Palgrave Studies in The Enlightenment, Romanticism and the Cultures of Print features work that does not fit comfortably within established boundaries - whether between periods or between disciplines. Uniquely, it combines efforts to engage the power and materiality of print with explorations of gender, race, and class. By attending as well to intersections of literature with the visual arts, medicine, law, and science, the series enables a large-scale rethinking of the origins of modernity.

Family Authorship and Romantic Print Culture explores the conjunction of authorship and family life as a distinctive cultural formation of Romantic-era Britain. Through examination of the practices and texts of literary families, the book traces an alternative history of Romantic authorship, one that lies on the cusp between a vanishing manuscript culture and the dominance of print; that reflects a struggle in Romantic self-identity between communities of feeling and individual genius; and that grapples with an evolving tension between the private and public spheres.

This book offers an important account of the relationship between science and culture in the eighteenth century. It examines the 'vitalist' turn in physiology and natural philosophy, and its presence and effect in the burgeoning of philosophical and scientific inquiry of the Scottish Enlightenment, and the radical politics and culture of the 1790s.

Necromanticism is a study of literary pilgrimage: readers' compulsion to visit literary homes, landscapes, and (especially) graves during the long Romantic period. The book draws on the histories of tourism and literary genres to highlight Romanticism's recourse to the dead in its reading, writing, and canon-making practices.

This book analyzes the relation between print cultures and eighteenth-century literary and political practices and, identifying Queen Anne's England as a crucial moment in the public life of gossip, offers readings of key texts that demonstrate how gossip's interpretative strategies shaped readers' participation in the literary and public spheres.

This collection of essays throws vast new light on the most significant literary-political journal of the Romantic age. Its chapters analyze Blackwood's wide-ranging contributions on some of the most topical issues in Romantic studies, including celebrity, British versus Scottish nationalism, and the rise of terror and detective fiction.

What makes it possible for self-interest, cruelty and violence to become part of the benevolent, compassionate ideology of eighteenth-century sensibility? This book explores forms of emotional response, including sympathy, tears, swoons and melancholia through a range of eighteenth-century literary, philosophical and scientific texts.

Analyzing Romantic conservative critiques of modernity found in literature, philosophy, natural history, and agricultural periodicals, this book finds a common theme in the 'intergenerational imagination.' This impels an environmental ethic in which obligations to past and future generations shape decisions about inherited culture and land.

This book offers a new history and theory of modern celebrity. It argues that celebrity is a cultural apparatus that emerged in response to the Romantic industrialization of print and culture. It investigates the often strained interactions of artistic endeavour and commercial enterprise, and the place of celebrity culture in history of the self.

What is 'Wordsworthian' Romanticism and how did it evolve? This book argues that only by reading Charlotte Smith's poetry in tandem with William Wordsworth's can this question be answered, demonstrating their mutual contribution to the creation of the 'Wordsworthian', through literary analysis and historical contextualizing of their writings.