The Panzer Lehr Division, a German armoured division during World War II, was one of the most Elite units in the entire German Wehrmacht Heer. It was formed in 1943 from various units of elite training and demonstration troops stationed in Germany, to provide additional armoured strength for resisting the anticipated Allied invasion of western Europe. Its great weakness was that it concentrated the cream of Germany's tank commanders and instructors in a single unit. Due to its elite status it was lavishly equipped in comparison to the ordinary Panzer divisions, though on several occasions it fought almost to destruction, in particular during Operation Cobra. For the first time in English, this book follows the division from Normandy and the Battle of the Bulge to the end of the war, showing how Germans fought Americans at St. Lô and Bastogne. Written in Kurowski's trademark you-are-there style, this includes numerous firsthand accounts based on interviews with veterans.

The Waffen-SS was one of the most formidable German military formations of the Second World War – feared for its tenacity and ruthlessness in battle, notorious for the atrocities it committed. As a distinct fighting force derived from the Nazi Party’s SS organization, it stood apart from the other units of the German army. Its origins, structure and operational role during the war are often misunderstood and the controversy still surrounding its conduct make it difficult today to get an accurate picture of its actions and its impact on the fighting. Anthony Tucker-Jones, in this concise and fluently written account, provides an absorbing and clear sighted introduction to it. He traces its development under Himmler from modest beginnings in the early 1930s as Hitler’s personal protection squad of elite soldiers to a force which eventually amounted to thirty-eight divisions. Towards the end of the war many Waffen-SS units were formed from foreign volunteers and proved to be of poor quality, but its premier panzer divisions thoroughly deserved their reputation as tough fighters. Through accounts of the Waffen-SS’s major battles on the Eastern Front, in Normandy and finally in defence of Germany, a detailed picture emerges of the contribution it made to the German war effort, especially when Hitler’s armies were in retreat. The parts played by the most famous Waffen-SS formations – Das Reich, Totenkopf, Leibstandarte SS Adolf Hitler among them – and their commanders – men like Dietrich and Hausser – can be seen in the wider context of the war and Germany’s defeat.

GameAxis Unwired is a magazine dedicated to bring you the latest news, previews, reviews and events around the world and close to you. Every month rain or shine, our team of dedicated editors (and hardcore gamers!) put themselves in the line of fire to bring you news, previews and other things you will want to know.

From the earliest planning stages of the German counter-offensive in the Ardennes, Hitler was convinced of the importance of taking the Meuse bridges. He resolved that, when his forces broke through the US lines, one special unit should be dressed in American uniforms and issued with American weapons and vehicles. In this guise they could take advantage of the surprise and shock of the breakthrough, and move forward to the Meuse bridges as if they were retreating Americans. Jean-Paul Pallud details their organisation and the fateful sequence of events that followed.

Bogen beskriver i 10 kapitler tyske kampvognsenheders taktik under 2. Verdenskrig: Angreb(1), forsvar(2), marcher(3), opklaring(4), føring(5), forsynings- og vedligeholdelsestjeneste (6), våbenarternes samvirke(7), livet i kampvognen(8), uddannelse, herunder kampvognsskytteuddannelsen(9) og kampvognstaktik i dag og i morgen(10). Bogens illustrationer omfatter kort, tegninger, principtegninger og utallige fotografier.

In World War II the Panzer crews spearheaded every major campaign or battle from the invasions of Poland and France to the last great counter-offensive in the Ardennes. Germany's Panzer crews fought on every front and along the way earned a formidable reputation for élan in attack and steadfastness in defence. This book charts the recruitment, training, service conditions and combat experience of a typical World War II German tank crewman, serving on various fronts from the scorching heat of the Western Desert to the frozen tundra of the Eastern Front. It features many unpublished photographs from both private collectors and Panzer veterans themselves.

The battlefield interaction between infantry and tanks was central to combat on most fronts in World War II. The first 'Blitzkrieg' campaigns saw the tank achieve a new dominance. New infantry tactics and weapons – some of them desperately dangerous – had to be adopted, while the armies raced to develop more powerful anti-tank guns and new light weapons. By 1945, a new generation of revolutionary shoulder-fired AT weapons was in widespread use. This book explains in detail the shifting patterns of anti-tank combat, illustrated with photographs, diagrams and colour plates showing how weapons were actually employed on the battlefield.

Games allow players to experiment and play with subject positions, values and moral choice. In game worlds players can take on the role of antagonists; they allow us to play with behaviour that would be offensive, illegal or immoral if it happened outside of the game sphere. While contemporary games have always handled certain problematic topics, such as war, disasters, human decay, post-apocalyptic futures, cruelty and betrayal, lately even the most playful of genres are introducing situations in which players are presented with difficult ethical and moral dilemmas. This volume is an investigation of "dark play" in video games, or game play with controversial themes as well as controversial play behaviour. It covers such questions as: Why do some games stir up political controversies? How do games invite, or even push players towards dark play through their design? Where are the boundaries for what can be presented in a games? Are these boundaries different from other media such as film and books, and if so why? What is the allure of dark play and why do players engage in these practices?