“Conscious of the past, equal to the present, and reaching forward into the future—that’s the Hopkins way. That’s our shared legacy. That’s the challenge of your tomorrow.” With these words to the class of 1988, Barbara Donaho (1956) underscored the complex history of nursing education at Johns Hopkins. From the founding of the hospital's training nursing school in 1889, through years of struggle to achieve full academic recognition as the Johns Hopkins University School of Nursing, Hopkins nurses have maintained high standards of excellence, professionalism, and vigilance—both at the bedside and in the highest realms of leadership. In this beautifully illustrated volume, Mame Warren, Linda Sabin, and Mary Frances Keen weave a rich tapestry of the Nursing School’s deep and fascinating tradition. The voices of generations of Hopkins nurses combine with a well-researched historical narrative to offer a stirring tribute to Hopkins nursing students and alumni along with unique insight into the history of an admirable and challenging profession.

A Shared Legacy: Essays on Irish and Scottish Art and Visual Culture brings together for the first time a unique selection of new research by leading Irish, Scottish, English and North American scholars to explore the varying ways in which the visual can operate within the context of two countries with related experiences of lost statehood yet retained nationhood. Covering a span of three centuries, this skilfully-crafted book takes the discussion of Irish and Scottish art beyond the often isolationist approach adopted in the past, dealing directly with issues of nationality in a wider context. The authors identify national concerns through a range of themes: race, class, union and assimilation or nationalism and internationalism and while many of the essays focus on paintings, sculpture, prints and watercolours, others consider a wider notion of visual culture by investigating photography, magic lantern slides and the home arts of embroidery and textiles.

A beloved author and storyteller shows how ordinary people can preserve and pass on their wisdom, values, and spiritual legacy to loved ones.

On the occasion of the 75th +1 anniversary of the publication of Prof. J. M. Millàs Vallicrosa’s seminal work Assaig d’història de les idees físiques i matemàtiques a la Catalunya medieval by the Institut d'Estudis Catalans, the Commission on the History of Science and Technology in Islamic Societies (International Union on History and Philosophy of Science), the Grup Millàs Vallicrosa d’Història de la Ciència Àrab (Universitat de Barcelona) and the Societat Catalana d’Història de la Ciència i de la Tècnica (Institut d’Estudis Catalans) organized a conference entitled “A Shared Legacy: Islamic Science East and West”. At this conference, the Islamic Scientific Manuscripts Initiative, a new joint project for the study of manuscripts, was presented. .Although the papers published in this volume deal with a mixture of subjects and disciplines - astronomical instruments, planetary models, geometry, medicine, miqat, technology and cartography - they all have the transmission of knowledge between the two shores of the Mediterranean as a common underlying thread...Amb motiu del 75è + 1 aniversari de la publicació del llibre Assaig d’història de les idees físiques i matemàtiques a la Catalunya medieval (IEC), la Commission on the History of Science and Technology in Islamic Societies (CHSTIS/IUPHS), el Grup Millàs Vallicrosa d’Història de la Ciència Àrab de la Universitat de Barcelona (UB) i la Societat Catalana d’Història de la Ciència i de la Tècnica (SCHCT) -filial de l’Institut d’Estudis Catalans- organitzaren el congrés A Shared Legacy. Islamic Science East and West (Un llegat compartit: ciència islàmica a orient i occident). .Am motiu d’aquesta trobada s’han recopilat els articles que conté aquest volum tracten de temes variats –instruments astronòmics, models planetaris, geometria, medicina, tecnologia, cartografia, etc.- que tenen com a nexe en comú la transmissió del coneixement entre les dues ribes de la Mediterrània.

Nursing History Review, an annual peer-reviewed publication of the American Association for the History of Nursing, is a showcase for the most significant current research on nursing history. Regular sections include scholarly articles, over a dozen book reviews of the best publications on nursing and health care history that have appeared in the past year, and a section abstracting new doctoral dissertations on nursing history. Historians, researchers, and individuals fascinated with the rich field of nursing will find this an important resource. Included in Volume 28... “Service is the Rent We Pay”: The Complexity of Nurses’ Claims to Their Place in Social Justice Movements The American Red Cross “Mercy Ship” in the First World War: A Pivotal Experiment in Nursing-Centered Clinical Humanitarianism The Nurses No-One Remembers: Looking for Spanish Nurses in Accounts of the Spanish Civil War (1936–1939) The Norwegian Mobile Army Surgical Hospital (NORMASH) in the Korean War (1951–1954): Military Hospital or Humanitarian “Sanctuary?” Matriarchs of the Operating Room: Nurses, Neurosurgery, and Johns Hopkins Hospital, 1920–1940

Sound doctrine isn't about accumulating facts about God; it's about understanding the essential biblical truths--our legacy--that help us relate to God appropriately.

