The author presents a step-by-step method so that any artist begin assembling a career that works. It includes things like instructing on how to get your work into a gallery, and handling self-doubt. He also tells the story of his gallery's shaky start, from his initial failures to his many successes.

The book features living visual artists. The artwork includes drawings, paintings, sculptures, installations, and other non-traditional media. The 3D section has artwork of featured artists that has been manipulated to create a 3D effect. A Directory of the featured artists and their contact information is at the back of the book.

"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times "Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue Over four million copies sold! Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery. The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors. A revolutionary program for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.

This stunning book is the long-awaited result of an extensive review of New York painters and their widely diverse works. It presents an overview of styles, mediums, subjects, even philosophies of art found in galleries, museums, and artists' studios of present-day New York, the oft-acknowledged Art Capital of the contemporary world. Although you may recognize the names and works of many, this company of 100 painters also features works by artists less celebrated, though no less deserving of attention. Expect to find recent works, as well as paintings from an earlier period of an artist's oeuvre -- as near as Kelynn Alder's "Coney Island," painted specifically for this book, and as distant as George Tooker's iconic allegory, "Subway," painted in 1950. Brief biographical sketches accompany each artist's work, providing insight into their emotional and philosophical connection with art as well as their schooling and accomplishments. Experience for yourself this visual feast showcasing the unique works of 100 gifted New York painters. This book is a must-have addition for the library of any art connoisseur and/or collector.

"The Landscape Painter's Workbook takes a modern approach to the time-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala"--

Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.

Blending the reflected cultural climate of his adopted home, Los Angeles, with the multi-layered world of American popular culture, Jim Shaw creates rich dreamlike worlds within distinct bodies of work. Addressing, for the first time, how the artist's oeuvre inter-relates, this substantial monograph argues that the artist's seemingly disparate series actually function together to present a lucid and insightful portrait of America today. Emerging out of the long West Coast shadows of California Assemblage by way of LA Pop and Conceptualism, Shaw's narrative-driven art marries art history and contemporary existence, as well as literature and comic books, ancient myths and modern movies, science and its variations in popular psychology--not only blurring the boundaries between art and life, but also cultivating that confusion to consider the relationship between fact and fiction that seems to define so much of the world we inhabit today. Giving contemporary viewers an effective way to think about art, this publication is an invaluable resource for those interested in painting today and its interaction with modern life.