Republication of Arthur Jeffery's important study, "The Foreign Vocabulary of the Qur'?n," offers a new generation of scholars and students access to this foundational text. Arranged in Arabic alphabetical order, Jeffery's compendium of philological scholarship remains an indispensable tool for any serious study of Qur'?nic semantics. Drawing upon etymological examination of languages such as Greek, Persian, Syriac, Ethiopic, Coptic and Nabataean, Jeffery's work illuminates the rich linguistic texture of Islam's holy book. His lengthy introductory essay explores the exegetical analysis offered by medieval Muslim commentators as well as the insights provided by more recent research.

Angels are God’s messengers and His spirit army, and they are very numerous. Make no mistake, angels do exist! They exist to serve “those who will inherit salvation”. But because they are invisible, we tend to forget their role in carrying out God’s purpose and plan. Many angels have been given the duty of serving our needs, and their responsibilities and assignments may change with circumstances. Inside study aid: -- The Origin of the Spirit Realm -- The Vast Multitudes of Heaven’s Armies -- Should We Worship or Pray to Angels? -- Appearing in Human Form -- Did Angels Interbreed With Women to Produce Giants? -- Popular, But Wrong, Ideas About Angels -- Where Did the Idea of Angels as Babies Originate? -- Leading Angels: Michael and Gabriel -- What Is the Origin of Satan and Demons? -- Different Kinds of Angels -- Serving God and Mankind -- Personal Stories of Angelic Encounters

In this volume Ṭabarī takes up the history of the ancient world, focusing on the Iranians and the Israelites after the time of Solomon. He establishes a comparative chronology between the two nations; viewing Bahman, the Persian king, as the son of Esther, and his daughter, Khumani, the mother of Darius. Ṭabarī's synchronization also leads him into a discussion of North and South Arabia, in which stories about King Jadhimah, Queen Zabba, and the tribes of Ṭabarī and Jadis appear. Falling outside the general scheme of the volume, are other details. These are concentrated in five chapters on the biblical stories of Samson and Delilah, and on Jonah, commentary on a Quranic passage concerning three divine envoys, and on two stories of Christian antiquity, the Seven Sleepers and the martyr Jirjis. Ṭabarī presents a mass of Iranian, Jewish, Christian, and Arabian lore in order to create a unified view of the material. His treatment of the mythical Iranian kings, as they battle Turanians and other foes, extends beyond the time of Alexander and his successors to the era of the Gospels, John the Baptist, and Jesus. Tales of the Israelites include the story of Asa and Zerah the Indian, remarkable for its development of the Biblical nucleus and variants of the history of the destruction of Jerusalem by Nebuchadnezzar.

God made the mountains and the seas. He made all the animals. He made the heavens and the stars. Then God decided to make a man. He called this first man Adam. He taught him many things so that Adam had more knowledge than the angels.

This study illustrates why the language of the Qur'an is miraculous, unique, and evidence of divine authority. The author compares the language of the Qur'an with the language of pre-Islamic poetry, the Prophet's words (hadith), and the language of the Arabs both past and present, to demonstrate that although the Qur'an was revealed in Arabic it was at the same time an Arabic which was entirely new. Original and early Muslim audiences viewed this as miraculous and responded to the Qur'an's words, sounds, rhythms, etc. in a manner consistent with a deeper appreciation of its beauty and majesty which modern ears, trained by familiarity, and despite being surrounded by all manner of dictionaries and studies, are at a loss to capture. The author attempts to remove this veil and present the Qur'an to readers as if hearing it for the first time, to bring to life some of this wonder. In doing so he guides readers to appreciate the beauty of the Qur'an, to become more immersed in it, and to have a clearer understanding of its structure and flow. Devoting special attention to Surah Al Muddaththir, to underpin his analysis, Saeh thus brings the Revelation to life, to demonstrate that each surah has distinct features and characteristics that make it stand out uniquely within the design and sweep of the whole.

