With a bang—or rather, a barrage—Jacob Neptune finds his remote cabin in the Adirondacks besieged by a gun-toting gang of murderous bikers. With the help of his supersized sidekick Dennis, the hard-headed, wise-cracking Abenaki private detective traces the source of his troubles to a former adversary who is now running an Indian casino. In short order, the friends are drawn into a dangerous mystery that will call upon all of Jake’s skills as a martial arts expert, former special forces soldier, and—in the Abenaki tradition—a metoulin, one who can see beneath the surface of things through dreams and visions. Their investigation takes them to the Pacific Northwest, dead center in a vicious game involving tribal intrigue, a crooked casino, Chinese billions, a captive killer whale—and a series of murders and disappearances that may be linked to the monster known by Jake’s people as Padoskoks, the giant underwater serpent. Like Chenoo, the first in the Jacob Neptune series, Padoskoks has an explosive start and keeps gathering speed, giving readers a glimpse of the ancient wisdom and Native customs swirling just under the surface as the action-packed plot barrels toward its natural, if startling, conclusion.

The time is ten thousand years ago and the place is the shores of Lake Champlain, a land inhabited by Abenaki communities who hunt, gather, and follow the cycles of their unspoiled natural world in relative harmony. Joseph Bruchac, a nationally renowned storyteller and writer of Native American tales, uses this setting not just to spin a compelling adventure yarn but also to re-create with grace, fullness, and clarity the cultural, social, and spiritual systems of these pre-contact Native Americans. In this third novel of his trilogy about the "people of the dawnland," the lake they call Petonbowk -- "the waters between" Vermont's Green Mountains and New York's Adirondacks -- holds both sustenance and danger, and Young Hunter, the "young, broad-shouldered man whose heart was good for all the people," is called upon to confront a dual menace. A "deepseer" or shaman, he must use his full powers first to comprehend the threats and then to defeat them. The lake, it seems, holds a huge water-snake monster that makes it impossible to reap the waters' bountiful harvest of fish and game. And, worse, a tortured outcast, Watches Darkness, has turned against his tribe and is using his deepseer's knowledge to perpetrate horrible acts of senseless evil: he destroys whole villages out of sheer malevolence; he literally eats his victims' hearts to absorb their powers; he kills his own grandmother without remorse. As the tension between hunter and hunted mounts, Bruchac seamlessly weaves stories within the story, the lore that connects the people to each other and to their heritage, so that the novel becomes not just an archetypal battle of good versus evil but a vivid depiction of traditional New England Indian culture in pre-Columbian times. Richly atmospheric, resonant with Native American spirituality, melodious with the rhythms of the Abenaki language, The Waters Between paints both an epic quest and a colorful portrait of "the lives of people living as human beings were told to live by the Talker. Never perfect, often failing, but always growing, always part of something larger than themselves, their varied heartbeats meshing together to make the one great, healthy heartbeat which was the Only People."

Presents an encyclopedia of American Indian literature in an alphabetical format listing authors and their works.

"The lake surface was glass. My girlfriend and I were fishing from our anchored rowboat in about fifteen feet of water, facing the New York shore. 'Ron, what's that?' I turned. About thirty feet away I saw three dark humps ... protruding about two feet above the surface. The humps were perhaps two or three feet apart. They didn't move. We didn't either. We watched in disbelief for about ten seconds. The humps slowly sank into the water. There was no wake, no telltale sign of movement. Unexplained. Eerie. Unsettling." — from the Foreword by Ronald S. Kermani Scotland may have Nessie, the Loch Ness Monster, but we have Champ, the legendary serpent-like monster of Lake Champlain. The first recorded sighting of Champ, in 1609, has been attributed to the lake's namesake, French explorer and cartographer Samuel de Champlain. This is pure myth, but there have been hundreds of sightings since then. Robert E. Bartholomew embarks on his own search, both of the lake firsthand and through period sources and archives—many never before published. Although he finds the trail obscured by sloppy journalism, local leaders motivated by tourism income, and bickering monster hunters, he weighs the evidence to craft a rich, colorful history of Champ. From the nineteenth century, when Champ was a household name, to 1977, when he appeared in Sandra Mansi's controversial photograph, Bartholomew covers it all. Real or imaginary, Champ and his story will fascinate believers and skeptics alike.

