This book examines the interaction between the Communist International (Comintern) and the global struggle for the liberation of Africa and the African Diaspora during the inter-war period. In particular, it focuses on the history of the International Trade Union Committee of Negro Workers (ITUCNW), established by the Red International of Labour Unions (Profintern) in 1928 and its activities in Africa, the United States, the Caribbean and Europe.

The first survey of the Pan-African movement this century, this book provides a history of the individuals and organisations that have sought the unity of all those of African origin as the basis for advancement and liberation. Initially an idea and movement that took root among the African Diaspora, in more recent times Pan-Africanism has been embodied in the African Union, the organisation of African states which includes the entire African Diaspora as its 'sixth region'. Hakim Adi covers many of the key political figures of the 20th century, including Du Bois, Garvey, Malcolm X, Nkrumah and Gaddafi, as well as Pan-African culture expression from Négritude to the wearing of the Afro hair style and the music of Bob Marley.

"This book tells the story of the struggles of West African students in Britain, and their battles to articulate a coherent, anti-colonial politics. Hakim Adi documents the emergence of the West African Students' Union (WASU), and its alliances with political organisations in Britain - including both the CPGB and the Labour Party - as well as with organisations in Africa. WASU was an immensely vibrant organisation, and its members helped to pave the way for the successful independence movements later to influence so many African states. In West Africans in Britain 1900-1960, Hakim Adi charts the achievements of the student movement in combating racism and the 'colour bar' in Britain, and shows how the hostility of British society served only to create a sense of unity amongst the students. This allowed WASU the ideological and political space to form its critique of colonial rule. Based on extensive research, the book is valuable for the light it sheds on the lives of black people living in Britain before the second world war. But the book is more than a simple account of Africans within the context of British society - it shows the influence these pioneers have had on a world scale." -- Publisher's description

Maida Springer was an active participant in shaping a history that involved powerful movements for social, political and economic equality and justice for workers women, and African Americans. Maida Springer is the first full-length biography to document and analyze the central role played by Springer in international affairs, particularly in the formation of AFL-CIO's African policy during the Cold War and African independence movements. Richards explores the ways in which pan-Africanism, racism, sexism and anti-Communism affected Springer's political development, her labor activism, and her relationship with labor leaders in the AFL-CIO, the International Confederation of Free Trade Unions (ICFTU), and in African unions. Springer's life experiences and work reveal the complex nature of black struggles for equality and justice. A strong supporter of both the AFL-CIO and the ICFTU, Springer nonetheless recognized that both organizations were fraught with racism, sexism, and ethnocentrism. She also understood that charges of Communism were often used as a way to thwart African American demands for social justice. As an African-American, she found herself in the unenviable position of promoting to Africans the ideals of American democracy from which she was excluded from fully enjoying. Richards's biography of Maida Springer uniquely connects pan-Africanism, national and international labor relations, the Cold War, and African American, labor, women's, and civil rights histories. In addition to documenting Springer's role in international labor relations, the biography provides a larger view of a whole range of political leaders and social movements. Maida Springer is a stirring biography that spans the fields of women studies, African American studies, and labor history.

Brings together Pan-Africanist thinkers and activists from the Anglophone and Francophone worlds of he last two-hundred years.

“If in the past the Sahara divided us, now it unites us,” Kwame Nkrumah declared more than half a century ago. Keenly aware of Africa’s many artificial divides, Nkrumah was determined to lead a revolution that would bridge them. One way to achieve this goal, Nkrumah proposed, was a continental pan-African government, which would provide the African people with the opportunity to pool and marshal their enormous real and potential economic, human and natural resources for the optimal development of their continent. A continental union government, Nkrumah was convinced, would ensure that Africa ended the divisions created by the trilogy of the enslavement, colonization and neo-colonization of Africans. Nkrumah was concerned by other divisions as well, specifically those created by time, history, nature, and, above all, Africans themselves, such as ethnic, racial and religious discrimination, classism, sexism, and ageism, as well as atavistic and backward traditional practices, including “tribalism” and patriarchy. Africa’s Many Divides and Africa’s Future: Pursuing Nkrumah’s Vision of Pan-Africanism in an Era of Globalization is a collection of papers presented at the first and second Kwame Nkrumah International Conferences. This volume contextualizes Nkrumah’s pan-Africanist agenda within the neo-liberal global project and against the backdrop of the current global economic and political ferment.

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Hiplife is a popular music genre in Ghana that mixes hip-hop beatmaking and rap with highlife music, proverbial speech, and Akan storytelling. In the 1990s, young Ghanaian musicians were drawn to hip-hop's dual ethos of black masculine empowerment and capitalist success. They made their underground sound mainstream by infusing carefree bravado with traditional respectful oratory and familiar Ghanaian rhythms. Living the Hiplife is an ethnographic account of hiplife in Ghana and its diaspora, based on extensive research among artists and audiences in Accra, Ghana's capital city; New York; and London. Jesse Weaver Shipley examines the production, consumption, and circulation of hiplife music, culture, and fashion in relation to broader cultural and political shifts in neoliberalizing Ghana. Shipley shows how young hiplife musicians produce and transform different kinds of value—aesthetic, moral, linguistic, economic—using music to gain social status and wealth, and to become respectable public figures. In this entrepreneurial age, youth use celebrity as a form of currency, aligning music-making with self-making and aesthetic pleasure with business success. Registering both the globalization of electronic, digital media and the changing nature of African diasporic relations to Africa, hiplife links collective Pan-Africanist visions with individualist aspiration, highlighting the potential and limits of social mobility for African youth. The author has also directed a film entitled Living the Hiplife and with two DJs produced mixtapes that feature the music in the book available for free download.