POSITIVE POETRY FOR THE OPEN MINDED. WORDS OF SELF EMPOWERMENT WITH A POETICAL DELIVERY PUNCH DESIGNED FROM OUT THE BOX THINKING IN REAL LIFE SITIUATIONS.

This laugh-out-loud poetry collaboration from a New York Times and Publishers Weekly bestselling author and a Caldecott Honor illustrator is anything but ordinary. Dive in to Karma Wilson’s latest collection of more than 100 poems—some humorous, some poignant, and all of them Outside the Box. Illustrated by Caldecott Honoree Diane Goode, Outside the Box has something for everyone. Appealing to kids and parents alike, poems such as “Sick Day,” “My Pet Robot,” “Balloonaphobia,” and “Aliens Under My Bed” are sure to delight and entertain.

A special collection of poems written with a desire to give dignity and voice to those often shamed and ostracised, particularly by religion.

Horace speaks of poetry delighting and instructing. While Evaluations of US Poetry since 1950, Volume 1 explores the pleasures of poetry--its language, forms, and musicality--volume 2 focuses on the public dimensions. In this volume, von Hallberg and Faggen have gathered a diverse selection of poets to explore questions such as: How does poetry instruct a society with a highly evolved knowledge industry? Do poems bear a relation to the disciplined idioms of learning? What do poets think of as intellectual work? What is the importance of recognizable subject matter? What can honestly be said by poets concerning this nation so hungry for learning and so fixated on its own power? To these questions, the literary critics collected here find some answers in the poetry of Robert Pinsky, Susan Howe, Robert Hass, Anthony Hecht, Adrienne Rich, Sharon Olds, Ed Dorn, and August Kleinzahler.

A new revision of the classic anthology presents 195 poets and 1,596 poems representing the range of English language modern and contemporary poetry.

Fleeing a failed marriage and haunted by ghosts of his past, Luis Alberto Urrea jumped into his car several years ago and headed west. Driving cross-country with a cat named Rest Stop, Urrea wandered the West from one year's Spring through the next. Hiking into aspen forests where leaves "shiver and tinkle like bells" and poking alongside creeks in the Rockies, he sought solace and wisdom. In the forested mountains he learned not only the names of trees—he learned how to live. As nature opened Urrea's eyes, writing opened his heart. In journal entries that sparkle with discovery, Urrea ruminates on music, poetry, and the landscape. With wonder and spontaneity, he relates tales of marmots, geese, bears, and fellow travelers. He makes readers feel mountain air "so crisp you feel you could crunch it in your mouth" and reminds us all to experience the magic and healing of small gestures, ordinary people, and common creatures. Urrea has been heralded as one of the most talented writers of his generation. In poems, novels, and nonfiction, he has explored issues of family, race, language, and poverty with candor, compassion, and often astonishing power. Wandering Time offers his most intimate work to date, a luminous account of his own search for healing and redemption.

Stuck in a situation you can't escape from, trapped in a prison for something you didn't do... there are many 'Get Me Out Of Here!' examples and Thirteen Press' talented authors explored nearly all of them! If you've ever had that feeling, you will enjoy reading this diverse collection of startling dark tales!

“Directors today are equipped with a larger toolbox than their forerunners, standing on their shoulders as well as those of pioneers in non-Western theater, experimental visual art, community-based theater, and the ever-evolving commercial theater scene.”— Jason Loewith This second volume presents a cross-section of the most diverse and dynamic stage directors defining today’s American theater, in conversation with director/producer Jason Loewith. A follow-up to the immensely popular first volume, which has sold over eighteen thousand copies, much has changed in the twenty years since The Director’s Voice debuted. “The nonprofit model has been turned on its head,” Loewith notes. “Institution-building is out for these directors; creating a distinctive voice from a multiplicity of influences is in.” Together, these directors sketch a compelling portrait of the art form in the new century. Interviews include: Anne Bogart, Mark Brokaw, Peter Brosius, Ping Chong, David Esbjornson, Oskar Eustis, Frank Galati, Michael Kahn, Moisés Kaufman, James Lapine, Elizabeth LeCompte, Emily Mann, Michael Mayer, Marion McClinton, Bill Rauch, Bartlett Sher, Julie Taymor, Theatre de la Jeune Lune (Barbra Berlovitz, Steven Epps, Vincent Gracieux, Robert Rosen, and Dominique Serrand), George C. Wolfe, and Mary Zimmerman. Jason Loewith is a producer, director, and writer. He has served since 2002 as artistic director of Chicago’s Next Theatre Company, where he conceived, co-wrote, and produced Adding Machine: A Musical, which had an award-winning run off-Broadway.