Your Legacy Matters is a guide for men and women of all ages, faiths, and circumstances. It takes us on the life-changing journey of legacy writing to harvest our life experience and learning for our loved ones and future generations. This modern interpretation of the ancient ethical will gives us a practical method to find spiritual peace in our chaotic world. Legacy letters articulate our values, history, stories, learning, and blessings for those we care about. Included is guidance for writing legacy letters to accompany our wills and living wills, emphasizing their use to initiate important family conversations. Beyond the precious treasure we leave the future, our yield produces a remarkable and profound experience that addresses universal needs deep within each of us.

This book challenges the idea that the mixing of religion and presidential politics is a new phenomenon. It explores how presidents have drawn on their religious upbringing, rhetoric, ideas, and beliefs to promote their domestic and foreign policies to the nation. This influence is evident in Washington's decision to add "so help me God" to the presidential oath, accusations by Adam's supporters that Jefferson was an infidel, Lincoln's biblical metaphors during the Civil War, and FDR's call to fight against Nazi totalitarianism on behalf of Judeo-Christian civilization. It is also apparent in Truman's support for Israel, Eisenhower's Cold War decision to add "In God We Trust" on American currency, the debate over JFK's Catholicism, Jimmy Carter's born-again Christianity, Reagan's "Evil Empire" speech, Clinton's public repentance, and George W. Bush's "crusade" against Islamic terrorists. This volume explores these issues of religion and power in the presidencies of Washington, Jefferson, Madison, Lincoln, FDR, Truman, Eisenhower, JFK, Carter, Reagan, George H. W. Bush, Clinton, and George W. Bush through scholarly interpretations, primary sources, and illustrations.

Visions of life in the 1950s often spring from the United States: supermarkets, freeways, huge gleaming cars, bright new appliances, automated households. Historian Joy Parr looks beyond the generalizations about the indulgence of this era to find a specifically Canadian consumer culture. Focusing on the records left by consumer groups and manufacturers, and relying on interviews and letters from many Canadian women who had set up household in the decade after the war, she reveals exactly how and why Canadian homemakers distinguished themselves from the consumer frenzy of their southern neighbours. Domestic Goods focuses primarily on the design, production, promotion, and consumption of furniture and appliances. For Parr, such a focus demands an analysis of the intertwining of the political, economic, and aesthetic. Parr examines how the shortage of appliances in the early postwar years was a direct result of government reconstruction policy, and how the international style of 'high modernism' reflected the postwar dream of free trade. But while manufacturers devised new plans for the consumer, depression-era frugality and a conscious setting of priorities within the family led potential customers to evade and rework what was offered them, eventually influencing the kinds of goods created. This book addresses questions such as, who designed furniture and appliances, and how were these designs arrived at? What was the role of consumer groups in influencing manufacturers and government policy? Why did women prefer their old wringer washers for over a decade after the automatic washer was brought in? In finding the answers the author celebrates and ultimately suggests reclaiming a particularly Canadian way of consuming.

“Essential for the aspiring filmmaker,” this is an inspiring, tell-all look at the independent film business from one of the industry’s most passionate supporters (Todd Solondz, director of Welcome to the Dollhouse) Hope for Film captures the rebellious punk spirit of the indie film boom in 1990s New York City and its collapse two decades later to its technology-fueled regeneration and continuing streaming-based evolution. Ted Hope, whose films have garnered 12 Oscar nominations, draws from his own personal experiences working on the early films of Ang Lee, Eddie Burns, Alan Ball, Todd Field, Hal Hartley, Michel Gondry, Nicole Holofcener, and Todd Solondz, as well as his tenures at the San Francisco Film Society, Fandor, and Amazon Studios, taking readers through the decision-making process that brought him the occasional failure as well as much success. Whether navigating negotiations with studio executives over final cuts or clashing with high-powered CAA agents over their clients, Hope offers behind-the-scenes stories from the wild and often heated world of “specialized” cinema--where art and commerce collide. As mediator between these two opposing interests, Hope offers his unique perspective on how to make movies while keeping your integrity intact and how to create a sustainable business enterprise out of that art while staying true to yourself. Against a backdrop of seismic changes in the independent film industry, from corporate co-option to the rise of social media and the streaming giants, Hope for Film provides not only an entertaining and intimate ride through the business of arthouse movies over the last decades, but also hope for its future. “There is nobody in the independent film world quite like Ted Hope. His wisdom and heart shine through every page.” —Ang Lee, Academy Award winning director of Brokeback Mountain