that the key to winning the war in Vietnam was not outgunning the enemy, but using new information technology to understand their motives and anticipate their movements. This idea -- using computers to spy on people and groups perceived as a threat, both at home and abroad -- drove ARPA to develop the internet in the 1960s, and continues to be at the heart of the modern internet we all know and use today. As Levine shows, surveillance wasn't something that suddenly appeared on the internet; it was woven into the fabric of the technology. But this isn't just a story about the NSA or other domestic programs run by the government. As the book spins forward in time, Levine examines the private surveillance business that powers tech-industry giants like Google, Facebook, and Amazon, revealing how these companies spy on their users for profit, all while doing double duty as military and intelligence contractors. Levine shows that the military and Silicon Valley are effectively inseparable: a military-digital complex that permeates everything connected to the internet, even coopting and weaponizing the antigovernment privacy movement that sprang up in the wake of Edward Snowden. With deep research, skilled storytelling, and provocative arguments, Surveillance Valley will change the way you think about the news -- and the device on which you read it.

Find my long-lost birth parents? Check. Kiss the man I've been crushing on for years? Check. Finally kick back and enjoy my happy ending? Yeah, no such luck. With literal demons out to kill me and my loved ones in trouble, I'm starting to wonder if I'll make it out of this one alive...

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016.

The epic conclusion of Sasha Urban's story! I found my family, I found my heart, I found myself. But it’s not over. No matter how many allies I have, there's no escaping destiny. The end of the world is coming, and I'm the only one who can stop it.