Using Kuwait as a case study and Pan Arab Modernism as a lens, this book comes to fill two voids in the literature on Middle Eastern architecture: one is in practice and the other is in history. The current practice of architecture in Kuwait, the Gulf and the larger Middle East, is typically a-contextual and lacking any understanding of the local context. The architectural history, on the other hand, ignores the larger context of the Middle East and the influence of Pan Arabism is not configured into many analyses. Thus, this project seeks to tackle both. By providing a [re]contextualizing of the architectural history of Kuwait and bringing forgotten protagonists back into the dialogue, a nuanced reading of Pan Arab Modern architecture emerges. This book It aims to create a “knowledge generation” which can [re]define how a local generation is being influence on the ground. CONTRIBUTORS: Prof. Eve Blau (GSD, Harvard) on the influence of Oil on Urbanism; Prof. Michael Kubo (Univ. of Houston, Texas) on the relationship between The Architects Collaborative (TAC) and the local Kuwaiti firm Pan Arab Consulting Engineers (now PACE); Caecilia L. Pieri ( Associate Researcher - ‎Institut Français du Proche-Orient) on the influence of Iraq modernisation in Kuwait; Prof. Iain Jackson (Univ. of Liverpool) on the influence of British Architects on the Middle East (tropical architecture, expertise); Prof. Hyun-Tae Jung (Lehigh University) on the relationship between Skidmore, Owings & Merrill (SOM) and PACE and the photographic work of the artist Antje Hanebeck commission by PACE for this project.

Exploring visual culture, design and politics in 1960s Beirut, this compelling interdisciplinary study examines a critical period in Lebanon's history.

It also includes the role of foreign powers in the Middle East, especially France, Great Britain, the former Soviet Union, and the United States."--BOOK JACKET.

The catalogue makes clear, there are several reasons Iraq's modern tradition remains little known abroad. As a corrective the catalogue offers an unprecedented overview of the work of several generations of Iraqi artists, from the mid-twentieth century to the present.

The Fourth Ordeal tells the history of the Muslim Brotherhood in Egypt from the late 1960s until 2018. Based on over 140 first-hand interviews with leaders, rank-and-file members and dissidents, as well as a wide range of original written sources, the story traces the Brotherhood's re-emergence and rise following the collapse of Nasser's Arab nationalism, all the way to its short-lived experiment with power and the subsequent period of imprisonment, persecution and exile. Unique in terms of its source base, this book provides readers with unprecedented insight into the Brotherhood's internal politics during fifty years of its history.

Taking as a starting point a design for a mobile theater made at the Architectural Association of London between 1970 and1971 by Spanish architect Javier Navarro de Zuvillaga (born 1942), this book traces the architectural counterculture of that time and the relations with the alternative performing arts. Architect Javier Navarro de Zuvillaga (1942) graduated in 1968 at Madrid School of Architecture. During the academic year 1970-1971 he travelled from Madrid to London thanks to a grant of the British Council to complete his postgraduate training at the Architectural Association. There he designed a building called Mobile Theater. It was a theatrical device composed of several 8 x 2,5 meters trucks carefully designed, which contained all the building elements needed to shape a space for the performing arts or other collective uses. The assembly time --estimated for four workers-- was six and a half hours. This project was internationally showed and published between 1971 and 1975, but was never built. This book intends to release this project, largely ignored by canonical historiography, and to culturally place it in time and space: the agitated city of London in 1971. After the convulsions of May 1968, architectural counterculture rearmed on very different fronts, from the disciplinary rally to the guerilla positions. This architectural design accounts for these events, since it had a temporal development that goes beyond its mere conception as an artifact. The long and frustrated process for construction --1969 to 1976-- calls for a particular intra-history, which this books will tell.

Cutting-edge scholarship on post-war Arab intellectual history that challenges conventional thinking about authoritarianism, religion and revolution in the modern Middle East.

The book examines the growing tension between social movements that embrace egalitarian and inclusivist views of national and global politics, most notably classical liberalism, and those that advance social hierarchy and national exclusivism, such as neoliberalism, neoconservatism, and national populism. In exploring issues relating to tensions and conflicts around globalization, the book identifies historical patterns of convergence and divergence rooted in the monotheistic traditions, beginning with the ancient Israelites that dominated the Near East during the Axial age, through Islamic civilization, and finally by considering the idealism-realism tensions in modern times. One thing remained constant throughout the various historical stages that preceded our current moment of global convergence: a recurring tension between transcendental idealism and various forms of realism. Transcendental idealism, which prioritize egalitarian and universal values, pushed periodically against the forces of realism that privilege established law and power structure. Equipped with the idealism-realism framework, the book examines the consequences of European realism that justified the imperialistic venture into Africa, the Middle East, and Latin America in the name of liberation and liberalization. The ill-conceived strategy has, ironically, engendered the very dysfunctional societies that produce the waves of immigrants in constant motion from the South to the North, simultaneously as it fostered the social hierarchy that transfer external tensions into identity politics within the countries of the North. The book focuses particularly on the role played historically by Islamic rationalism in translating the monotheistic egalitarian outlook into the institutions of religious pluralism, legislative and legal autonomy, and scientific enterprise at the foundation of modern society. It concludes by shedding light on the significance of the Muslim presence in Western cultures as humanity draws slowly but consistently towards what we may come to recognize as the Global Age. The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9781003203360, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

First systematic analysis of modern architecture in Kuwait based on several years of research.From the late 1940s at the inception of the oil exporting industry, via political independence in 1961, through to the late 1980s when Kuwait was invaded, the citystate experienced an extraordinary social and civic transformation, deeply inscribed in its built environment. The old coastal town was radically transformed through architecture and urban planning in the process of gaining wealth and autonomy. Important foreign and local architects found here the possibility to expand their professional horizons and the challenge to compose an entire city, creating important examples of Late Modern Architecture during these four decades. This publication is based on several years of multidisciplinary research, featuring a repertoire of more than 150 buildings, all fully illustrated and analyzed in order to understand the dynamics of change and innovation they represent. By reading the presence of the building in the urban context at the architectural level, this volume examines a wide range of buildings selected for their specific qualitative aspects, as examples of particular design methodologies or typologies, or else for the various forms of adaptation to the peculiarities of local environmental conditions.

Focusing on the region of the Arab world--comprising some two hundred million people and twenty-one sovereign states extending from the Atlantic to the Persian Gulf--this book develops a theory of social change that demystifies the setbacks this region has experienced on the road to transformation. Professor Sharabi pinpoints economic, political, social, and cultural changes in the last century that led the Arab world, as well as other developing countries, not to modernity but to neopatriarchy--a modernized form of patriarchy. He shows how authentic change was blocked and distorted forms and practices subsequently came to dominate all aspects of social existence and activity--among them militant religious fundamentalism, an ideology symptomatic of neopatriarchal culture. Presenting itself as the only valid option, Muslim fundamentalism now confronts the elements calling for secularism and democracy in a bitter battle whose outcome is likely to determine the future of the Arab world as well as that of other Muslim societies in Africa and Asia.