I haven’t left my house in over a year. My doctor says it’s social anxiety, but I know the only things that are safe are made of paper. My room is paper. My world is paper. Everything outside is fire. All it would take is one spark for me to burst into flames. So I stay inside. Where nothing can touch me. Then my mom hires a tutor. Jackson. This boy I had a crush on before the world became too terrifying to live in. Jackson’s life is the complete opposite of mine, and I can tell he’s got secrets of his own. But he makes me feel things. Makes me want to try again. Makes me want to be brave. I can almost taste the outside world. But so many things could go wrong, and all it takes is one spark for everything I love to disappear...

"A quick read that history lovers will easily devour."—Teen Vogue "Get ready to be transported to Paris in Taylor's incredible debut novel."—Seventeen, Editor's Choice Code Name Verity meets Jennifer Donnelly’s Revolution in this gripping debut novel. NOW: Sixteen-year-old Alice is spending the summer in Paris, but she isn’t there for pastries and walks along the Seine. When her grandmother passed away two months ago, she left Alice an apartment in France that no one knew existed. An apartment that has been locked for more than seventy years. Alice is determined to find out why the apartment was abandoned and why her grandmother never once mentioned the family she left behind when she moved to America after World War II. With the help of Paul, a charming Parisian student, she sets out to uncover the truth. However, the more time she spends digging through the mysteries of the past, the more she realizes there are secrets in the present that her family is still refusing to talk about. THEN: Sixteen-year-old Adalyn doesn’t recognize Paris anymore. Everywhere she looks, there are Nazis, and every day brings a new horror of life under the Occupation. When she meets Luc, the dashing and enigmatic leader of a resistance group, Adalyn feels she finally has a chance to fight back. But keeping up the appearance of being a much-admired socialite while working to undermine the Nazis is more complicated than she could have imagined. As the war goes on, Adalyn finds herself having to make more and more compromises—to her safety, to her reputation, and to her relationships with the people she loves the most.

“I have never been anything but a paper girl. Something to tear into pieces. Something to burn.” We’ve all been paper before. We’ve all been fragile. Leaflike and gently blowing, enough to create stories or build fires. We go through life like that. We come across things that tear us into pieces, and we keep going. We keep fighting, because we must. We look for ways to be whole. To be the person we dream ourselves to be. Fragile by nature but tough by circumstance, paper girls are shaped by their love and loss. This collection of poetry and prose describes the journey of learning to live fully through the messiness of life and tenuousness of mental health.

The instant New York Times bestseller about one man's battle to save hundreds of jobs by demonstrating the greatness of American business. The Bassett Furniture Company was once the world's biggest wood furniture manufacturer. Run by the same powerful Virginia family for generations, it was also the center of life in Bassett, Virginia. But beginning in the 1980s, the first waves of Asian competition hit, and ultimately Bassett was forced to send its production overseas. One man fought back: John Bassett III, a shrewd and determined third-generation factory man, now chairman of Vaughan-Bassett Furniture Co, which employs more than 700 Virginians and has sales of more than $90 million. In Factory Man, Beth Macy brings to life Bassett's deeply personal furniture and family story, along with a host of characters from an industry that was as cutthroat as it was colorful. As she shows how he uses legal maneuvers, factory efficiencies, and sheer grit and cunning to save hundreds of jobs, she also reveals the truth about modern industry in America.

From BRIAN K. VAUGHAN, #1 New York Times bestselling writer of SAGA and THE PRIVATE EYE, and CLIFF CHIANG, legendary artist of Wonder Woman, comes the first volume of an all-new ongoing adventure. In the early hours after Halloween of 1988, four 2-yearold newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this smashhit series about nostalgia, first jobs, and the last days of childhood. Collects PAPER GIRLS #1-5.

Uncover a riveting story of palace intrigue set in a sumptuous Asian-inspired fantasy world in the breakout YA novel that Publisher's Weekly calls "elegant and adrenaline-soaked." In this richly developed fantasy, Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. She lives in a remote village with her father, where the decade-old trauma of watching her mother snatched by royal guards for an unknown fate still haunts her. Now, the guards are back and this time it's Lei they're after -- the girl with the golden eyes whose rumored beauty has piqued the king's interest. Over weeks of training in the opulent but oppressive palace, Lei and eight other girls learns the skills and charm that befit a king's consort. There, she does the unthinkable: she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens her world's entire way of life. Lei, still the wide-eyed country girl at heart, must decide how far she's willing to go for justice and revenge.

“I have never been anything but a paper girl. Something to tear into pieces. Something to burn.” We’ve all been paper before. We’ve all been fragile. Leaflike and gently blowing, enough to create stories or build fires. We go through life like that. We come across things that tear us into pieces, and we keep going. We keep fighting, because we must. We look for ways to be whole. To be the person we dream ourselves to be. Fragile by nature but tough by circumstance, paper girls are shaped by their love and loss. This collection of poetry and prose describes the journey of learning to live fully through the messiness of life and tenuousness of mental health.

With the stories in her first collection, Elizabeth Stuckey-French establishes herself as a smart new voice in American fiction and stakes her claim to a territory somewhere on the edge of stability, where normal is not just boring but nearly impossible, and where standing out in a crowd may just cause isolation. Her characters, mostly Midwesterners, are bizarre but endearing. A reform school graduate is placed in the care of her psychic aunt and in the servitude of a lucrative dog retrieval scheme. A mother who has accepted her son’s modest employment selling blue jeans bemoans the above-board lifestyle she discovers him leading as a wanted criminal. A rehab counselor lives vicariously through her already pregnant stepdaughter’s love affair with a drunk who spends his days in recovery and his nights in the bar. Full of wry wit, tender sympathy, and heartland attitude, The First Paper Girl in Red Oak, Iowa is as strange, funny, and poignant as the real world it resembles.

From BRIAN K. VAUGHAN, New York Times bestselling writer of SAGA, and CLIFF CHIANG, legendary artist of Wonder Woman, this gorgeous oversized deluxe hardcover is the perfect way to experience the first two storylines of the smash-hit series that The Chicago Tribune named one of the "Best Books of the Year." In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this critically acclaimed story about nostalgia, first jobs, and the last days of childhood. Collects PAPER GIRLS #1-10, along with exclusive extras and a brand-new cover from CLIFF CHIANG!

Cell Traffic presents new poems and uncollected prose poetry along with selected work from award-winning poet Heid Erdrich's three previous poetry collections. Erdrich's new work reflects her continuing concerns with the tensions between science and tradition, between spirit and body. She finds surprising common ground while exploring indigenous experience in multifaceted ways: personal, familial, biological, and cultural. The title, Cell Traffic, suggests motion and Erdrich considers multiple movements-cellular transfer, the traffic of DNA through body parts and bones, "migration" through procreation, and the larger "movements" of indigenousness and ancestral inheritance.ÊErdrich's wry sensibility, sly wit, and keenly insightful mind have earned her a loyal following. Her point of view is always slightly off center, and this lends a particular freshness to her poetry. The debunking and debating of the science of origins is one of Erdrich's focal subjects. In this collection, she turns her observational eye to the search for a genetic mother of humanity, forensic anthropology's quest for the oldest known bones, and online offers of genetic testing. But her interests are not limited to science. She freely admits popular culture into her purview as well, referencing sci-fi television series and Internet pop-up ads.