Brings together Pellegrini's remarkable and moving images of human suffering within areas of conflict, war and disaster. It includes work from Darfur, the Lebanon, Gaza, Kosovo, Rwanda and areas hit by the Tsunami. These forceful and unforgettable images resonate in the memory and give voice to the unbearable suffering of so many people. Paolo Pellegrin joined the Magnum Agency in 2001 and has been a Newsweek contract photographer since 2000. He has won numerous awards, including the Eugene Smith Award, the Vis d'Or and the Robert Capa Gold Medal.

"The onslaught in Lebanon during the months of July and August 2006 resulted in not only the deaths of over 600 Lebanese civilians but also an almost complete destruction of the country's infrastructure: schools, roads, hospitals and homes. In total Hezbollah launched 2500 rockets into Israel, resulting in the deaths of 36 Israeli civilians, and the wounding of hundreds more. Paolo Pellegrin (Magnum Photos) and journalist Scott Anderson were in Lebanon during the conflict, on assignment for The New York Times. Pellegrin's photographs intimately capture the fear and powerlessness of the Lebanese population in the face of the ceaseless Israeli air strikes, revealing the terror and despair of families and friends witnessing the deaths of their loved ones, whilst around them their homes were destroyed. In particular Pellegrin also documented the aftermath of the attack on the village of Qana in southern Lebanon; many of the victims children, his photographs reveal the immense suffering of the civilians involved. Alongside his work exposing the consequences of indiscriminate attacks on a civilian population is a 3000-word account by Scott Anderson, who accompanied Pellegrin in Lebanon. Pellegrin and Anderson were both wounded in a missile attack by an Israeli drone, which fired on their vehicle as they traveled through the city of Tyre. Along with the civilians of southern Lebanon, they were stranded for weeks under heavy bombing and air strikes by the IDF. The attack at Qana, also the second one to strike the village in living memory, soon after prompted the singer Patti Smith to respond in the form of a song, entitled 'Qana', the words and music of which will form her contribution to the book." -- Amazon.com.

From the bestselling author of Lawrence in Arabia, a piercing account of how the contemporary Arab world came to be riven by catastrophe since the 2003 United States invasion of Iraq. In 2011, a series of anti-government uprisings shook the Middle East and North Africa in what would become known as the Arab Spring. Few could predict that these convulsions, initially hailed in the West as a triumph of democracy, would give way to brutal civil war, the terrors of the Islamic State, and a global refugee crisis. But, as New York Times bestselling author Scott Anderson shows, the seeds of catastrophe had been sown long before. In this gripping account, Anderson examines the myriad complex causes of the region’s profound unraveling, tracing the ideological conflicts of the present to their origins in the United States invasion of Iraq in 2003 and beyond. From this investigation emerges a rare view into a land in upheaval through the eyes of six individuals—the matriarch of a dissident Egyptian family; a Libyan Air Force cadet with divided loyalties; a Kurdish physician from a prominent warrior clan; a Syrian university student caught in civil war; an Iraqi activist for women’s rights; and an Iraqi day laborer-turned-ISIS fighter. A probing and insightful work of reportage, Fractured Lands offers a penetrating portrait of the contemporary Arab world and brings the stunning realities of an unprecedented geopolitical tragedy into crystalline focus.

Paolo Pellegrin is one of the most renowned contemporary photoreporters, awarded with a Robert Capa Gold Medal.

A Foreign Affairs Best Book of 2019 “It’s a small miracle that a writer as good as James Verini witnessed the battle of Mosul.… It will take its place among the very best war writing of the past two decades.” —George Packer James Verini arrived in Iraq in the summer of 2016 to write about life in the Islamic State. He stayed to cover the jihadis’ last great stand, the Battle of Mosul, not knowing it would go on for nearly a year. This “urgent, scalding, hallucinatory work of war reportage” (Patrick Radden Keefe) takes the reader into the conflict against the most lethal insurgency of our time.

