Go where no artist has ever gone before. Bizarre terrains, enchanted forests, futuristic metropolises, ornate palaces—these are the places where adventure dwells. In this fun and fiercely original book from celebrated fantasy artist Tom Kidd, you'll learn how to set the scene for epic tales of adventure. Discover where Kidd finds his best ideas, the methods behind his glorious color sense, and how he turns it all into exquisite skies, glittering cities, spectacular rock formations, stormy seas, magnificent forests and other bold, breathtaking vistas. Learn to draw and paint fantastic settings in a way that makes them utterly believable Get imagination-sparking approaches for dreaming up these strange new realms, seeing the world around you with fresh eyes and finding ready inspiration in the most ordinary of places 13 step-by-step demonstrations show how ideas are developed into dynamic color oil and watercolor renderings, with some discussion of digital techniques This book is your ticket to destinations of absolute wonder and bizarre beauty. Thrill your viewers by transporting them to locales so vast and unreal, it will take their breath away.

This book offers a new perspective on the "otherworlds" of medieval literature. These fantastical realms are among the most memorable places in medieval writing, by turns beautiful and monstrous, alluring and terrifying. Passing over a river or sea, or entering into a hollow hill, heroes come upon strange and magical realms. These places are often very beautiful, filled with sweet music, and adorned with precious stones and rich materials. There is often no darkness, time may pass at a different pace, and the people who dwell there are usually supernatural. Sometimes such a place is exactly what it appears to be--the land of heart's desire--but, the otherworld can also have a sinister side, trapping humans and keeping them there against their will. Otherworlds: Fantasy and History in Medieval Literature takes a fresh look at how medieval writers understood these places and why they found them so compelling. It focuses on texts from England, but places this material in the broader context of literary production in medieval Britain and Ireland. The narratives examined in this book tell a rather surprising story about medieval notions of these fantastical places. Otherworlds are actually a lot less "other" than they might initially seem. Authors often use the idea of the otherworld to comment on very serious topics. It is not unusual for otherworld depictions to address political issues in the historical world. Most intriguing of all are those texts where locations in the real world are re-imagined as otherworlds. The regions on which this book focuses, Britain, Ireland, and the surrounding islands, prove particularly susceptible to this characterization.

Stories about the occult, folk religions, superstition, and spiritual customs in Russia by one of the most essential twentieth-century writers of short fiction and essays. Though best known for her comic and satirical sketches of pre-Revolutionary Russia, Teffi was a writer of great range and human sympathy. The stories on otherworldly themes in this collection are some of her finest and most profound, displaying the acute psychological sensitivity beneath her characteristic wit and surface brilliance. Other Worlds presents stories from across the whole of Teffi’s long career, from her early days as a literary celebrity in Moscow to her post-Revolutionary years as an émigré in Paris. In the early story “A Quiet Backwater,” a laundress gives a long disquisition on the name days of the flora and fauna and on the Feast of the Holy Ghost, a day on which “no one dairnst disturb the earth.” The story “Wild Evening” is about the fear of the unknown; “The Kind That Walk,” a penetrating study of antisemitism and of xenophobia; and “Baba Yaga,” about the archetypal Russian witch and her longing for wildness and freedom. Teffi traces the persistent influence of the ancient Slavic gods in superstitions and customs, and the deep connection of the supernatural to everyday life in the provinces. In “Volya,” the autobiographical final story, the power and pain of Baba Yaga is Teffi’s own.

Scientist and psychonaut David Luke weaves personal experience and scientific research in this comprehensive exploration of chemically mediated extra ordinary human experiences."Emphasizing parapsychological aspects of the psychedelic experience, Luke's new book fills in a fascinating and previously neglected lacuna in the burgeoning field of human studies with these compounds. " - Rick Strassman, PhD "A psychedelic Indiana Jones. " - Matt Colborn, PhD "David Luke's delightful one-liner about his book is that it's 'about weird people in weird places taking weird substances doing weird things and, importantly, having weird experiences' . . . On reflection, it's much more profound than that . . . So weird reader, forge ahead without fear. " - Dean Radin, PhD "In his fascinating book David plunges into this controversial topic and gives the backstory, the front story, and possible ways forward to bring paranormal and psychedelic research together, and further our understanding of both. " - Dennis J. McKenna, PhD "A remarkable collection and a necessary one. This body of research illuminates aspects of psychedelic experiences usually obscured or denied in the medical and clinical research and sensationalized in the popular press. " - James Fadiman, PhD "A real Dr Gonzo. " - Will Self

Christopher White points to ways that both spiritual practices and scientific speculation about multiverses and invisible dimensions are efforts to peer into the hidden elements and even existential meaning of the universe. Creatively appropriated, these ideas can restore a spiritual sense that the world is greater than anything our eyes can see.

A collection of essays exploring the work of US artists Nancy Spero and Kiki Smith.

"First published by the Natural History Museum, Cromwell Road, London"--Title page verso.

"Benedict Le Fay will betray you. And then he will die." Betrayal and death—not quite the prophecy Selkie wanted about her first love. A half-faerie princess with a price on her head, Selkie Stewart just wants a little normal in her life. Not another crazy prophecy. Besides, she and Ben are a team. They're the two most wanted individuals in the Otherworld, and fated to bring down the Seelie Fairie Court and put an end to their reign of terror. Nothing can come between them. Until Ben leaves. And the sun goes out. And the chiming bells deafen all of Boston. The Seelies are coming. And only Selkie can stop them from destroying the world. Otherworld Series: The Girl Who Never Was (Book 1) The Boy With The Hidden Name (Book 2) What Readers are saying about The Girl Who Never Was: "Utterly charming...echoes of Neil Gaiman's Stardust, of Diana Wynne Jones' Fire and Hemlock."—Erika Koch Utsler, Amazon, 5 stars "This book surprised me with its awesomeness...the voice and the writing blew me away."—AdriAnneMS, Amazon, 5 stars

The 808, as a sound-making machine, creates what some might say is the part of the beat that you can most feel in your chest, in your limbs, the part that leaves you trembling well after the sound departs. It makes sense, then, that what we have here, is a book that does the same. A book that rattles in the mind long after the final word. A book that has a generous dexterity and playfulness in form, but sacrifices nothing in language, in image, in metaphor. Play this one loud and let it shake whatever dormant corners you've got. --Hanif Abdurraqib, author of A Little Devil in America, Go Ahead in the Rain, and They Can't Kill Us Until They Kill Us 808s & Otherworldsannounces a bold and incendiary new voice in Sean Avery Medlin. Against the backdrop of the Phoenix suburbs where they were raised, Medlin interrogates the effects of media misrepresentation on the performance of Black masculinity. Through storytelling rhymes and vulnerable narratives in conversation with both contemporary Hip-Hop culture and systemic anti-Blackness, 808s & Otherworlds pieces together a speculative reality where Blackfolk are simultaneously superhuman and dehumanized. From the gut-wrenchingly real stories of young lovers unmythed by segregation or former classmates appropriating Black culture, to the fantastic settings of Hip-Hop songs and comic characters, Medlin weaves a tapestry of worlds and otherworlds while composing a love letter to family and self, told to an undeniably energetic beat.