A NEW YORK TIMES AND #1 INDIEBOUND BEST SELLER #6 on American Library Association's Office of Intellectual Freedom's Top 10 Most Challenged Books of 2020 A Little Free Library Action Book Club Selection National Parenting Product Award Winner (NAPPA) Something Happened in Our Town follows two families — one White, one Black — as they discuss a police shooting of a Black man in their community. The story aims to answer children's questions about such traumatic events, and to help children identify and counter racial injustice in their own lives. Includes an extensive Note to Parents and Caregivers with guidelines for discussing race and racism with children, child-friendly definitions, and sample dialogues.

NATIONAL BESTSELLER • "James and Deborah Fallows have always moved to where history is being made.... They have an excellent sense of where world-shaping events are taking place at any moment" —The New York Times • The basis for the HBO documentary streaming on HBO Max For five years, James and Deborah Fallows have travelled across America in a single-engine prop airplane. Visiting dozens of towns, the America they saw is acutely conscious of its problems—from economic dislocation to the opioid scourge—but it is also crafting solutions, with a practical-minded determination at dramatic odds with the bitter paralysis of national politics. At times of dysfunction on a national level, reform possibilities have often arisen from the local level. The Fallowses describe America in the middle of one of these creative waves. Their view of the country is as complex and contradictory as America itself, but it also reflects the energy, the generosity and compassion, the dreams, and the determination of many who are in the midst of making things better. Our Towns is the story of their journey—and an account of a country busy remaking itself.

With humor and grace, the memoir of a first-generation Chinese American in New York City. Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene. In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole. As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.

The brutal lynching of two young black men in Marion, Indiana, on August 7, 1930, cast a shadow over the town that still lingers. It is only one event in the long and complicated history of race relations in Marion, a history much ignored and considered by many to be best forgotten. But the lynching cannot be forgotten. It is too much a part of the fabric of Marion, too much ingrained even now in the minds of those who live there. In Our Town journalist Cynthia Carr explores the issues of race, loyalty, and memory in America through the lens of a specific hate crime that occurred in Marion but could have happened anywhere. Marion is our town, America’s town, and its legacy is our legacy. Like everyone in Marion, Carr knew the basic details of the lynching even as a child: three black men were arrested for attempted murder and rape, and two of them were hanged in the courthouse square, a fate the third miraculously escaped. Meeting James Cameron–the man who’d survived–led her to examine how the quiet Midwestern town she loved could harbor such dark secrets. Spurred by the realization that, like her, millions of white Americans are intimately connected to this hidden history, Carr began an investigation into the events of that night, racism in Marion, the presence of the Ku Klux Klan–past and present–in Indiana, and her own grandfather’s involvement. She uncovered a pattern of white guilt and indifference, of black anger and fear that are the hallmark of race relations across the country. In a sweeping narrative that takes her from the angry energy of a white supremacist rally to the peaceful fields of Weaver–once an all-black settlement neighboring Marion–in search of the good and the bad in the story of race in America, Carr returns to her roots to seek out the fascinating people and places that have shaped the town. Her intensely compelling account of the Marion lynching and of her own family’s secrets offers a fresh examination of the complex legacy of whiteness in America. Part mystery, part history, part true crime saga, Our Town is a riveting read that lays bare a raw and little-chronicled facet of our national memory and provides a starting point toward reconciliation with the past. On August 7, 1930, three black teenagers were dragged from their jail cells in Marion, Indiana, and beaten before a howling mob. Two of them were hanged; by fate the third escaped. A photo taken that night shows the bodies hanging from the tree but focuses on the faces in the crowd—some enraged, some laughing, and some subdued, perhaps already feeling the first pangs of regret. Sixty-three years later, journalist Cynthia Carr began searching the photo for her grandfather’s face.

Reflections of Life in Our Town is a satirical look at life and values in small town America. The book is occasionally absurd, occasionally offensive, sometimes sensitive, but mostly just funny. Our Town does not exist in a time, nor does it really inhabit a specific place, though most of it's inhabitants believe that they are somewhere in Ohio, and all agree that they are definitely on the planet Earth. The citizens of Our Town live life pretty much as any Americans do, dealing with such issues as the spread of communism, the rise of the superstore, and rampaging ogres at the end of the street (?), as we all would. The cast of characters in Our Town is wildly varied, from the senile village elder, Grandpa Genkaku, to the physically indescribable Laughlin twins. There is a child prodigy with a fish bowl on her head, a many tentacled alien from the dark side of Saturn, and of course, the aforementioned ogres. Though varied, together they form a relatively tight community trying to cope with the trials of everyday life. And everyday life in Our Town is pretty much like life in any town. You have your good days and your bad; your successes and your failures. One day, a wandering band of angels is scandalizing the local women, the next day, the circus comes to town. Life is kind of like a roller coaster that way. The citizens of Our Town also offer forays into outer space in order to rediscover previously discovered planets, and a quest for god while in pursuit of a red balloon. While life in Our Town may not be quite as exciting as life in places like Toledo, we generally manage to fill our days quite well. So, these are my reflections of life in Our Town. While some may seem a bit bizarre at first glance, upon closer inspection, they really are not that much different from the things most people experience in life. After all, its about values, and an appreciation for the things which we hold most dear. So, join me as I take a stroll down memory lane. Relax, and have a laugh, just be careful not to step in any ogre $#!?...

This book "Our Town---Seward, Pennsylvania" is written because of all the work Dave Patterson has been doing on "We miss the old Seward"-web site. He has been bringing old and new Seward residents together talking about the good old days and getting reacquainted after years of not seeing or speaking. All the proceeds from this book will be given to the Seward Volunteer Fire Company for their truck fund, which is much needed.

With World War II raging throughout Europe, the United States knew it needed to produce magnesium—the “miracle metal”—in prodigious quantities. Thousands of souls from across the United States heeded the call and traveled to Southern Nevada to build the world’s largest magnesium production plant. Living conditions were harsh in the parched desert encampment that some called Tent City. But the iron-willed men and women who answered the call would break all records in magnesium production. When the war ended, however, a mass exodus from the settlement left it on the brink of becoming just another ghost town. In this book, the author offers readers a front-row seat to the development of Henderson, Nevada. In plain, straightforward language, she examines the forces that propelled the small community through the war and how it continued to thrive into the twenty-first century. Whether you’re interested in World War II, the history of Nevada, or the history of Henderson in particular, this book reveals the powerful impact of a small desert town.

Has the age of the internet killed our high streets? Have our town and city centres become obsolete? How to Save Our Town Centres delves below the surface of empty buildings and ‘shop local’ campaigns to focus on the real issues: how the relationship between people and places is changing; how business is done and who benefits; and how the use and ownership of land affects us all. Written in an engaging and accessible style and illustrated with numerous original interviews, the book sets out a comprehensive and coherent agenda for long-term, citizen-led change. It will be a valuable resource for policymakers and researchers in planning, architecture and the built environment, economic development and community participation.

A tribute to the Pacific Northwest's grunge genre draws on the observations of individuals at the forefront of the movement from Soundgarden and the Melvins to Nirvana and Pearl Jam, citing such influences as the rise of Seattle's Sub Pop record label and the death of Kurt Cobain.