An indispensable guide to a deeper understanding of the nature of the human voice and its harmonic possibilities from East to West. Overtone Singing is the most comprehensive book ever written on the hidden harmonies of the human voice. Ethnomusicologist and vocalist Mark van Tongeren offers fascinating insights into the timeless and universal aspects of sound and vibration. Grounded in the author’s decade-long study of Asian music, the book draws upon field work, interviews with Eastern and Western musicians, and copious scholarship to present a multidisciplinary vision of sound that runs from global music to the science of acoustics and perception, onward to the philosophical and spiritual dimensions of music. Written in a nontechnical style, this generously illustrated book is an indispensable guide for musicians, listeners, and performers seeking a deeper understanding of the nature of the human voice and its harmonic possibilities from East to West.

Mark van Tongeren, singer, collector of field recordings and ethnomusicologist, provides a fascinating insight into the timeless and universal aspects of sound and vibration. Grounded in a decade long study of Asian music he draws upon various fieldwork experiences, interviews with eastern and western musicians in addition to the work of numerous scholars. In this well documented book you can find, for the very first time, everything concerning overtone singing in the West, from Karlheinz Stockhausen's contemporary music to Jill Purce's healing voice; from electro-acoustic to World and other fusioned music; from renowned western performers such as Michael Vetter and David Hykes to great masters of overtone singing from Tuva, Mongolia and other parts of the world; and from the Pythagorean harmonic system to Om chanting and New Age mantras. This book does justice to this multitude of cultural traditions and to the countless personalities that have contributed to the development of this way of singing. It has interesting and useful things to teach to everyone who is intrigued by the mysteries of sound and music. Written in a non technical style, this book and accompanying CD is an indispensable guide to all musicians and music lovers. The music CD contains a survey of different techniques of overtone singing in East and West and forms a complete anthology of Turco-Mongol styles of overtone singing. It does not follow the order of discussion in the text but is thematically arranged. It allows the reader to grasp various aspects of vocal harmonics: examples of regional styles (Tuva, Mongolia, Altai, Khakasia, Bashkortostan, South Africa); styles and techniques in the East (Kargyraa, Khoomii, sygyt, chilangyt, ezengileer, khat kargyraa), technical demonstrations by the author; learners; modern forms; paraphony; instruments with harmonics (Jew's harp, fiddle igil) [Publisher description]

An indispensable guide to a deeper understanding of the nature of the human voice and its harmonic possibilities from East to West. Overtone Singing is the most comprehensive book ever written on the hidden harmonies of the human voice. Ethnomusicologist and vocalist Mark van Tongeren offers fascinating insights into the timeless and universal aspects of sound and vibration. Grounded in the author’s decade-long study of Asian music, the book draws upon field work, interviews with Eastern and Western musicians, and copious scholarship to present a multidisciplinary vision of sound that runs from global music to the science of acoustics and perception, onward to the philosophical and spiritual dimensions of music. Written in a nontechnical style, this generously illustrated book is an indispensable guide for musicians, listeners, and performers seeking a deeper understanding of the nature of the human voice and its harmonic possibilities from East to West.

This book presents the first field-work based phonetic study focussing such extraordinary phonatory outcomes as occur in the context of South-Siberian throat singing. In throat singing specific voice production types serve as source, which are subject to various ways of formant shaping, merging, adjustment, and reinforcement, all of which function to enhance individual harmonics. Two main types are proposed for voice production in South-Siberian throat singing: a voice production by means of the vocal folds featuring a constriction of the aryepiglottic sphincter, and a voice production with involvement of the ventricular folds. Furthermore a simple schematic model for the articulation types in throat singing is suggested. One of the basic questions throughout this study is whether the phenomenon of throat singing shows fairly clear regional variants in different parts of southern Central Siberia or whether the variation is chiefly a matter of individual styles.

This practical book provides an excellent introduction to Tuva and Overtone singing from around the world. Still practiced in many parts of the world today.

The present Reader is a selection of texts on South African music which are chosen not only for their importance or the frequency of citations, but with the express purpose of providing the reader with a deep understanding of the music itself. Consequently, there are readings that are chosen because they have been influential, but there are also many which, though published, have not enjoyed very wide circulation. There are those which are of obvious historic interest, and others which speak to contemporary issues. Among other things, the volume provides an excellent sense of the varying ideologies and approaches that determine the relationship between author and subject. The reader is indispensable to scholars and enthusiasts of South African music and it is of great interest to ethnomusicologists more generally. It is also an excellent resource for those who do not have immediate access to harder-to-find articles, and is perhaps most vital to those who are looking to find a way into the world of South African music.

Track list for accompanying CD: p. 266-273.

In recent decades, world music styles have been making increasing inroads into Western popular music, music theater, choral concerts, and even concert hall performances. So You Want to Sing World Music is an essential compendium of these genres and provides technical approaches to singing non-Western styles. Matthew Hoch gathers a cohort of expert performers and teachers to address singing styles from across the globe, including Tuvan throat singing, Celtic pop and traditional Irish singing, South African choral singing, Brazilian popular music genres, Hindustani classical singing, Native American vocal music, Mexican mariachi, Lithuanian sutartinės, Georgian polyphony, Egyptian vocal music, Persian āvāz, and Peking opera. Additional chapters offer resources for soloists and choral directors as well as primers on voice science, vocal health, and audio enhancement technology. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing World Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

In "Chakra Therapy" by Keith Sherwood you will learn that the chakras are more than colored areas in your aura. They function as distribution centers for the energy that flows through your body. If they''re blocked, the energy doesn''t flow and mental, physical, emotional, or spiritual problems can result. But you can clear the blockages and overcome the problems quickly and easily with the powerful yet simple techniques in this book. You will learn how each chakra functions. Yes, the book explains this for your mind, but for your deepest, inner self - what Sherwood calls your I AM - you have to learn through intuition and true understanding. In order to accomplish this, "Chakra Therapy "includes meditations for each of the chakras. Even if you have studied the chakras for years, practicing these meditations will help you understand them on a deeper level than ever before. Once you understand them you can clear them of blockages. This is the real "Chakra Therapy." It begins with three simple exercises called locks, which can be performed lying down or sitting in a chair. When the energy starts to flow, you will need to know how to open and balance the chakras. The book covers this, too. Then there is nothing to stop you. You''ll discover the techniques for cleansing the chakras and working with energy through simple yoga methods and breathwork that will bring you to a healthier, more energetic, and more balanced state than ever before. If you are ready to change your life for better health and happiness, get "Chakra Therapy" today.

The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world′s musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology′s fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition