Scientific ideas inspired by religious, magical, and alchemical themes competed alongside traditional Aristotelian science and the emerging mechanical philosophy in the early modern era. At the center of this ferment was a quirky and creative German physician, Paracelsus, whose religious-alchemical worldview served as an inspiration for countless scientific innovators. This collection is about Paracelsus and the wide range of issues he explored, and ones taken up by many who were directly or indirectly affected by the same mental universe that sustained his thought and writings. This volume includes strong contextual studies on Paracelsianism and the larger cultural history of early modern science, including groundbreaking studies on Robert Boyle, François Rabelais, Giovanni Pico della Mirandola, and Johannes Praetorius.

Paracelsus has been called the father of modern chemistry and is legendary for his treatment of syphilis. This work argues that Paracelsus developed an understanding of the body as composed of two distinct sexes, revolutionizing early modern conceptions of the female body as an inversion of or flawed approximation of the male body.

With its innovative studies and its extensive catalogue of texts erroneously attributed to Paracelsus (1493/4-1541), this volume explores largely overlooked aspects of the Paracelsian movement in Renaissance and early modern medicine, science, natural philosophy, theology and religion.

New essays revealing the enduring significance of the story made famous in the 1587 Faustbuch and providing insights into the forces that gave the sixteenth century its distinct character. The Reformation and Renaissance, though segregated into distinct disciplines today, interacted and clashed intimately in Faust, the great figure that attained European prominence in the anonymous 1587 Historia von D. Johann Fausten. The original Faust behind Goethe's great drama embodies a remote culture. In his century, Faust evolved from an obscure cipher to a universal symbol. The age explored here as "the Faustian century" invested the Faustbuch and its theme with a symbolic significance still of exceptional relevance today. The new essays in this volume complement one another, providing insights into the tensions and forces that gave the century its distinctcharacter. Several essays seek Faust's prototypes. Others elaborate the symbolic function of his figure and discern the resonance of his tale in conflicting allegiances. This volume focuses on the intersection of historical accounts and literary imaginings, on shared aspects of the work and its times, on concerns with obedience and transgression, obsessions with the devil and curiosity about magic, and quandaries created by shifting religious and worldlyauthorities. Contributors: Marguerite de Huszar Allen, Kresten Thue Andersen, Frank Baron, Günther Bonheim, Albrecht Classen, Urs Leo Gantenbein, Karl S. Guthke, Michael Keefer, Paul Ernst Meyer, J. M. van der Laan, Helen Watanabe-O'Kelly, Andrew Weeks. J. M. van der Laan is Professor of German and Andrew Weeks is Professor of German and Comparative Literature, both at Illinois State University.

This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.

This book explores the identity of the 'French disease' (alias the 'French pox' or 'Morbus Gallicus') in the German Imperial city of Augsburg between 1495 and 1630. Rejecting the imposition of modern conceptions of disease upon the past, it reveals how early modern medical theory facilitated enormous flexibility in defining disease, and how disease identification was a local matter, and one of constant negotiation and renegotiation. Drawing on a wealth of primary source material this work combines concern with the conceptualisation of the disease with its practical application, and argues for the inseparability of both. It focuses on how theoretical understanding of the pox shaped the various therapeutic reactions, and vice versa. It exemplifies this in the specific socio-cultural context of sixteenth- and seventeenth-century Augsburg, through an investigation of the city's municipal and private pox hospitals. Combining medical, religious, economic, municipal and institutional history this book offers a fascinating insight into how early modern society came to terms with disease both in a practical and theoretical sense. This revised English translation of Dr Stein's original German book adds new layers of understanding to a fascinating but complex subject.

