Ordinary working people, convinced their life could be better than it was, demanded a share in Mexico's progress and also to be respected for their contribution to that progress. This study demonstrates how the workers resisted the radical ideology of foreign revolutionary dogmas and based their demands on indigenous sociopolitical traditions.

Uncovering the truth could cost them their lives. Since entering the Safe Lands, Mason has focused on two things: finding a way to free his village from captivity, and finding a cure for the disease that ravages many within the walls of the Safe Lands. After immune-suppressive drugs go missing in the clinic, Mason discovers his coworker, Ciddah, may know more about the Safe Lands than imagined … and may have an agenda of her own. At the same time, Mason’s brother Levi is focused on a way to free the remaining Glenrock captives, while Mason’s younger brother Omar decides to take the rebellion against the Sale Lands into his own hands as a vigilante. Soon all three brothers are being watched closely—and when Mason stumbles onto a shocking secret about the Safe Lands meds, his investigation just might get those closest to him liberated.

DIVAnthology about three of the persistent crises that have wracked Mexican society throughout its modern history, asking why these ruptures occurred, why they mobilized Mexicans of all social classes, and why some led to significant political transformatio/div

Radicals in the Barrio uncovers a long and rich history of political radicalism within the Mexican and Chicano working class in the United States. Chacón clearly and sympathetically documents the ways that migratory workers carried with them radical political ideologies, new organizational models, and shared class experience, as they crossed the border into southwestern barrios during the first three decades of the twentieth-century. Justin Akers Chacón previous work includes No One is Illegal: Fighting Racism and State Violence on the U.S.-Mexico Border (with Mike Davis).

Jamey Barlowe has been crippled since childhood, the result of being born on the Moon. He lives his life in a wheelchair, only truly free when he is in the water. But then Jamey's father sends him, along with five other kids, back to the Moon to escape a political coup d'etat that has occurred overnight in the United States. Moreover, one of the other five refugees is more than she appears. Their destination is the mining colony, Apollo. Jamey will have to learn a whole new way to live, one that entails walking for the first time in his life. It won't be easy and it won't be safe. But Jamey is determined to make it as a member of Lunar Search and Rescue, also known as the Rangers. This job is always risky, but could be even more dangerous if the new U.S. president makes good on her threat to launch a military invasion. Soon Jamey is front and center in a political and military struggle stretching from the Earth to the Moon. From the Hardcover edition.

In late nineteenth-century Mexico the Mexican populace was fascinated with the country’s booming railroad network. Newspapers and periodicals were filled with art, poetry, literature, and social commentaries exploring the symbolic power of the railroad. As a symbol of economic, political, and industrial modernization, the locomotive served to demarcate a nation’s status in the world. However, the dangers of locomotive travel, complicated by the fact that Mexico’s railroads were foreign owned and operated, meant that the railroad could also symbolize disorder, death, and foreign domination. In The Civilizing Machine Michael Matthews explores the ideological and cultural milieu that shaped the Mexican people’s understanding of technology. Intrinsically tied to the Porfiriato, the thirty-five-year dictatorship of Gen. Porfirio Díaz, the booming railroad network represented material progress in a country seeking its place in the modern world. Matthews discloses how the railroad’s development represented the crowning achievement of the regime and the material incarnation of its mantra, “order and progress.” The Porfirian administration evoked the railroad in legitimizing and justifying its own reign, while political opponents employed the same rhetorical themes embodied by the railroads to challenge the manner in which that regime achieved economic development and modernization. As Matthews illustrates, the multiple symbols of the locomotive reflected deepening social divisions and foreshadowed the conflicts that eventually brought about the Mexican Revolution.

BONUS: This edition contains a reader's guide. The extraordinary tale of a refugee youth soccer team and the transformation of a small American town Clarkston, Georgia, was a typical Southern town until it was designated a refugee settlement center in the 1990s, becoming the first American home for scores of families in flight from the world’s war zones—from Liberia and Sudan to Iraq and Afghanistan. Suddenly Clarkston’s streets were filled with women wearing the hijab, the smells of cumin and curry, and kids of all colors playing soccer in any open space they could find. The town also became home to Luma Mufleh, an American-educated Jordanian woman who founded a youth soccer team to unify Clarkston’ s refugee children and keep them off the streets. These kids named themselves the Fugees. Set against the backdrop of an American town that without its consent had become a vast social experiment, Outcasts United follows a pivotal season in the life of the Fugees and their charismatic coach. Warren St. John documents the lives of a diverse group of young people as they miraculously coalesce into a band of brothers, while also drawing a fascinating portrait of a fading American town struggling to accommodate its new arrivals. At the center of the story is fiery Coach Luma, who relentlessly drives her players to success on the soccer field while holding together their lives—and the lives of their families—in the face of a series of daunting challenges. This fast-paced chronicle of a single season is a complex and inspiring tale of a small town becoming a global community—and an account of the ingenious and complicated ways we create a home in a changing world.

This book presents some very raw facts about the negative aspects of racism and the devastating effects it has on individuals, municipalities, States, the Nation and indeed the world. It covers a ten year period in the authors life, presented autobiographically, from 1940 to 1950. The story is based primarily on historical events as reported in the ex Black weekly newspaper, The Pittsburgh Courier. The news articles are presented as parts of fictionalized dialogue between the author, his young peers and older adult advisors. Most of the fictionalized accounts have some bases in truth but some did not occur in the sequence or to individuals as presented. Names of individuals reported in news media have not been changed, nor have the names of family members and teachers. Names of townspeople have been changed although a real person existed for that character. The primary goal of the book is to present true facts about the history of the disease based on a false premise of race that has caused so much suffering, ignorance and despair over centuries in the hope that we will stop perpetuating it and let it die the ignoble death it deserves.

Kurzman proposes that the collective agent most directly responsible for democratization was the emerging class of modern intellectuals, a group that had gained a global identity and a near-messianic sense of mission following the Dreyfus Affair of 1898. Each chapter of this book focuses on a single angle of this story, covering all six cases by examining newspaper accounts, memoirs, and government reports.

The U.S.-Mexico border has earned an enduring reputation as a site of violence. During the past twenty years in particular, the drug wars—fueled by the international movement of narcotics and vast sums of money—have burned an abiding image of the border as a place of endemic danger into the consciousness of both countries. By the media, popular culture, and politicians, mayhem and brutality are often portrayed as the unavoidable birthright of this transnational space. Through multiple perspectives from both sides of the border, the collected essays in These Ragged Edges directly challenge that idea, arguing that rapidly changing conditions along the U.S.-Mexico border through the nineteenth, twentieth, and twenty-first centuries have powerfully shaped the ebb and flow of conflict within the region. By diving deeply into diverse types of violence, contributors dissect the roots and consequences of border violence across numerous eras, offering a transnational analysis of how and why violence has affected the lives of so many inhabitants on both sides of the border. Contributors include Alberto Barrera-Enderle, Alice Baumgartner, Lance R. Blyth, Timothy Bowman, Elaine Carey, William D. Carrigan, Jose Carlos Cisneros Guzman, Alejandra Diaz de Leon, Miguel Angel Gonzalez-Quiroga, Santiago Ivan Guerra, Gerardo Gurza-Lavalle, Sonia Hernandez, Alan Knight, Jose Gabriel Martinez-Serna, Brandon Morgan, and Joaquin Rivaya-Martinez, Andrew J. Torget, and Clive Webb.