This delightful anthology celebrates the largely anonymous but often inventive and gifted authors of local verse. An inmate at Millbank who scratched a few lines about English prisons on the bottom of his dinner-can, or a Kent gunner who petitioned for his discharge in verse. There are verses found on village crosses, fountains, sundials, bells, and caves. The book includes epitaphs and also verses inscribed on moveable objects such as clocks and pottery, silverware and books. Country charms and weather rhymes, children's games and farming songs add to the variety of tone and style.

Anthology of about 600 poems from more than 200 twentieth century English poets.

This is a story-book, universal in its appeal and representative of a literary tradition from Chaucer to Auden. Its tales are of various kinds - romantic, humorous, ghostly, and gory, written over the past six hundred years.Here will be found Pope's 'Rape of the Lock' and Coleridge's 'Ancient Mariner'; the tale of John Gilpin and of the Idiot Boy; 'The Lady of Shalott', 'The Pied Piper', and Lewis Carroll's 'The Hunting of the Snark'. In the twentieth century the narrative tradition is exemplified by Chesterton andMasefield, Charles Causley and C. Day-Lewis, amongst others.Most of the fifty-nine poems in this collection are given in their entirety, but abridgements and extracts from book-length narratives such as 'The Faerie Queene' and 'Paradise Lost' add to the richness and variety.

Great Britain has a long and grand tradition of poets translating classical authors. Virtually every great poet from Chaucer on has tried his or her hand at translation, with the results often rivalling or even excelling the ancient original. This unique anthology presents the best of these translations, ranging from King Alfred, Alexander Pope, and Ben Jonson, to Alfred Lord Tennyson, Ezra Pound, and Ted Hughes. The book offers a vast array of responses to the song, verse, and drama of ancient Greece and Rome, and to poets themselves as varied as Homer, Sappho, Euripides, Virgil, Ovid, and Juvenal. Organized by classical author and text, the book gathers and juxtaposes English versions, sometimes of the same passage or poem, to dramatize the endless renewal of one great poetic tradition in and through another.

History.

From limericks to social satire, The Oxford Book of Comic Verse offers a remarkable collection of outstanding light poetry. John Gross has brought together the finest writers in the history of the English language - from Chaucer and Skelton to Shakespeare and Swift, Lord Byron to Robert Browning, Emily Dickinson to John Updike, as well as witty song lyrics from such artists as Irving Berlin and Cole Porter - offering delightful examples of their comic verse. Drawing on many different types of verse, including epigrams, street ballads, advertising jingles, clerihew, music-hall lyrics, and the doubledactyl of the calypso, this highly entertaining collection offers an exceptionally wide range of comic pleasures. The poems are by turns subtle, down-to-earth, macabre, ingenious, acerbic, ribald, and cheerful. Written to amuse, they call forth laughter and delight in equal measure. Compiled by one of our finest critics and anthologists, this reissue boasts a stylish new design and a fresh contemporary feel.

Offering both familiar poems and some fascinating unfamiliar ones, this anthology contains over 250 poems that deal with Christianity. Ranging from the Anglo-Saxon masterpiece "The Dream of the Rood" to the works of modern poets such as T.S. Eliot, W.H. Auden, Sir John Betjeman, and John Berryman. Davie has chosen works from around the world, including several women poets--such as the Elizabethan Countess of Pembroke and Emily Dickinson--as well as the four men whom he describes as "the masters of the sacred poem in English": George Herbert, Henry Vaughan, Christopher Smart, and William Cowper. Stressing the importance of "the plain style" in Christian poetry throughout the ages, Davie also offers a large selection of congregational hymns.