The close relationship between religion, medicine and natural philosophy in the post-Reformation period has been documented and explored in a body of research since the 1990s; however, the direct and continued impact of Melanchthonian natural philosophy within the individual Lutheran principalities of northern Europe in general and Scandinavia in particular still has to be fully investigated and understood. This volume provides insight into how and why medicine and natural philosophy in a 'liberal' and Melanchthonian form could continue to blossom in Scandinavia despite a growing Lutheran uniformity promoted by the State. Inspired by research emanating from the Cambridge Unit for the History of Medicine, here a number of young scholars such as Adam Mosley, Morten Fink-Jensen, Signe Nipper Nielsen and Martin Kjellgren are joined with more established scholars such as Andrew Cunningham, Jens Glebe-Møller, Terhi Kiiskinen and Ole Peter Grell to create a volume which deals with not only the major issues but also the leading personalities of the period.

This book uses amputation and prostheses to tell a new story about medicine and embodied knowledge-making in early modern Europe. It draws on the writings of craft surgeons and learned physicians to follow the heated debates that arose from changing practices of removing limbs, uncovering tense moments in which decisions to operate were made. Importantly, it teases out surgeons’ ideas about the body embedded in their technical instructions. This unique study also explores the material culture of mechanical hands that amputees commissioned locksmiths, clockmakers, and other artisans to create, revealing their roles in developing a new prosthetic technology. Over two centuries of surgical and artisanal interventions emerged a growing perception, fundamental to biomedicine today, that humans could alter the body — that it was malleable.

History of science credits the Flemish physician, alchemist and philosopher Jan Baptist Van Helmont (1579-1644) for his contributions to the development of chemistry and medicine. Yet, as this book makes clear, focussing on Van Helmont's impact on modern science does not do justice to the complexity of his thought or to his influence on successive generations of intellectuals like Robert Boyle or Gottfried Leibniz. Revealing Van Helmont as an original thinker who sought to produce a post-Scholastic synthesis of religion and natural philosophy, Georgiana Hedesan reconstructs his ambitious quest for universal knowledge as it emerges from the text of the Ortus medicinae (1648). Published after Van Helmont's death by his son, the work can best be understood as a compilation of finished and unfinished treatises, the historical product of a life unsettled by religious persecution and personal misfortune. The present book provides a coherent account of Van Helmont's philosophy by analysing its main tenets. Divided into two parts, the study opens with a background to Van Helmont's concept of an alchemical Christian philosophy, demonstrating that his outlook was deeply grounded in the tradition of medical alchemy as reformed by Theophrastus von Hohenheim, called Paracelsus (1493-1541). It then reconstitutes Van Helmont's biography, while giving a historical dimension to his intellectual output. The second part reconstructs Van Helmont's Christian philosophy, investigating his views on God, nature and man, as well as his applied philosophy. Hedesan also provides an account of the development of Van Helmont's thought throughout his life. The conclusion sums up Van Helmont's intellectual achievement and highlights avenues of future research.

This book examines Naples’s patron saint, Gennaro, the history of his blood relic, and the mystery of its periodical liquefaction. Three times a year, Neapolitans gather to witness the recurring phenomenon of the liquefaction of San Gennaro’s blood. From the seventeenth century to the present, crowds have prayed to the city’s patron for protection from fires, earthquakes, plagues, droughts, and the fury of Mt. Vesuvius. In the “miraculous” moment of transposition from solid to liquid, the faithful seek respite from the ills of the world in the saintly blood, a visual reminder of the blood of Christ spilled for their salvation. In Naples, the periodical liquefaction of San Gennaro’s blood is not officially recognized as miraculous by the Catholic Church, which now more cautiously refers to it as a prodigy. Nevertheless, for centuries, this phenomenon has been called “a miracle” in liturgical texts approved by the ecclesiastical authority and in the words of bishops, cardinals, popes, and saints. However, not everyone agreed. This volume follows the efforts of theologians, alchemists, charlatans, and scientists who, through the centuries, have tried to answer questions such as: Is the liquefaction of San Gennaro’s blood really a miracle? If not, how is it possible to explain a phenomenon that occurs only on dates liturgically relevant to the saint? The Natural History of a Neapolitan Miracle will be of great value to those interested in Religious Studies, Italian Studies, Medieval and Early Modern Studies, as well as the History of Science, Anthropology, and Ethnography.