"The third book in a series featuring photographs themed around the Australian countryside, studying men and masculinity in rugged outdoor and rustic farm settings"--Jacket.

Modern Voice: Working with Actors on Contemporary Text has been designed to follow on from Catherine’s previous book, Classic Voice: Working with Actors on Vocal Style, focusing on the less defined demands within contemporary drama. Lifting contemporary speech rhythms off the page can be a challenge for actors. Sometimes these rhythms are realistic, resembling or mirroring the speech patterns of real human beings, sometimes they are non-realistic, distorting speech patterns for particular effect. Modern Voice not only provides an accessible approach for understanding speech rhythm but also presents an overview of different types and styles of contemporary text (including the rise of dramatic realism in England, America and Australia). Along the way there are a myriad of practical ideas for directors, lecturers, teachers, trainers and coaches to explore in their workshops and rehearsals.

Cultural Encounters in Translated Children's Literature offers a detailed and innovative model of analysis for examining the complexities of translating children's literature and sheds light on the interpretive choices at work in moving texts from one culture to another. The core of the study addresses the issue of how images of a nation, locale or country are constructed in translated children's literature, with the translation of Australian children's fiction into French serving as a case study. Issues examined include the selection of books for translation, the relationship between children's books and the national and international publishing industry, the packaging of translations and the importance of titles, blurbs and covers, the linguistic and stylistic features specific to translating for children, intertextual references, the function of the translation in the target culture, didactic and pedagogical aims, euphemistic language and explicitation, and literariness in translated texts. The findings of the case study suggest that the most common constructs of Australia in French translations reveal a preponderance of traditional Eurocentric signifiers that identify Australia with the outback, the antipodes, the exotic, the wild, the unknown, the void, the end of the world, the young and innocent nation, and the Far West. Contemporary signifiers that construct Australia as urban, multicultural, Aboriginal, worldly and inharmonious are seriously under-represented. The study also shows that French translations are conventional, conservative and didactic, showing preference for an exotic rather than local specificity, with systematic manipulation of Australian referents betraying a perception of Australia as antipodean rural exoticism. The significance of the study lies in underscoring the manner in which a given culture is constructed in another cultural milieu, especially through translated children's literature.

"This book invites the reader to explore the chains of improbable events that can mold a long unknown pathogen into an agent of distress and tragedy for humanity"--

"The fourth book in the series by renowned photographer Paul Freeman, which studies men and masculinity in rugged outdoor and rustic farm settings. In this book Freeman uses the Australian bush and its' changing moods to explore his male aesthetic, and to style and weather his subjects"--Jacket.

In this volume, Drake focuses on the famous pastoral explorers, drovers and trail drivers; the poddydodgers, horse-thieves and rustlers; the wars of the land grabbers with Australian Aborigines and the American Indians; the clashes of lawless western entrepreneurs with the laws of the bit cities in the east; the colourful females who ventured our into a man¿s world and made thier names, the transport by puffing billies and famous stage coach lines and buckjumpers, roughriders and rodeos.

Theatre Australia (Un)limited tells a truly national story of the structures of post-war Australian theatre: its artists, companies, financial and policy underpinnings. It gives an inclusive analysis of three ‘waves’ of Australian theatrical activity after 1953, and the types of organisations which grew up to support and maintain them. Subsidy, repertoire patterns, finances and administration, theatre buildings, companies, festivals and notable productions of the commercial, mainstream and alternative Australian theatre are examined state by state, and changes to governmental policy analysed. Theatrical forms comprise not only spoken-word drama, but also music theatre, comedy, theatre-restaurant, circus, puppetry, community theatre in several forms and new mixed-media genres: physical theatre, circus, visual theatre and contemporary performance. Theatre Australia (Un)limited is the first comprehensive overview of the fortunes of Australian theatre as a national enterprise, providing the industrial analysis of the ‘three waves’ essential for the understanding of the New Wave and of contemporary drama.

A further four Silver Brumby titles in one beautiful edition. Following on from the success of The Silver Brumby Centenary Edition, this bind-up contains the next four titles in the Silver Brumby series - Moon Filly, Silver Brumby Whirlwind, Son of the Whirlwind and Silver Brumby, Silver Dingo and continues the story of Thowra, the magnificent silver stallion, king of the brumbies. This beautiful edition will be treasured by the many fans of The Silver Brumby series, who will delight in these four titles being published together.

Combines, updates, and expands two earlier Salem Press reference sets: Critical survey of drama, Rev. ed., English language series, published in 1994, and Critical survey of drama, Foreign language series, published in 1986. This new 8 vol. set contains 602 essays, of which 538 discuss individual dramatists and 64 cover broad overview topics. The dramatist profiles contain more than 310 photographs and drawings.