Based on many years of personal observation, Palladio's Children critically examines the role of the architect as a professional descendent of Palladio, and as an heir to his architectural legacy. Seven innovative and carefully crafted essays explore the widening ideological schism between today’s architects whose core values, identity and education remain rooted in the Renaissance legacy of creating artful ‘masterpieces’, and the practical demands on a profession which acts within an evolving, ubiquitous and autonomous built environment or ‘field’. Clearly written yet expressing complex, evolving ideas, this extended argument opens a new forum of debate across design theory, professional practice and academic issues. Moving the subject on from a historical perspective, Habraken shows how architects are increasingly involved in the design of everyday buildings. This must lead to a reassessment of architects’ identities, values and education, and the contribution of the architect in the shaping of the built environment.

Based on many years of personal observation, Palladio's Children critically examines the role of the architect as a professional descendent of Palladio, and as an heir to his architectural legacy. Seven innovative and carefully crafted essays explore the widening ideological schism between today’s architects whose core values, identity and education remain rooted in the Renaissance legacy of creating artful ‘masterpieces’, and the practical demands on a profession which acts within an evolving, ubiquitous and autonomous built environment or ‘field’. Clearly written yet expressing complex, evolving ideas, this extended argument opens a new forum of debate across design theory, professional practice and academic issues. Moving the subject on from a historical perspective, Habraken shows how architects are increasingly involved in the design of everyday buildings. This must lead to a reassessment of architects’ identities, values and education, and the contribution of the architect in the shaping of the built environment.

Andrea Palladio (1508�-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome’s ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio’s guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket-sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael’s famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travelers, this book offers fresh and surprising insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.

Andrea Palladio's villa architecture is still admired for its elegance and harmony, but little is known about the person behind the buildings. Experienced Palladio researcher Guido Beltramini has worked meticulously on material from historical documents about Palladio's person and life, and assembled a full picture of the architect. Palladio in Private follows his career, his rise from being the ordinary miller's son Pietro della Gondola to become the architect Andrea Palladio. Beltramini does not just explore Palladio's origins, his training as a stonemason, and his complex relationship with powerful clients and scholars, but also his private life: his jovial character, his life as a married man with five children, and not least his profound conviction that architecture can and must enrich life. The text is complemented by numerous illustrations. Guido Beltramini , born in 1961, has been director of the Centro Internazionale di Studi di Architettura Andrea Palladio in Vicenza since 1991. He has curated numerous exhibitions at venues including the Venice Biennale, the Royal Academy of Art, London, and the Canadian Centre for Architecture, Montreal.

Yes, they make rather an odd couple-but, truly, Thomas Jefferson (1743-1826) and Fiske Kimball (1888-1955) are the Johnson and Boswell of the story of American architecture. If not for Dr. Fiske Kimball, we might never have known that Thomas Jefferson was an architect. Though he was hailed as a brilliant statesman, Jefferson was all but unknown as an artist and an architect for nearly a century. But Kimball, an industrious scholar with a keen eye, made a series of critical discoveries that changed not just the image of Jefferson, but also rewrote the story of American architecture, introducing its first real practitioner. Benjamin Henry Latrobe, Charles Bulfinch, William Thornton, Robert Mills-Kimball identified the key figures who together with Jefferson transformed the craft of building into the art of architecture, at the same time setting the aesthetic tone for a young country still struggling to define itself. Part detective story, part narrative history, Dr. Kimball and Mr. Jefferson recreates the stories of these visionary men through the lens of the amazing Fiske Kimball, who, in resurrecting their legacy, helped found the twin disciplines of historic preservation and architectural history. Hugh Howard's books include the definitive Thomas Jefferson, Architect; his memoir House-Dreams; the essay collection The Preservationist's Progress; and an introduction to the architecture of Williamsburg, Colonial Houses. He lives in upstate New York with his wife and their two teenage daughters.

Between the 17th and 18th centuries, the architecture of Andrea Palladio became a model that would be imitated in the execution of public and private buildings in Northern Europe and in America.

From the earliest periods of architecture and building, architects’ actions have been conditioned by rules, regulations, standards, and governance practices. These range from socio-cultural and religious codes seeking to influence the formal structure of settlement patterns, to prescriptive building regulations specifying detailed elements of design in relation to the safety of building structures. In Architectural Design and Regulation the authors argue that the rule and regulatory basis of architecture is part of a broader field of socio-institutional and political interventions in the design and development process that serve to delimit, and define, the scope of the activities of architects. The book explores how the practices of architects are embedded in complex systems of rules and regulations. The authors develop the understanding that the rules and regulations of building form and performance ought not to be counterpoised as external to creative processes and practices, but as integral to the creation of well-designed places. The contribution of Architectural Design and Regulation is to show that far from the rule and regulatory basis of architecture undermining the capacities of architects to design, they are the basis for new and challenging activities that open up possibilities for reinventing the actions of architects.

In her small upstate New York town, Molly Howe is admired for her beauty, poise, and character, until one day a secret is exposed and she is cruelly ostracized. She escapes to Berkeley, where she finds solace in a young art student named John Wheelwright. They embark on an intense, all-consuming affair, until the day Molly disappears–again. A decade later, John is lured by the eccentric advertising visionary Mal Osbourne into a risky venture that threatens to eviscerate every concept, slogan, and gimmick exported by Madison Avenue. And much to John’s amazement, one of the many swept into Osbourne’s creative vortex is the woman who left him devastated so many years before.

A glamorous and unprecedented exploration of Palladio's work in one of the most beautiful of all cities

The need for a human-orientated approach to urbanism is well understood, and yet all too often this dimension remains lacking in urban design. In this book the authors argue for and develop socially restorative urbanism – a new conceptual framework laying the foundations for innovative ways of thinking about the relationship between the urban spatial structure and social processes to re-introduce a more explicit people-centred element into urban place-making and its adaptation. Focusing on this interplay between humans and the built environment, two new concepts are developed: the transitional edge – a socio-spatial concept of the urban realm; and Experiemics – a participative process that acts to redress imbalances in territorial relationships, defined in terms of the awareness of mine, theirs, ours and yours (MTOY). In this way, Socially Restorative Urbanism shows how professional practice and community understanding can be brought together in a mutually interdependent and practical way. Its theoretical and practical principles are applicable across a wide range of contexts concerning human benefit through urban environmental change and experience, and it will be of interest to readers in the social sciences and environmental psychology, as well as the spatial planning and design disciplines.