*These groundbreaking images are a must-have for all photography aficionados *An original voice at the intersection of journalism and fine art Paolo Pellegrin is a journalistic and fine-art photographer with few equals. As well as becoming a full member of Magnum in 2005, he is a contract photographer for Newsweek. The recipient of many prizes, he has achieved various awards including eight World Press Photo and numerous Photographer of the Year accolades. Taking photographs worldwide, his subjects often include the underprivileged and those caught in political conflicts. Pellegrin's painterly images are both evocative and remarkably original. He is also a celebrity photographer in his own right, profiling some of the most famous faces of our time. ILLUSTRATIONS 60 colour & b/w photos

In this sumptuously printed, large-format publication, distinguished Magnum photographers Paolo Pellegrin and Alex Majoli present a collaborative document of the Congo and its people. Bringing together the best of each photographers personal styles as well as experimental forays into abstraction and collage, this volume captures what Alain Mabanckou describes as a full range of the landscape, from urban scenes to great forests and back, reflecting the way it is in most African societies today. With no captions or individual photo credits, the densely printed imagespresented on full-bleed pages, as gatefolds, or as double-spread gatefoldsbecome wholly immersive. Mabanckou writes in his introduction that, for the duration of this project [the photographers] must have become full-time Congolese, living with the people in cities and in villages, sharing their joys and sorrows, crossing rivers and floods, stepping over public garbage bins, mingling with crowds of wildly excited children, roaming the banks of tributaries and streams, watching the endurance of the river dock workers. The outcome is a profound study of Congo, and the resulting object exemplifies the expressive possibilities of contemporary documentary photography. The proceeds of the sale of this book go to Lynx for Hope, a non-profit dedicated to cultural development programs.

In this series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, internationally acclaimed color photographers Alex Webb and Rebecca Norris Webb, offer their expert insight into street photography and the poetic image. Through words and photographs-their own and others'-they invite the reader into the heart of their artistic processes. They share their thoughts about a wide range of practical and philosophical issues, from questions about seeing and being in the world with a camera, to how to shape a complete body of work in a way that's both structured and intuitive.

Ex-cop Winnie Farlowe has been retired from police work due to a back injury, and has been fighting the bottle instead of bad guys ever since. But suddenly he meets Tess Binder, a stunning, three-time divorcée from the Balboa Bay Club where wallets are fat, bikinis are skimpy, and cosmetic surgery is one sure way to a billionaire's bank account. She believes her father's suicide was actually a murder and wants Winnie to help her prove it. Death and chicanery flourish amidst ranches, mansions, and yachting parties. Publishers Weekly called it "comic and deeply moving . . . a stupendous climax . . . virtually sure to be hailed as Wambaugh's best." And the San Diego Union-Tribune said, "a profoundly serious work and in reading it I laughed my head off."

Award-winning photographer Matt Black traveled over 100,000 miles to chronicle the reality of today’s unseen and forgotten America. When Magnum photographer Matt Black began exploring his hometown in California’s rural Central Valley—dubbed “the other California,” where one-third of the population lives in poverty—he knew what his next project had to be. Black was inspired to create a vivid portrait of an unknown America, to photograph some of the poorest communities across the US. Traveling across forty-six states and Puerto Rico, Black visited designated “poverty areas,” places with a poverty rate above 20 percent, and found that poverty areas are so numerous that they’re never more than a two-hour’s drive apart, woven through the fabric of the country but cut off from “the land of opportunity.” American Geography is a visual record of this five-year, 100,000-mile road trip, which chronicles the vulnerable conditions faced by America’s poor. This compelling compilation of black-and-white photographs is accompanied by Black’s own travelogue—a collection of observations, overheard conversations in cafe´s and public transportation, diner menus, bus timetables, historical facts, and snippets from daily news reports. A future classic of photography, this monograph is supported by an international touring exhibition and is a must-have for anyone with an interest in witnessing the reality of an America that’s been excluded from the American Dream.