"Abenaki detective Jacob Neptune and his best buddy Dennis Mitchell find themselves on the Northwest coast investigating a series of murders and disappearances that may be linked to the monster known as Padoskoks, the giant underwater serpent"--

"This stunning collection puts humanity and mystery back into the text where they profoundly belong. . . . A must for any serious student of native literatures, or for any serious student of life."—Joy Harjo, poet, author of In Mad Love and War "A wonderful, empowering book."—Michael M.J. Fischer, co-author of Anthropology as Cultural Critique

Two tales, set in a time “when animals and human beings still talked to each other,” display Thomas King’s cheeky humor and master storytelling skills. Freshly illustrated and reissued as an early chapter book, these stories are perfect for newly independent readers. In Coyote Sings to the Moon, Old Woman and the animals sing to the moon each night. Coyote attempts to join them, but his voice is so terrible they beg him to stop. He is crushed and lashes out — who needs Moon anyway? Furious, Moon dives into a pond, plunging the world into darkness. But clever Old Woman comes up with a plan to send Moon back up into the sky and, thanks to Coyote, there she stays. In Coyote’s New Suit, mischievous Raven wreaks havoc when she suggests that Coyote’s toasty brown suit is not the finest in the forest, thus prompting him to steal suits belonging to all the other animals. Meanwhile, Raven tells the other animals to borrow clothes from the humans’ camp. When Coyote finds that his closet is too full, Raven slyly suggests he hold a yard sale, then sends the human beings (in their underwear) and the animals (in their ill-fitting human clothes) along for the fun. A hilarious illustration of the consequences of wanting more than we need. Key Text Features table of contents illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.5 Describe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action.

Freedom Libraries: The Untold Story of Libraries for African-Americans in the South. As the Civil Rights Movement exploded across the United States, the media of the time was able to show the rest of the world images of horrific racial violence. And while some of the bravest people of the 20th century risked their lives for the right to simply order a cheeseburger, ride a bus, or use a clean water fountain, there was another virtually unheard of struggle—this one for the right to read. Although illegal, racial segregation was strictly enforced in a number of American states, and public libraries were not immune. Numerous libraries were desegregated on paper only: there would be no cards given to African-Americans, no books for them read, and no furniture for them to use. It was these exact conditions that helped create Freedom Libraries. Over eighty of these parallel libraries appeared in the Deep South, staffed by civil rights voter registration workers. While the grassroots nature of the libraries meant they varied in size and quality, all of them created the first encounter many African-Americans had with a library. Terror, bombings, and eventually murder would be visited on the Freedom Libraries—with people giving up their lives so others could read a library book. This book delves into how these libraries were the heart of the Civil Rights Movement, and the remarkable courage of the people who used them. They would forever change libraries and librarianship, even as they helped the greater movement change the society these libraries belonged to. Photographs of the libraries bring this little-known part of American history to life.

From award-winning literary author Thomas King (aka Hartley GoodWeather) comes a stylish mystery debut featuring ex-California cop Thumps DreadfulWater, a smart and savvy Cherokee Indian whose witty exterior belies a clever, stubborn sleuth. With his cop life officially behind him, Thumps now makes his living as a fine-arts photographer in Chinook -- a western town snuggled up against a reservation that's struggling for economic independence via investment in a glitzy new resort and casino complex called Buffalo Mountain. It's a slow-paced, good life for Thumps and his eccentric cat, Freeway. Most of the time. But when a dead body turns up in one of the just-completed luxury condos, things change fast -- and not for the better. Photographing corpses is not part of Thumps's master plan. He can't help getting involved, especially when he realizes that the number one suspect is Stanley "Stick" Merchant, anticondo protestor and wayward son of Claire Merchant, head of the tribal council and Thumps's onetime love. If it affects Claire, it affects Thumps. It seems that Stick disappeared just about the time of the murder. Coincidence? Or just bad timing? Thumps knows that the police often shoot smart-ass teenagers first and ask questions later. He doesn't want that to happen to Stick. But can Thumps find Stick in time? And can Thumps find a killer before a killer finds Thumps? DreadfulWater Shows Up marks the arrival of a detective with a difference. With energy and verve and a very special voice, Thomas King and Hartley GoodWeather create an engaging and original page-turner that zings with memorable characters and biting social commentary.