This is a reprint of an edition first published in 1983. It includes a list of corrections which have come to light since then. The edition includes a Praefatio which sheds light on the relationship between the major manuscripts; there is also a full apparatus which reports the significant readings from fresh collations of the major manuscripts, and established a text based on a full account, with discussion where necessary, of all important suggestions published before 1980 or suggested privately to the editor. It also includes an appendix which lists all variant readings known to the editor but which are unlikely to be helpful in establishing a text. The edition will be the starting point for any serious work on the epic.

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The Servian commentaries on Vergil are doubly distinguished: they are among the very few ancient commentaries on classical Latin texts to survive essentially intact; and they exist in two radically different forms-the original commentary created by the grammarian Servius early in the fifth century, emphasizing grammar and syntax, and an augmented version produced in the seventh century when a reader blended his Servius with much other recherché ancient lore. In the 1920s, the medievalist Edward Kennard Rand undertook to produce a truly modern edition that would fully reveal for the first time the character of the commentaries' two versions. All did not go smoothly, however: a volume devoted to Aeneid 1-2 appeared in 1946, and another, with the commentaries on Aeneid 3-5, in 1965; this edition of the commentaries on Aeneid 9-12 is the first new contribution to the series to appear in more than fifty years. On his death in 2013, Charles E. Murgia left publishable versions of the text, upper and lower critical apparatuses, and large parts of the introduction, and he had gathered most of the data for a testimonial apparatus. Robert A. Kaster completed the work on the testimonia and introduction (using some of Murgia's other writings to supplement the latter), added some subsidiary elements, and prepared the whole for publication. Thanks primarily to Murgia's work, this edition is superior to its predecessors in the series, and to all other editions of Servius, in every respect.

Comprising fifteen books and over two hundred and fifty myths, Ovid's Metamorphoses is one of the longest extant Latin poems from the ancient world and one of the most influential works in Western culture. It is an epic on desire and transgression that became a gateway to the entire world of pagan mythology and visual imagination. This, the first complete commentary in English, covers all aspects of the text – from textual interpretation to poetics, imagination, and ideology – and will be useful as a teaching aid and an orientation for those who are interested in the text and its reception. Historically, the poem's audience includes readers interested in opera and ballet, psychology and sexuality, myth and painting, feminism and posthumanism, vegetarianism and metempsychosis (to name just a few outside the area of Classical Studies).

Preliminary Material /Walter Moskalew -- Introduction /Walter Moskalew -- Repetition, Genre, and Style /Walter Moskalew -- Design and Texture /Walter Moskalew -- Patterns of Association /Walter Moskalew -- List of Repetitions /Walter Moskalew -- Bibliography /Walter Moskalew -- Index Locorum /Walter Moskalew.