Perhaps the best Quran English translation. It is clear, easy to read, and very faithful to the Arabic original. It closely follows the Arabic text, and often reminds the reader of the Arabic original. It uses today's English language, and today's English vocabulary, thus it is easy to read and understand. The flow is smooth, the sentence structure is simple, the meaning is clear. This Quran translation has no interpretations, no footnotes, and no explanations. It is a pure translation of the Quran, from Arabic to English, and it does not try to emphasize any school of thought. The text purely and accurately translates the Holy Quran, from Arabic, into contemporary English. It was translated by a Muslim, who saw firsthand the miracles inside the Quran. His native language is Arabic; his everyday language is American English. For 15 years, he studied the Quran. For many years, he translated speech between his mother and his wife. For a living, he develops quality software. This Quran translation is available in two editions. This edition (A) uses the word "Allah" to refer to the Creator. Edition (B) uses the word "God". Quran Sura 91. The Sun. ash-Shams. In the name of Allah, the Gracious, the Merciful. 1. By the sun and its radiance. 2. And the moon as it follows it. 3. And the day as it reveals it. 4. And the night as it conceals it. 5. And the sky and He who built it. 6. And the earth and He who spread it. 7. And the soul and He who proportioned it. 8. And inspired it with its wickedness and its righteousness. 9. Successful is he who purifies it. 10. Failing is he who corrupts it. 11. Thamood denied in its pride. 12. When it followed its most wicked. 13. The messenger of Allah said to them, "This is the she-camel of Allah, so let her drink." 14. But they called him a liar, and hamstrung her. So their Lord crushed them for their sin, and leveled it. 15. And He does not fear its sequel. The Quran is the last Book from the Creator. It contains guidance, mercy, and healing. The Quran is a blessing, within reach.

DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF AND AN UNFORGETTABLE AND SWEEPING FAMILY SAGA. From the author of the extraordinary #1 New York Times bestseller The Book Thief, I Am the Messenger is an acclaimed novel filled with laughter, fists, and love. A MICHAEL L. PRINTZ HONOR BOOK FIVE STARRED REVIEWS Ed Kennedy is an underage cabdriver without much of a future. He's pathetic at playing cards, hopelessly in love with his best friend, Audrey, and utterly devoted to his coffee-drinking dog, the Doorman. His life is one of peaceful routine and incompetence until he inadvertently stops a bank robbery. That's when the first ace arrives in the mail. That's when Ed becomes the messenger. Chosen to care, he makes his way through town helping and hurting (when necessary) until only one question remains: Who's behind Ed's mission?

The 'KING ARTHUR - Ultimate Collection: 10 Books of Myths, Tales & The History Behind The Legendary King' is a rich tapestry of narrative adventure and literary exploration, bringing together an eclectic mix of tales about the iconic British leader and the chivalric order of the Round Table. This anthology showcases a remarkable diversity in storytelling, with works ranging from classic Arthurian legends to reinterpretations that breathe new life into ancient narratives. The compilation illuminates the enduring appeal of King Arthurs saga, spotlighting its influence on various literary styles and epochs, and the extraordinary depth with which these authors delve into the legends moral and ethical quandaries stands as a testament to its thematic richness and complexity. The contributing authors and editors, including figures like Howard Pyle and Alfred Tennyson, are rooted in dramatically different historical and cultural backgrounds, offering readers a panoramic view of the Arthurian legends evolution across time. Their collective works underscore significant movements within literature, from medieval romance to Victorian poetry, revealing how each period reimagined the Arthurian world to reflect contemporary concerns and values. This anthology is not just a collection of stories; it is a dialogue across centuries, showcasing the adaptability and resilience of the Arthurian legends. 'Readers seeking a comprehensive yet deeply nuanced exploration of the King Arthur mythos will find this collection invaluable. It is an enlightening journey through the ages, offering a unique opportunity to experience the myriad ways in which these timeless stories have been told and retold. By encompassing a broad spectrum of perspectives, styles, and themes, this anthology enriches our understanding of King Arthur's legend, inviting us to reconsider our notions of heroism, leadership, and morality. This collection is indispensable for enthusiasts of mythic literature, providing both an educational resource and a wellspring of inspiration that rekindles the magic and mystery of Arthur's world for a new generation.'