EDITORS FOREWORD Portrait of C. G. Holme by de Gszlb There is no Royal Road to the painting of a successful portrait. Success depends upon the painters observation, his understanding and the ability to paint what he wishes. It is a personal affair. Much can be learned from those who have won for themselves the title of Master, but it is impossible to have our questions answered, first-hand, by great Masters who are no longer with us.

Philip de Laszlo (1869-1937) was the pre-eminent portrait artist working in Britain between 1907 & 1937. He painted nearly 3000 portraits, including those of kings & queens, four American presidents & members of the European nobility. This title gives an account of both his life & his work.

Philip de László, following a meteoric rise to recognition in his native Hungary, settled in Britain in 1907 and became the leading portrait-painter in the country--taking over from Sargent. Marrying into the Guiness family, he painted members of almost every royal family in Europe and very many more of its Who's Who. This book, the previous edition of which accompanied the first retrospective exhibition of de László since his death in 1937, illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning color plates, reintroduces this well-known but little studied artist to a wider public.

To mark the 150th anniversary of the birth of Philip de László / László Fülöp (1869?1937), the Hungarian National Gallery, in collaboration with The de Laszlo Archive Trust, presents a display of 16 portraits from the artist?s mature period. This is an unique opportunity to see rarely exhibited masterpieces from prestigious private collections, with one of the key loans being the portrait of Her Majesty, Queen Elizabeth, when Duchess of York.0Philip de László was a prominent figure in the history of Hungarian art, and among the world?s foremost artists of his age, but is now little-known in his native country. He was indeed recognised in Hungary in his lifetime, being awarded gold medals and a title of nobility.0At the age of thirty, de László was already one of the wealthiest Hungarian painters and lived in a marvellous studio villa that he built in the vicinity of the capital?s City Park (Városliget). Following significant commissions in Austria and Germany, he moved to Vienna in 1903 with his wife, Lucy Guinness. He lived there with his growing family until 1907, when they finally settled in London, by which time he had numerous patrons in France and England too. 0Philip de László was the last European painter of the Grand Manner who indeed recorded the history of his era ? through portraits of the great figures of his time. His oeuvre constitutes the last great chapter of classical portraiture rooted in the late Renaissance, and the Stuart period in England. With the decline of the traditional role of aristocracy after World War II, this kind of representational, iconic portraiture los00Exhibition: Hundarian National Gallery, Budapest, Hungary (27.09.2019 - 05.01.2020).

Within The Sight-Size Cast is everything you ever wanted to know about Sight-Size cast drawing and painting, impressionistic seeing, and the ways in which many of the ateliers that stem from R. H. Ives Gammell and Richard Lack teach their students. You can learn how to see through Sight-Size with Darren Rousar's book, The Sight-Size Cast.

Ships and the sea through the eyes of one of the most remarkable painters of the early 20th century As a young man the American painter John Singer Sargent (1856-1925) was passionate about the sea and deeply knowledgeable about ships and seafaring. Between the ages of 18 and 23 he started his career as a professional painter with a remarkable range of maritime works that form the subject of this exhibition and book. The key works are the two versions of the Oyster Gatherers of Cancale, painted in 1878 on the northern coast of Brittany in France, and the group of studies and sketches around them. The authors relate Sargent's freely handled marine drawings, large and small, to his watercolors, oil sketches, and finished oil paintings of marine subjects. The works demonstrate his transition from a plein-air painter to a tonalist exploring interiors and urban scenes. Also presented is a unique scrapbook, held by the Metropolitan Museum of Art, that includes more than 50 drawings and sketches, mostly of sea scenes, and postcards and commercial photography of works of art, architecture, and tourist views. This scrapbook provides an intimate glimpse at the thoughts and experiences of the young artist on his first European voyage. Exhibition Schedule: Corcoran Gallery, Washington (9/12/09 - 1/3/10) The Museum of Fine Arts, Houston (2/14/10 - 5/23/10) Royal Academy of Arts, London (7/10/10 - 9/23/10)

"From 1874 to 1882, John Singer Sargent (1856-1925) produced more than 200 paintings and water-colours aside from portraiture that chart his development as an artist. The breadth of his achievement includes figures in landscape settings, architectural studies, seascapes, subject paintings, and studies after old masters. From his powerful studies of models in Paris in the mid-1870s to his compelling paintings set in Venice in the early 1880s, the works published in this volume of the catalogue raisonne show the variety of his aesthetic responses." "Working in the studio and en plein air, Sargent travelled widely during the eight years covered in this volume, painting in Paris, Brittany, Capri, Spain, North Africa and Venice." "This is the first time that Sargent's early work has been mapped so comprehensively. With very few exceptions, this book illustrates all the pictures under discussion in colour. Each painting, including several which have never been published before, is documented in depth with full provenance, exhibition history and bibliography. Original research of primary documents and on-site investigations uncovered much new information, presented in critical discussions of subject matter, dating, style, and significance in the artist's career. The volume reproduces a wealth of Sargent's preliminary and related drawings and of comparative works by other artists." --Book Jacket.

Nearly 200 plates from the master teacher's famous 19th-century drawing course comprise drawings of casts, chiefly from antiquity; lithographs in the style of drawings by Renaissance and modern masters; and male nudes. This affordable volume constitutes an essential guide for professional artists, students, art historians, and collectors.